LITMIR.BIZ

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Dee’s pupil and close, if sometimes troublesome friend, was excluded for years, and driven to the edge of destitution. He eventually won his way back to favour by staging a spectacular pageant featuring himself dressed as a minstrel, singing to the Queen from the branches of an oak tree of his ‘tragical complaint’.¹⁰ Elizabeth was charmed, and patted a place for him by her side.

      Dee believed he also had a special place next to Elizabeth. He was one of very few commoners to be honoured with personal visits. Twice, they coincided with Dee’s personal tragedies. The first time she arrived, with the entire Privy Council in attendance, was just four hours after the death of his second wife. On the second occasion, Dee had just buried his beloved mother. On both occasions, Elizabeth refused his befuddled entreaties to come into his house, and offered consolation. Both times Dee anxiously struggled to overcome the awkwardness of the situation by trying to entertain her as she waited outside. During the first visit, he brought out the magical mirror Sir William Pickering had given him, which ‘to her Majestie’s great contentment and delight’ he demonstrated to her.¹¹

      He was frequently summoned to court to talk to her about various matters, some of which were quite intimate, such as the prospects for her proposed marriage to the Duke of Anjou. He had become, one commentator noticed, ‘hyr philosopher’.¹²

      He reciprocated such attentions with strong devotion – something she engendered in many of her courtiers, who often translated their dependence upon her into expressions of rapturous love. He devised a special symbol, a capital letter ‘E’ topped with a crown, which he used to refer to her in his diaries. Minutely noting every favour she granted, he refused to blame her for the many denied.

      In January, 1568, he gave copies of a new edition of Propaedeumata to William Cecil and the Earl of Pembroke to present to her. Three days later Dee heard back from Pembroke of her ‘gracious accepting and well liking of the said book’.¹³

      On 16 February he was invited to Westminster Palace. He approached her in the palace gallery, Elizabeth’s preferred location for informal, unscheduled and confidential meetings, as she could pick out from the courtiers hovering nervously those she wished to talk to. Today it was her philosopher’s turn and their conversation quickly moved on from a discussion of the Propaedeumata’s astronomical findings to something more sensational. He revealed to her ‘the great secret for my sake to be disclosed unto her Majesty by Nicolaus Grudius Nicolai, sometime one of the Secretaries to the Emperor Charles the Fifth’.¹⁴ He never let on what this secret was, and little is known about Grudius, a Belgian poet. Dee noted his death in 1569 in one of his books, describing him as a ‘friend’. They also shared the same publisher in Antwerp, Willem Silvius.¹⁵ The assumption is that Grudius’s secret related to alchemy, a recurring interest among European monarchs desperate to find easier ways of filling coffers regularly depleted by wars.

      The promise of such mystical revelations undoubtedly drew Elizabeth to Dee and her appetite for them drew him to her. Elizabeth had a profound sense of the forces of the cosmos acting upon her, and regarded her monarchical powers as magical in some way. For example, she was an enthusiastic practitioner of the ‘royal touch’. In this rite, which had origins reaching back at least to the reign of Henry II, a monarch would touch the neck of a sufferer of epilepsy or scrofula (a painful and disfiguring inflammation of the lymph glands which was also known as ‘the king’s evil’), who would then be cured. Elizabeth’s touch appeared so effective, it was often cited as vindication of her claim to the throne and proof that the Pope’s attempt to excommunicate her had been vetoed by God.

      Not all the water in the rough rude sea

      Can wash the balm off from an anointed king,

      …as Shakespeare put it.¹⁶

      Dee understood better than anyone how the magical balm worked. He could help Elizabeth make the most of it and become an adept at the magical practice of monarchy. However, as he was to discover, even these powers were not enough to levitate him above life’s necessities.

       XI

      Light miles upstream from the city of London along the Thames’s meandering course lies the village of Mortlake. According to dubious tradition, its name means ‘dead lake’. No such lake exists there now, nor in recorded history, though in the distant past one may have gathered on the bend of the river, a dark pool perhaps fouled with the rotting remains of plague or war victims. A less picturesque explanation, suggested by Daniel Lysons in his 1792 survey of London, is that the name comes from the Saxon ‘mortlage’, meaning a compulsory law.¹

      The village that Lysons described in the late eighteenth century was much as it had been in the sixteenth, a small community that had expanded gently over the centuries. It served the stream of river and road traffic that passed by every day, delivering goods and travellers between London and the towns and palaces upstream. Two thousand acres in size, part of the manor of Wimbledon, it comprised a modest church, a cluster of houses mostly concentrated along the Thames tow-path, and a few asparagus fields.

      Even without its dead lake, Lysons found that Mortlake had its local legends. One was recorded by Raphael Holinshed, a contemporary of Dee’s and source for Shakespeare’s history plays, who wrote of a monstrous fish caught there in 1240. Another legend Lysons mentioned was that the village had once held the extraordinary library and laboratory of the great conjuror John Dee.

      In 1672, Elias Ashmole, planning a biography of Dee which was never written, visited Mortlake to interview the village’s oldest inhabitant, eighty-year-old Goodwife Faldo, who was the last surviving link with the time Dee lived there.

      Her memories were vivid. Dee was ‘very handsome’, tall and slender with a fair complexion, smartly dressed in an ‘artists’ gown’ with hanging sleeves, and sporting a long ‘picked’ (pointed) beard which in old age turned snowy white. Faldo recalled how children ran screaming from him because he was ‘accounted a conjuror’, how he would act as a ‘great Peacemaker’ among squabbling adults, and how neighbours would ask his advice on the most trifling domestic problems.

      Faldo remembered an incident concerning a basket of pewter tableware that had been sent to London to be polished for a wedding. The job done, the basket was delivered to a prearranged spot on the banks of the Thames to be collected by the boatman Robert Bryan. But Bryan took the wrong basket, and the furious owner found his gleaming pewter substituted by beef tripe. By means that Faldo could not fathom, Dee directed the hapless boatman to a woman in nearby Wandsworth. It turned out the tripe was hers, and she told Bryan he would find the plate still sitting by the river, as she had found it too heavy to carry home.

      This ambiguous image of the cunning wizard and wise seer was enhanced by Dee’s impressive connections with foreigners and powerful courtiers. Many such figures came through Mortlake, en route between the Queen’s palaces at Westminster, Greenwich, Richmond, Nonsuch and Hampton Court. Faldo recalled Dee frequently visiting nearby Barn Elms, the home of Sir Francis Walsingham and later the Earl of Essex, Queen Elizabeth’s most rebellious favourite and husband of Walsingham’s daughter Frances. Dee had also once taken Faldo and her mother to Richmond Palace, so they could watch a royal dinner with the King of Denmark.

      At the age of just six, Faldo (and her mother) had been invited into Dee’s home, where in a darkened room he showed them the image of a solar eclipse projected through a pinhole.² Despite the reactions of the village’s other children, Faldo seemed quite unafraid of entering Dee’s strange world of ancient manuscripts, intricate devices and chemical

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