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throat. The skin of its cheeks curled like ash from a burned-up log. Its breath was cold, colder than the air. It blew against her, and she could feel it freezing in a slick sheen on her nose. It smelled rotten, wet, like a slimy gutter.

       “Meshvilla?”

      She wanted to run, to scream. Panic welled in her lungs. She couldn’t tell if the gray thing’s voice was threatening or wheedling, but it was without doubt a dark voice, a quiet, windy voice that prickled up her arms.

      “No,” she squeaked, because back in Bath that had always been the right answer for changelings like her. “No, go away.”

      The creature pushed closer, eyeing her. Then its horrid hands were feeling over her cheeks, running through the branches that grew from her head. Bone-cold fingers came to rest on her eyes.

      Hettie screamed. She screamed louder than she had ever screamed in her life, but in that vast black forest it was just a little baby’s wail. It was enough to wake the faery butler, though. He sat up with a start, green clockwork eye clicking to life. It swiveled once, focused on the gray-faced faery.

      The faery butler jerked himself to his feet. “Valentu! Ismeltik relisanyel?”

      The gray face turned, its teeth bared. Hettie heard it hiss. “Misalka,” it said. Englisher. Leave her. Leave her to me.”

      Hettie began to shake. The long, cold fingers were pressing down. An ache sprang up behind her eyes. She knew she should fight, lash out with all her might, but she could not make herself move.

      The faery butler had no such troubles. A knife dropped from inside his sleeve and he swung it in a brilliant arc toward the other faery, who let out a grunt of surprise. It was all Hettie needed. She threw herself to the ground and began to crawl desperately around the base of the tree. Once on the other side, she wrapped her arms around the trunk and peered in terror at the battling faeries.

      They moved back and forth across the snow, swift and silent. The faery butler was fast. Faster than rain. She had seen him fight back in London, seen him use that cruel knife on Bartholomew, but right now she was glad for his skill. He moved his long limbs with grace, whirling and slashing, liquid in the moonlight. The blade spun, streaking down over and over again toward the other faery, who barely managed to get out of its path.

      “No!” it screamed, in English. “You fool and traitor, what are you—?”

      The knife grazed it. Bits of gray skin flew away on the wind. Hettie saw that underneath there was only black, like new coal.

      She turned her face into the tree, squeezing her eyes shut. She heard a shriek, a dull thud. Then a whispering sound and a long, long breath fading away. After that, there was nothing.

      It was a long time before Hettie dared peek around the trunk. She listened to the faery butler, pacing in the snow and panting. She wondered if she should say something to him, but she didn’t dare do that either. He seemed suddenly frightening and dangerous. After a while she heard him lean against the tree, and after another while, his slow, whistling breaths. Only then did she inch from her hiding place.

      The faery butler was still again, his green eye dark. The snow between the roots was trampled. At the faery’s feet lay what looked like a heap of ashes and old clothes. Already they sparkled with frost.

      She edged over to the heap. It didn’t look like a faery anymore. It didn’t look like anything, really. Nothing to be afraid of. She nudged the pile with her toe. It rustled and gave way, the jerkin and boots collapsing over a delicate shell of cinders.

      She wondered what sort of creature it had been. She didn’t know if it had been a woman-faery or a man-faery. She had never seen a faery like it in Bath, falling to ashes.

      The moon was out like every night, and it shone through the branches, glinting on something in the clothes. Hettie knelt and shuffled about in the pile. Her fingers touched warmth. She jerked back, wiping her hand violently on her sleeve. Blood? Was it blood? But it couldn’t be. If there was frost, the blood would have gone cold by now. She leaned in again, brushing away the rest of the ashes with the hem of her nightgown. Her hand closed around the warmth. She brought it up to her eye, examining it … and found herself looking into another eye—a wet, brown eye with a black pupil.

      Hettie let out a muffled shriek. She almost dropped it. But it was only a necklace. The eye was some sort of stone, set into a pendant, a pockmarked disk on a frail chain. The pendant lay heavily in her palm, the warmth seeping into her fingers.

      She stared at it. She hadn’t felt anything warm in so long. She ran her thumb over the stone. It looked precisely like a human eye. There was even a spark in it, a knowing little light like the sort in a real person’s eye. She couldn’t tell what its expression was, because there were no eyebrows or face to go with it, but she thought it looked sad somehow. Lonely.

      She peered even closer.

      Behind her the faery butler shifted, white hands scraping over the snow. Somewhere in the woods, branches skittered.

      Hettie tucked the pendant into the neck of her dress and darted back around the tree. She went to sleep then, and the eye kept her warm the whole night long.

      The next morning, when she woke, the forest seemed to have lightened several shades, fading, like the pictures on coffee tins when they were left too long in the sun. The clouds no longer hung so low in the sky. The trees didn’t look so close together. The cottage was still a hundred strides away, but when Hettie and the faery butler took their first step toward it, it was quite distinctly only ninety-nine. A short while later they were halfway there.

      No light burned in the window anymore. The door hung open on its hinges, showing blackness. The house appeared even emptier and more desolate than before.

      When they were only a few steps away, Hettie glanced back over her shoulder. What she saw made her whirl all the way around and stare.

      Their footprints extended back in a thin line into the woods. And then the forest floor became packed with them. Thousands upon thousands of prints, winding between the trees—her small ones, and the faery butler’s long, narrow ones—going back and forth and round and round, trampling one another and never arriving anywhere.

      A tangle of footprints under the very same trees.

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      Drop-Cap MissingOBLINS were in the walls of Wyndhammer House—two of them, hurtling down the servants’ corridor that hid behind the polished paneling of the ballroom. They streaked under fizzing oil lamps, quick as winks in the dimness. The corridor was hot, narrow, barely wide enough for the goblins to run in single file. Spools of wire lay on the floor. Iron bells lined the ceiling. It was an old precaution, meant to frighten off invading faeries, but it had been for naught. The wires had all been snipped.

      The goblins were breathing hard, gasping as much from the thick air as from excitement.

      “Did you see their faces?” the shorter one exclaimed, in a sort of breathless chuckle. His skin was cracked and brown like the bark of a tree, and he wore a red leather jerkin with copper bottles clinking all along the belt. The bottles were labeled such things as Soldier Illusion, Needlewoman Illusion, Weeping Waifs Illusion. …

      The other goblin grunted. He was gaunt and pointy, the precise opposite of the short one. “Made ’em scared right enough,” he said, leaping a tangle of wire. “It’s what we came for. If’n we get out of here before the servants come, it’ll all be a good night’s work.”

      The short goblin chuckled again, then wheezed. “A good night’s work, he says. A good night’s work. I should say it was a good night’s work. All those puffed-up pigeons, all pinned up with bottle

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