LITMIR.BIZ

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another two or three days. I decide not to write about the treasure hunt for school. I go down to where we’d been digging and there’s a hole at least six feet deep, deep as a grave. I don’t know how the hell Birdy got out of the hole when he was finished.

      When I finally do see Birdy again, we don’t talk about the treasure hunt at first. A few days later, Birdy says he figures somebody got to it before us; that’s why the ground was sunk in like that. He still won’t believe I made it all up; even when I tell him how I did it. He only gives me one of his crazy eye-wiggling looks.

      I want to think to make real this that I know and can’t hold. I’m pulled down. The earth in me is strong; the drifting dust is in my bones.

      We get such a good business going, selling pigeons, we decide to go out and get some birds ourselves. That’s what we were doing up on the gas tank that night. It’s a big storage tank at Marshall Road and Long Lane. This is a place where several different flocks of pigeons roost and nest.

      – How about us up on top of the gas tank, Birdy. That was wild. That night you almost convinced me you might just be part bird.

      Damn; he’s not paying any attention to me at all.

      – Listen here, birdbrain! I’m tired talking to the back of your head; you can’t be that crazy! Maybe if I come in and give you a coupla hard ones you’ll hear better!

      Crazy ass thing to say; anybody hear me, they’d lock me up too. Anyway, Birdy’s not afraid of things people are supposed to be afraid of. No way you can make him do something he doesn’t want. No way to hurt him; like he just doesn’t feel anything he doesn’t want to. Typical of what I mean is the way I met Birdy.

      Mario, my kid brother, comes in and tells me this freak down at the Cosgrove place took his knife. I ask him where he got the knife; he tells me he found it. I figure he stole it but I’m always looking for fights anyway. I’m naturally strong and I’ve already started lifting weights; have my own miniature gym down in the cellar. I’m walking around squeezing spring things to increase my grip; reading Strength and Health; York, Pennsylvania, is a kind of Mecca for me. I start all this crap when I’m only about eleven – probably because the old man used to beat me up so much. Anyway, I’ve got all this strength and I want to try it out with fights.

      I’m just starting these crazy ideas when Mario tells me about Birdy taking his knife. I’m thirteen. Birdy must be all of twelve. I see us in my mind as older, not as little punks like that.

      I go down and walk across the ball field. I’m wearing my new brown leather jacket and Mario’s tagging along behind me. He shows me the place. I lean over the gate in the wall and Birdy’s sitting on the steps of his back porch cleaning off the knife. I tell him to come over. He comes with a look on his face as if he’s glad to meet me.

      Living things grow upward but are not free. The highest branches trap air and light but only feed endless grindings of earth. Growth itself is without meaning.

      I tell him to give me the knife. He says it’s his; says he bought it from a kid named Zigenfus. He tells me I can check with this Zigenfus if I want. I ask him to let me see the knife. He gives it to me. We’re talking over the wooden gate in the wall to his house. It’s the wall of the baseball field.

      I see right away this is a really good knife, a switchblade. I try to work it. Tricky kind of catch and spring; seems to be broken. Birdy reaches over to show me how it works. I pull the knife away and tell him to keep his crummy hands off my knife. He looks at me with his wiggly eyes as if I’m nuts. I turn and start walking away with Mario. He opens the gate and comes after us. We keep walking. He gets in front of us, walking backwards, and asks for his knife. I stop. I hold it up. ‘This knife?’ I say. ‘Try and take it.’ He reaches for the knife. I’m holding it up in my left hand so I can give him a good one with the right. Somehow I miss, and he gets hold of the knife. I snatch the knife out of his hand. I hold it up and he reaches again. I swing and miss again. His head is right there, but by the time my fist gets to that place, he’s gone. I swear he moves after I start the punch. I put the knife in my pocket so I can use both hands; I figure I’m really going to massacre this fool. He keeps reaching for the pocket. He’s always there and I keep swinging but can’t hit him. I start trying to set him up. Nothing doing; it’s like I’m doing everything in slow motion and he’s at full speed. He’s not doing anything like bobbing and weaving; he just moves away from the place I hit at, the way you’d step from in front of a car.

      I decide to grab him. If I have to, I’ll put him on the ground where he can’t move, then clobber him. Mario’s not saying anything. Next time Birdy reaches in for the knife, I step forward and get a good headlock on him. I bend to throw him over my leg and he’s gone. The feeling is exactly the way it feels when a snake slips out of your hand. He squirmed or vibrated.

      I try everything. I try tackling him. I try getting him in a bear hug. I try another headlock. Nothing holds him.

      Later, when Birdy switches to old U.M. High, I want him to go out for wrestling but he won’t do it. The only exception is one time when we have an intramural competition and there’s nobody to wrestle against Vogel at a hundred thirty-five. Vogel is district champ; Birdy says he’ll suit up to fill in.

      The whole school is out to see the match; intramural sports are a big thing at U.M. At the opening of the first period, Vogel misses the takedown a couple times, then he dives at Birdy. Birdy steps aside and falls on Vogel for a takedown. Birdy can’t weigh more than one twenty-five soaking wet. Vogel’s getting mad. He tries to roll. Birdy slips loose and lets Vogel roll alone onto his back. All Birdy has to do is flop on him, hold him down and he has a pin, or at least a near pin. Birdy stands up and smiles down at Vogel. Vogel scrambles for an escape. Birdy has two points for the takedown and Vogel one for the escape.

      Same thing happens again and Birdie has another two points for takedown. Vogel escapes again just at the end of the period. Score: Birdy four, Vogel two. The crowd’s beginning to laugh; everybody’s rooting for Birdy. Birdy’s walking around looking goof y as ever, the wrestling suit hanging all loose on him.

      The second period starts in referee position with Vogel on top. He really hunkers in on Birdy. Birdy’s not even looking at anything, just smiling to himself. I figure this is where Birdy gets pinned. Vogel’s a strong kraut bastard; he’s all red in the face he’s so mad.

      The ref slaps his hand on the mat and calls ‘wrestle’. Vogel pulls Birdy’s arm for a breakdown and somehow, I don’t know what he did, some kind of forward roll, but Birdy’s standing and Vogel’s there all alone on the mat. Jesus, the crowd breaks up. Vogel’s on his hands and knees like an old bear, and Birdy is standing, looking down at him.

      Vogel charges across the mat at Birdy. He fakes going into a wrestle position, then goes down for a leg drop. Birdy twists around and winds up sitting on Vogel’s head. It’s too much. I get so excited I bump my knee into the back of the guy in front of me. He has a sharp pencil in his hip pocket. The point jams into my knee and sticks there. I still have the mark; souvenir of the day Birdy beat the district champion hundred thirty-five pounder. Beat him twelve to six on points, didn’t even work up a sweat. Vogel’s so pissed he spends all season trying to make up for it. He just misses being state champion by two points; gets beaten in the final at Harrisburg.

      When brought to meaning, all importance becomes small, as in death, all life seems nothing. Knowing is destroyed by thinking, not destroyed but sterilized; distilled into knowledge. Thinking, the processing of knowing to knowledge.

      Finally, I’m puffing so from trying to catch Birdy I straighten up and look at him. He smiles at me. He’s still playing games. He wants his knife all right but he’s not mad at me. I’m just the long arm of fate. I take out the knife. I open it slowly to scare him. I go into a crouch like I’m going to kill him. He stands there watching me. I begin to suspect there’s no way I can get him with that knife, even if I want to. Throw it and he’s liable to reach into the air and catch it. I begin to see how funny the whole thing is. Mario’s still standing there. I throw the knife into the ground at Birdy’s feet. Birdy picks it up. He cleans it, closes it, then walks over and

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