LITMIR.BIZ

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For my part, I have found my musical soul again–you will be relieved to hear–this time in the preludes of Chopin. I suppose you must have played them to me, but I never noticed them before. Aren’t they wonderful? Although Mrs K. doesn’t play them well, they are so passionate, so hopeless, I could almost cry over them: they are unbearable. I will find out the numbers of the ones I mean and we will have a feast next holidays.

      By the way, you speak in your last letter of the difference between music and books: I think (to get back to an old argument) it is just the same difference as between friendship and love. The one is a calm and easy going satisfaction, the other a sort of madness: we take possession of one, the other takes possession of us: the one is always pleasant the other in its greatest moments of joy is painful. But perhaps I am rating books and friendship too low, because poetry and great novels do sometimes rouse you almost as much as music: the great love scenes in Shirley for instance, or the best parts of Swinburne etc.

      I am sorry I always make the mistake about your address. Hullo–I’ve done it again.

      Yours,

      Jack

       TO ARTHUR GREEVES (LP V: 64-5):

      [Gastons

      21 March 1916]

      My dear Galahad,

      So here we are at the weekly letter, and very glad I am too; but Heavens!–how the weeks run on don’t they? While I was at Malvern I used to count the days and long for the end of term, so of course time crawled; now-a-days when I am quite comfortable the whole thing goes on far too quickly. And it’s all so many days, months etc., not of the term or the year, but of one’s life–which is tiresome. ‘Help!’ I hear you muttering, ‘Is he going to moralize for four pages?’ (Cheer up, I’ll try to hold it in.)

I’m awfully bucked to hear that you think the same about Phantastes as I, though if you only began to enjoy it in the eleventh chapter, you must have missed what I thought were the best parts–that is to say the forest scene and the faery palace–or does that come after chapter XI? You will gather that the book is upstairs and that I am too lazy to go and get it. I hope that by this time you have bought ‘Sir Gibbie’³⁹ and will be able to advise me on it. Some of the titles of his other books are, to me at least, even more alluring than the one you quote: for instance ‘At the back of the north wind’.⁴⁰

      Isn’t it funny the way some combinations of words can give you–almost apart from their meaning–a thrill like music? It is because I know that you can feel this magic of words AS words that I do not despair of teaching you to appreciate poetry: or rather to appreciate all good poetry, as you now appreciate some. This is however off the point: what I meant to say was that lots of his titles give me that feeling. I wish there were more in Everymans, don’t you?

      Talking about Everymans, do you know what their 1/6 binding is like? I can’t remember whether you have anything in it or not, but I have been thinking of trying it, so tell me what you know on the subject. What? you ask, still new books? Well really the length of the Faerie Queene was a godsend, because so long as I turned to it every week-end with the regularity of clockwork I could keep my money in my pockets: now however the temptation to get a nice new book for the longed for Sunday rest is overwhelming.

I am glad to hear that you have moved into Lily’s room as I think you–or ‘we’ shall I say in selfishness–will be more comfortable there: at the same time I have a sort of affection for the old one where we have had such good times: we should call it ‘joyous garde’.⁴¹ Still, I am longing to find myself in your new quarters with all the old talk, the old music, and the old fingering of rich, friendly books.

      You know, Galahad, that though I try to hide it with silly jokes that annoy you, I am very conscious of how unfair our friendship is, and how you ask me over continually and give me an awfully good time, while I hardly ever bring you to us: indeed though he is a good father to me, I must confess that he–my father–is an obstacle. I do hope you understand? You know how I would love if I could have you any time I liked up in my little room with the gramophone and a fire of our own, to be merry and foolish to our hearts content: or even if I could always readily accept your invitations without feeling a rotter for leaving him alone. I don’t know why I’ve gone off into this discussion, but perhaps it is just as well. Indeed the only thing to be done is to get my father married as quickly as may be–say to Mary Bradley. Or lets poison old Stokes and give him the widow. In which case of course our imagined snuggery in the little end room would be brightened up by a charming circle of brothers and sisters in law.

I know quite well that feeling of something strange and wonderful that ought to happen, and wish I could think like you that this hope will some day be fulfilled. And yet I don’t know: suppose that when you had opened the door the Ash had REALLY confronted you and turning to fly, you had found the house melting into a haunted wood–mightn’t you have wished for the old ‘dull’ world again? Perhaps indeed the chance of a change into some world of Terreauty (a word I’ve coined to mean terror and beauty) is in reality in some allegorical way daily offered to us if we had the courage to take it. I mean one has occasionally felt that this cowardice, this human loathing of spirits just because they are such may be keeping doors shut? Who knows? Of course this is all nonsense and the explanation is that through reading Maeterlink,⁴² to improve my French, too late at night, I have developed a penchant for mystical philosophy–greatly doubtless to the discomfort of my long suffering reader.

      By the way, is the girlinosbornes beginning to ask about my bill yet–which is not paid? Write soon AND LONG mon vieux, to,

      yours,

      Jack

       TO HIS FATHER (LP V: 70):

      [Gastons]

      Postmark: 1 April 1916

      My dear Papy,

The little plans of mice and men, it would seem, must a gang aft aglee.⁴³ You ask me when I am thinking of going home. Well I was thinking of the 15th, as instructed by the Colonel, so that his next leave would fall nicely at the end of my holydays. Mrs. K. suddenly turns up with the pleasing news that Terry is going on Tuesday the 4th., and Osbert Smythe with mother is coming down on the same date to convalesce from a wound, and–ah–when was I thinking of going home? Or in other words, after a little pow-pow, I have been ‘kicked out’ (Perhaps they were right to dissemble their love, but why–).⁴⁴ So I fear me Tuesday it must be. I hardly think a letter from you can reach me before that, so I shall borrow from K. By the way, Terry tells me that all the Belfast boats are off; if this is so, will you please wire and tell me, as in that case I shall have to go by Larne: I suppose the same ticket and payment of difference will do–or is the fare by Larne just the same? Of course if Liverpool and Fleetwood are still running, I will go by either–whichever is running on Tuesday night. In any case please wire and tell me. I am sorry to be such a nuisance, but it is quite as annoying for me, and more so for W. Sunt lacrimae rerum.⁴⁵

      your loving son,

      Jack

      P.S. On second thoughts, Monday would be better if you get this in time; if I go on Tuesday I shall have to travel with Terry and a lot of his friends, which would be terrible–for one thing I know they don’t want me. So Monday be it: please wire. J.

      Lewis was at home from 5 April to 11 May 1916. Writing to Albert about him on 7 April 1916, Mr Kirkpatrick said:

      The very idea of urging or stimulating him to increased exertion makes

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