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The Atlantic Monthly, Volume 09, No. 51, January, 1862. Various
Читать онлайн.Название The Atlantic Monthly, Volume 09, No. 51, January, 1862
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Above his head, behind him, rose the black cone of the mountain, over whose top the lazy clouds of thin white smoke were floating, tinged with the evening light; around him the desolate convulsed waste,—so arid, so supernaturally dreary; and below, like a soft enchanted dream, the beautiful bay, the gleaming white villas and towers, the picturesque islands, the gliding sails, flecked and streaked and dyed with the violet and pink and purple of the evening sky. The thin new moon and one glittering star trembled through the rosy air.
The monk wiped from his brow the sweat that had been caused by the toil of his hurried journey, and listened to the bells of the Ave Maria pealing from the different churches of Naples, filling the atmosphere with a soft tremble of solemn dropping sound, as if spirits in the air took up and repeated over and over the angelic salutation which a thousand earthly lips were just then uttering. Mechanically he joined in the invocation which at that moment united the hearts of all Christians, and as the words passed his lips, he thought, with a sad, desolate longing, of the hour of death of which they spake.
“It must come at last,” he said. “Life is but a moment. Why am I so cowardly? why so unwilling to suffer and to struggle? Am I a warrior of the Lord, and do I shrink from the toils of the camp, and long for the ease of the court before I have earned it? Why do we clamor for happiness? Why should we sinners be happy? And yet, O God, why is the world made so lovely as it lies there, why so rejoicing, and so girt with splendor and beauty, if we are never to enjoy it? If penance and toil were all we were sent here for, why not make a world grim and desolate as this around me?—then there would be nothing to seduce us. But our path is a constant fight; Nature is made only to be resisted; we must walk the sharp blade of the sword over the fiery chasm to Paradise. Come, then!—no shrinking!—let me turn my back on everything dear and beautiful, as now on this landscape!”
He rose and commenced the perpendicular ascent of the cone, stumbling and climbing over the huge sliding blocks of broken lava, which grated and crunched beneath his feet with a harsh metallic ring. Sometimes a broken fragment or two would go tinkling down the rough path behind him, and sometimes it seemed as if the whole loose black mass from above were about to slide, like an avalanche, down upon his head;—he almost hoped it would. Sometimes he would stop, overcome by the toil of the ascent, and seat himself for a moment on a black fragment, and then his eye would wander over the wide and peaceful panorama below. He seemed to himself like a fly perched upon some little roughness of a perpendicular wall, and felt a strange airy sense of pleasure in being thus between earth and heaven. A sense of relief, of beauty, and peacefulness would steal over him, as if he were indeed something disfranchised and disembodied, a part of the harmonious and beautiful world that lay stretched out beneath him; in a moment more he would waken himself with a start, and resume his toilsome journey with a sullen and dogged perseverance.
At last he gained the top of the mountain,—that weird, strange region where the loose, hot soil, crumbling beneath his feet, was no honest foodful mother earth, but an acrid mass of ashes and corrosive minerals. Arsenic, sulphur, and many a sharp and bitter salt were in all he touched, every rift in the ground hissed with stifling steam, while rolling clouds of dun sullen smoke, and a deep hollow booming, like the roar of an immense furnace, told his nearness to the great crater. He penetrated the sombre tabernacle, and stood on the very brink of a huge basin, formed by a wall of rocks around a sunken plain, the midst of which rose the black cone of the subterraneous furnace, which crackled and roared and from time to time spit up burning stones and cinders or oozed out slow ropy streams of liquid fire.
The sulphurous cliffs were dyed in many a brilliant shade of brown and orange by the admixture of various ores, but their brightness seemed strange and unnatural, and the dizzying whirls of vapor, now enveloping the whole scene in gloom, now lifting in this spot and now in that, seemed to magnify the dismal pit to an indefinite size. Now and then there would come up from the very entrails of the mountain a sort of convulsed sob of hollow sound, and the earth would quiver beneath his feet, and fragments from the surrounding rocks would scale off and fall with crashing reverberations into the depth beneath; at such moments it would seem as if the very mountain were about to crush in and bear him down in its ruins.
Father Francesco, though blinded by the smoke and choked by the vapor, could not be content without descending into the abyss and exploring the very penetralia of its mysteries. Steadying his way by means of a cord which he fastened to a firm projecting rock, he began slowly and painfully clambering downward. The wind was sweeping across the chasm from behind, bearing the noxious vapors away from him, or he must inevitably have been stifled. It took him some little time, however, to effect his descent; but at length he found himself fairly landed on the dark floor of the gloomy inclosure.
The ropy, pitch-black undulations of lava yawned here and there in red-hot cracks and seams, making it appear to be only a crust over some fathomless depth of molten fire, whose moanings and boilings could be heard below. These dark congealed billows creaked and bent as the monk stepped upon them, and burned his feet through his coarse sandals; yet he stumbled on. Now and then his foot would crush in, where the lava had hardened in a thinner crust, and he would draw it suddenly back from the lurid red-hot metal beneath. The staff on which he rested was constantly kindling into a light blaze as it slipped into some heated hollow, and he was fain to beat out the fire upon the cooler surface. Still he went on half-stifled by the hot and pungent vapor, but drawn by that painful, unnatural curiosity which possesses one in a nightmare dream. The great cone in the centre was the point to which he wished to attain,—the nearest point which man can gain to this eternal mystery of fire. It was trembling with a perpetual vibration, a hollow, pulsating undertone of sound like the surging of the sea before a storm, and the lava that boiled over its sides rolled slowly down with a strange creaking; it seemed the condensed, intensified essence and expression of eternal fire, rising and still rising from some inexhaustible fountain of burning.
Father Francesco drew as near as he could for the stifling heat and vapor, and, resting on his staff, stood gazing intently. The lurid light of the fire fell with an unearthly glare on his pale, sunken features, his wild, haggard eyes, and his torn and disarranged garments. In the awful solitude and silence of the night he felt his heart stand still, as if indeed he had touched with his very hand the gates of eternal woe, and felt its fiery breath upon his cheek. He half-imagined that the seams and clefts which glowed in lurid lines between the dark billows would gape yet wider and show the blasting secrets of some world of fiery despair below. He fancied that he heard behind and around the mocking laugh of fiends, and that confused clamor of mingled shrieks and lamentations which Dante describes as filling the dusky approaches to that forlorn realm where hope never enters.
“Ah, God,” he exclaimed, “for this vain life of man! They eat, they drink, they dance, they sing, they marry and are given in marriage, they have castles and gardens and villas, and the very beauty of Paradise seems over it all,—and yet how close by burns and roars the eternal fire! Fools that we are, to clamor for indulgence and happiness in this life, when the question is, to escape everlasting burnings! If I tremble at this outer court of God’s wrath and justice, what must be the fires of hell? These are but earthly fires; they can but burn the body: those are made to burn the soul; they are undying as the soul is. What would it be to be dragged down, down, down, into an abyss of soul-fire hotter than this for ages on ages? This might bring merciful death in time: that will have no end.”
The monk fell on his knees and breathed out piercing supplications. Every nerve and fibre within him seemed tense with his agony of prayer. It was not the outcry for purity and peace, not a tender longing for forgiveness, not a filial remorse for sin, but the nervous anguish of him who shrieks in the immediate apprehension of an unendurable torture. It was the cry of a man upon the rack, the despairing scream of him who feels himself sinking in a burning dwelling. Such anguish has found an utterance in Stradella’s celebrated “Pietà, Signore,” which still tells to our ears, in its wild moans and piteous shrieks, the religious conceptions of his day; for there is no phase of the Italian mind that has not found expression in its music.
When the oppression of the heat and sulphurous vapor became too dreadful to be borne, the monk retraced his way and climbed with difficulty up the steep sides of the crater, till he gained the summit above, where a comparatively free air revived him. All night he wandered up