LITMIR.BIZ

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experience. Gems are his passion, and for years he has sacrificed to it. He is only an old clerk on a moderate salary, but no misadventure has ever disturbed his plans, and year by year he has added some treasure to his hoard till it is unique as it is precious. There are rings of bishops and kings; jeweled baubles from Egyptian tombs and gold-wrought ornaments of the Montezumas; a cameo where a single face with its shadows makes six laughing and six weeping outlines; a cat's-eye quartz to which the one the king of Siam has is perhaps the mate; diamonds and pearls, amethysts and topazes, beryls and opals, single emeralds of rare beauty and doublets of great size, rubies of the real pigeon's blood, and sapphires whose heart is blue as the bluest midnight, but whose angles refract a radiance red as fire; chains of carved beads; seals, intaglios,—to almost all of them some legend attaching.

      Here passes a person very different from either of these—a tall and martial figure, a filibustero in every clime, hunted with blood-hounds in the Spanish sierras when Don Carlos needed him, floating naked on bladders down the Danube, with despatches in his mouth, when the Hungarians were sore pressed. Here goes a jolly, happy man, who contentedly lets title and coronet go by across the sea while he practices law in the Patent Office. Here on the avenue go up and down all these people, and countless others with stories as pointed, whether it be such a story as that of Captain Suter, whose treacherous servant bartered all the gold of California for a single drink, or of this black man who to-day is free and yesterday was a slave.

      But attractive as this picturesque grouping of avenues and edifices may be, the attraction does not belong to the outside alone: inside the great doors of the majestic halls you will find that time has wings while you pass in review the trophies of all the zones, and of the meteoric heavens too, preserved in the Smithsonian, or the archives of the country in the Patent Office. This latter is indeed a place of enchantment. The Pompeiian hall has something of the air of a hall dressed for legerdemain, and if you pause to think you will note a strange wizardry at work there. You linger before a little printing-press, and as if magical clouds rose and shut out the work-day world, the skies of Greece are overhead and the Ancient searching for his lever with which to move the world passes down the room and lingers with you; for surely he has found the lever, and surely the world has been moved with it, the boundaries of empires broken up, kings discrowned, republics ruined. Go farther: a case of toys: harmless trifles enough, arrests you—cannon a finger long, batteries the size of a lady's spool-stand, but the reduced models of death-dealing engines whose power of wholesale slaughter may one day revolutionize the codes of nations and abolish warfare. In another case you observe only a lump of coal, a phial of pitch, a flask of oil; and the necromancer of the place has dipped his rod down into the central darkness of the earth and drawn up light like the day's. Yet beyond: an iron stirrup and a slender spur, and the sewing-girl has but to set her foot there and escape the shapes that dog her. Not far away, again, we remember the Oriental magician, who as often as the king cut off his head grew another in its place, as we see the machinery for a feat almost as wonderful in the exact anatomy of steel springs and leather ligaments made to fit upon the very nerves of volition themselves, till the halt walk and the maimed are made whole. In this spot is the jar into which the fisherman shut the afrite; in that are the great genii who gather in a harvest; and in still another there lies a tiny thing answering your touch with no louder noise than a buzz and a click, but its whisper can be heard from end to end of the land, and it runs beneath the roar of ocean to carry the voice of one world to another. In fact, within these crystal cells the intelligence of all our millions is concreted; and it is no wonder that in the face of the marvels here inventors are sometimes seized with a temporary madness, and have to be cared for till the fit passes.

      Inside the Capitol too there is much to detain you: the vast fireproof library of Congress; the legislative halls; the marble room, wainscoted in mirrors, where you can see the Senators slide between the pillars accompanied by the multiplying train of not one but a hundred shadows, and where you can wonder to your heart's content what a room lined with looking-glass has to do with legislation; the storied bronze doors, and the bronze staircases hidden away in the dark, in and out the intricacies of whose balustrades all manner of forest-life is cast—the deer bounding beneath the branches, and the birds fluttering over their nests, which the serpent slides along to rifle. In the older portion of the building is the national order of architecture designed by Jefferson, the columns of which are clustered cornstalks, and in whose capitals the acanthus leaf is pushed aside by the curling tobacco. The lower corridors, too, are pictured with representations of our natural history in bird and flower and fruit—far fitter decoration than the swarming cherubs and cupids and numberless unwarrantable little Loves that tumble about on the other walls, intrude themselves on battle-scenes, and hover round the appalling frescoes of Liberty, Law, Legislation and Religion in the President's room, after a fashion that would be too free and easy for the villa of Lucullus, but which is not altogether discordant with the splendid leprosy of gilding with which the whole interior is infected; which is to be seen oozing from the caissons overhead in huge stalactites, damasked in broad sheets on the paneling, glaring in lattice-work, bosses, scrolls and frets, and trickling everywhere over the efflorescence of the plaster decorations. There are two or three committee-rooms, likewise, very elaborately, though very questionably, decorated, and usually on exhibition to rural visitors, who gape at them with a happy sense of the proprietorship of such pomp. The least unworthy of these is the room set apart for the Committee on Military Affairs: vivid wreaths of laurel decorate the ceiling much more effectively than do the sprawling females of most of the other places; a couple of large battle-pieces illuminate the walls, and cornice, panel and pilaster are simply adorned with frescoed arms and muniments of war. Another is the room of the Agricultural Committee, where, with his group of Romans, Cincinnatus, called from the plough, fills the upper section of one end, and confronts his modern compeer, Israel Putnam; above two side doors little scenes of grain-harvesting illustrate the difference between the old and the new way of going afield; and circling overhead are the Seasons and their attendants—Spring, with armfuls of blossoms and cherubs letting loose the doves; Summer, whose sprites are shooting down arrows of fervid heat; Autumn, with his grapes and sheaves, and his followers festive with lute and tambourine; and old Winter, moving through angry clouds, while his children pour out the showers and blow blasts from their shells. In the room of the Committee on Naval Affairs on both sides as you enter rise grayly the vestibules of vast temples, typifying, perhaps, the sea as the gateway of all nations: above them, much foreshortened, Neptune and Amphitrite, Æolus, Oceanus, Nereus and Thetis, accompany a new sea-goddess, America, with scores of nymphs interspersed—all of them riding on sea-horses and simpering sadly; while in the great panels around the sides of the room other nymphs, painted at full length in lively colors, are bearing aloft various symbols of the sea—this one a sextant, that a chart, another a compass, a fourth a bannerol, sufficiently prosaic in idea, though not ungraceful in fact, as witness the floating damsel who carries a barometer lightly as a mermaid carries her glass, or the figure with the red-gold hair whose back alone we see as she unrolls her map. But it is not easy to say why we should recur to mythology for our national ornamentation, or why the ancient Greeks should be called in where our own history needs the canvas, or why these aërial young women should so comfortably usurp the place of the Guerriere and Constitution, the dauntless little boat between the fires on Lake Erie, or the unsurpassed sea-scenes of storm and calm along our own coast.

      But there is far more than all this pride of the eyes to detain you within the Capitol: there is the great arena where our political athletes contend, and where, by daily observation of their faces, daily hearing of their voices, daily notice of their manners, one becomes familiar as if by personal acquaintance with the heroes of the day. In past times the heroes were such as Webster, Calhoun and Clay. Now they are others—men whom this belittling age of the telegraph and the reporter brings so near us that there is at least little chance of their ever looming up in undue proportion through the mists of tradition. It is Henry Wilson, sitting in the Vice-President's chair, a notable example of the possibilities in a republic; or it is Sumner, with that gray head which all men honor as a type of political integrity, albeit not untinctured with arrogance; or it is another sort of man that engages your attention, one whom you recognize at once, for certainly there is no one but knows that face—a face so easy to caricature that there is no insult of the pencil that has not been offered it, but which is not the less expressive of an indomitable will, an untamable spirit, and a mind like a torch, throwing light on everything

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