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about six o'clock, and was pressed to take a bed there by the friendly family of the Harts; but he refused, and, to avoid their entreaties, he told them that he had never been superstitious, but that the night before he had had a dream, which had made a deep impression on him. He dreamed that Death had appeared to him, as he is commonly painted, and had touched him with his dart. Well, he returned home; and all his family, I excepted, were up. He told my mother his dream; but he was in good health and high spirits; and there was a bowl of punch made, and my father gave a long and particular account of his travels, and that he had placed Frank under a religious captain, and so forth. At length he went to bed, very well and in high spirits. A short time after he had lain down, he complained of a pain to which he was subject. My mother got him some peppermint water, which he took; and after a pause he said, "I am much better now, my dear!" and lay down again. In a minute my mother heard a noise in his throat, and spoke to him; but he did not answer, and she spoke repeatedly in vain. Her shriek awaked me, and I said, "Papa is dead!" I did not know of my father's return, but I knew that he was expected. How I came to think of his death, I cannot tell; but so it was. Dead he was. Some said it was gout in the heart; probably it was a fit of apoplexy. He was an Israelite without guile, simple, generous; and, taking some Scripture texts in their literal sense, he was conscientiously indifferent to the good and evil of this world.'

      This was the account of his father's sudden death in 1781, written by S. T. Coleridge in 1797. 'Thirty years afterwards' (but after 1781 or after 1797?), says Mr. H. N. Coleridge, 'S. T. C. breathed a wish for such a death, "if," he added, "like him I were an Israelite without guile!" and then added, "The image of my father, my revered, kind, learned, simple-hearted father, is a religion to me."'

      In his ninth year, therefore, thus early and thus suddenly, Coleridge lost his father; and in the result, though his mother lived for many a year after, he became essentially an orphan, being thrown upon the struggles of this world, and for ever torn from his family, except as a visitor when equally he and they had changed. Yet such is the world, and so inevitably does it grow thorns amongst its earliest roses, that even that dawn of life when he had basked in the smiles of two living parents, was troubled for him by a dark shadow that followed his steps or ran before him, obscuring his light upon every path. This was Francis Coleridge, one year older, that same boy whom his father had in his last journey upon earth accompanied to Plymouth.

      We shall misconceive the character of Francis if we suppose him to have been a boy of bad nature. He turned out a gallant young man, and perished at twenty-one from over exertion in Mysore, during the first war with Tippoo Sahib. How he came to be transferred from the naval to the land service, is a romantic story, for which, as it has no relation to the Coleridge, we cannot find room.

      In that particular relation, viz., to the Coleridge, Francis may seem at first to have been unamiable, and especially since the little Samuel was so entirely at the mercy of his superior hardiness and strength; but, in fact, his violence arose chiefly from the contempt natural to a bold adventurous nature for a nursery pet, and a contempt irritated by a counter admiration which he could not always refuse. 'Frank,' says S. T. C., looking back to these childish days, 'had a violent love of beating me; but, whenever that was superseded by any humour or circumstances, he was always very fond of me, and used to regard me with a strange mixture of admiration and contempt. Strange it was not; for he hated books, and loved climbing, fighting, playing, robbing orchards, to distraction.'

      In the latter part of 1778, when S. T. C. was six years old, and recently admitted to King's School at Ottery, he and his brother George (that brother to whom his early poems were afterwards dedicated) caught a putrid fever at the same time. But on this occasion Frank displayed his courageous kindness; for, in contempt of orders to the contrary, and in contempt of the danger, he stole up to the bedside of little Samuel and read Pope's 'Homer' to him. This made it evident that Frank's partiality for thumping S. T. C. did really arise very much out of a lurking love for him; since George, though a most amiable boy, and ill of the same fever in another room, was left to get well in the usual way, by medicine and slops, without any thumping certainly, but also without any extra consolations from either Iliad or Odyssey. But what ministered perpetual fuel to the thumping-mania of Francis Coleridge was a furor of jealousy—strangely enough not felt by him, but felt for him by his old privileged nurse. She could not inspire her own passions into Francis, but she could point his scorn to the infirmities of his rival. Francis had once reigned paramount in the vicarage as universal pet. But he had been dethroned by Samuel, who now reigned in his stead. Samuel felt no triumph at that revolution; Francis no anger. But the nurse suffered the pangs of a baffled stepmother, and looked with novercal eyes of hatred and disgust upon little Sam that had stolen away the hearts of men and women from one that in her eyes was a thousand times his superior. In that last point nurse was not so entirely wrong, but that nine-tenths of the world (and therefore, we fear, of our dearly-beloved readers) would have gone along with her, on which account it is that we have forborne to call her 'wicked old nurse.' Francis Coleridge, her own peculiar darling, was memorable for his beauty. All the brothers were handsome—'remarkably handsome,' says S. T. C., 'but they,' he adds, 'were as inferior to Francis as I am to them.'11

      Reading this and other descriptions of Frank Coleridge's beauty (in our Indian army he was known as the handsome Coleridge), we are disposed to cry out with Juliet,

      'Beautiful tyrant! fiend angelical!

      Dove-feathered raven!'

      when we find how very nearly his thoughtless violence had hurried poor S. T. C. into an early death. The story is told circumstantially by Coleridge himself in one of the letters to Mr. Poole; nor is there any scene more picturesque than this hasty sketch in Brookes's 'Fool of Quality.' We must premise that S. T. C. had asked his mother for a particular indulgence requiring some dexterity to accomplish. The difficulty, however, through her cautious manipulations, had just been surmounted, when Samuel left the room for a single instant, and found upon his return that the beautiful Francis had confounded all Mama's labours, and had defeated his own enjoyment. What followed is thus told by Samuel nearly twenty years after: 'I returned, saw the exploit, and flew at Frank. He pretended to have been seriously hurt by my blow, flung himself upon the ground, and there lay with outstretched limbs.' This is good comedy: the pugnacious Frank affecting to be an Abel, killed by a blow from Cain such as doubtless would not have 'made a dint in a pound of butter.' But wait a little. Samuel was a true penitent as ever was turned off for fratricide at Newgate. 'I,' says the unhappy murderer, 'hung over him mourning and in great fright;' but the murdered Frank by accident came to life again. 'He leaped up, and with a hoarse laugh gave me a severe blow in the face.' This was too much. To have your grief flapped back in your face like a wet sheet is bad, but also and at the same time to have your claret uncorked is unendurable. The 'Ancient Mariner,' then about seven years old, could not stand this. 'With his cross-bow'—no, stop! what are we saying? Nothing better than a kitchen knife was at hand—and 'this,' says Samuel, 'I seized, and was running at him, when my mother came in and took me by the arm. I expected a whipping, and, struggling from her, I ran away to a little hill or slope, at the bottom of which the Otter flows, about a mile from Ottery. There I stayed, my rage died away; but my obstinacy vanquished my fears, and taking out a shilling book, which had at the end morning and evening prayers, I very devoutly repeated them, thinking at the same time with a gloomy inward satisfaction how miserable my mother must be. I distinctly remember my feelings when I saw a Mr. Vaughan pass over the bridge at about a furlong's distance, and how I watched the calves in the fields beyond the river. It grew dark, and I fell asleep. It was towards the end of October, and it proved a stormy night. I felt the cold in my sleep, and dreamed that I was pulling the blanket over me, and actually pulled over me a dry thorn-bush which lay on the ground near me. In my sleep I had rolled from the top of the hill till within three yards of the river, which flowed by the unfenced edge of the bottom. I awoke several times, and, finding myself wet and cold and stiff, closed my eyes again that I might forget it.

      'In the meantime my mother waited about half an hour, expecting my return when the sulks had evaporated. I not returning, she sent into the churchyard and round the town. Not found! Several men and all the boys were sent out to ramble about and seek me. In vain. My mother was almost distracted, and at ten o'clock

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<p>11</p>

In saying this, Coleridge unduly disparaged his own personal advantages. In youth, and before sorrow and the labour of thought had changed him, he must have been of very engaging appearance. The godlike forehead, which afterwards was ascribed to him, could not have been wanting at any age. That exquisite passage in Wordsworth's description of him,

'And a pale face, that seem'd undoubtedlyAs if a blooming face it ought to be,'

had its justification in those early days. If to be blooming was the natural tendency and right of his face, blooming it then was, as we have been assured by different women of education and taste, who saw him at twenty-four in Bristol and Clifton. Two of these were friends of Hannah More, and had seen all the world. They could judge: that is, they could judge in conformity to the highest standards of taste; and both said, with some enthusiasm, that he was a most attractive young man; one adding, with a smile at the old pastoral name, 'Oh, yes, he was a perfect Strephon.' Light he was in those days and agile as a feathered Mercury; whereas he afterwards grew heavy and at times bloated; and at that gay period of life his animal spirits ran up naturally to the highest point on the scale; whereas in later life, when most tempestuous, they seemed most artificial. That this, which was the ardent testimony of females, was also the true one, might have been gathered from the appearance of his children. Berkeley died an infant, and him only we never saw. The sole daughter of Coleridge, as she inherited so much of her father's intellectual power, inherited also the diviner part of his features. The upper part of her face, at seventeen, when last we saw her, seemed to us angelic, and pathetically angelic; for the whole countenance was suffused by a pensive nun-like beauty too charming and too affecting ever to be forgotten. Derwent, the youngest son, we have not seen since boyhood, but at that period he had a handsome cast of features, and (from all we can gather) the representative cast of the Coleridge family. But Hartley, the eldest son, how shall we describe him? He was most intellectual and he was most eccentric, and his features expressed all that in perfection. Southey, in his domestic playfulness, used to call him the Knave of Spades; and he certainly had a resemblance to that well-known young gentleman. But really we do not know that it would have been at all better to resemble the knave of hearts. And it must be remembered that the knave of spades may have a brother very like himself, and yet a hundred times handsomer. There are such things as handsome likenesses of very plain people. Some folks pronounced Hartley Coleridge too Jewish. But to be a Jew is to be an Arab. And our own feeling was, when we met Hartley at times in solitary or desolate places of Westmoreland and Cumberland, that here was a son of Ishmael walking in the wilderness of Edom. The coruscating nimbus of his curling and profuse black hair, black as erebus, strengthened the Saracen impression of his features and complexion. He wanted only a turban on his head, and a spear in his right hand, to be perfect as a Bedouin. But it affected us as all things are affecting which record great changes, to hear that for a long time before his death this black hair had become white as the hair of infancy. Much sorrow and much thought had been the worms that gnawed the roots of that raven hair; that, in Wordsworth's fine way of expressing the very same fact as to Mary Queen of Scots:

'Kill'd the bloom before its time,And blanch'd, without the owner's crime,The most resplendent hair.'

Ah, wrecks of once blooming nurseries, that from generation to generation, from John Coleridge the apostolic to S. T. C. the sunbright, and from S. T. C. the sunbright to Hartley the starry, lie scattered upon every shore!