LITMIR.BIZ

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dawn. You durst not call it a smile that radiated from the lips; the radiation was too awful to clothe itself in adumbrations or memorials of flesh.

      In that mode of sublimity, perhaps, I still adhere to my first opinion, that nothing so great was ever beheld. The atmosphere for this, for the Memnon, was the breathlessness which belongs to a saintly trance; the holy thing seemed to live by silence. But there is a picture, the pendant of the Memnon, there is a dreadful cartoon, from the gallery which has begun to open upon Lord Rosse's telescope, where the appropriate atmosphere for investing it must be drawn from another silence, from the frost and from the eternities of death. It is the famous nebula in the constellation of Orion; famous for the unexampled defiance with which it resisted all approaches from the most potent of former telescopes; famous for its frightful magnitude and for the frightful depth to which it is sunk in the abysses of the heavenly wilderness; famous just now for the submission with which it has begun to render up its secrets to the all-conquering telescope; and famous in all time coming for the horror of the regal phantasma which it has perfected to eyes of flesh. Had Milton's 'incestuous mother,' with her fleshless son, and with the warrior angel, his father, that led the rebellions of heaven, been suddenly unmasked by Lord Rosse's instrument, in these dreadful distances before which, simply as expressions of resistance, the mind of man shudders and recoils, there would have been nothing more appalling in the exposure; in fact, it would have been essentially the same exposure: the same expression of power in the detestable phantom, the same rebellion in the attitude, the same pomp of malice in the features to a universe seasoned for its assaults.

      The reader must look to Dr. Nichol's book, at page 51, for the picture of this abominable apparition. But then, in order to see what I see, the obedient reader must do what I tell him to do. Let him therefore view the wretch upside down. If he neglects that simple direction, of course I don't answer for anything that follows: without any fault of mine, my description will be unintelligible. This inversion being made, the following is the dreadful creature that will then reveal itself.

       Description of the Nebula in Orion, as forced to show out by Lord Rosse.—You see a head thrown back, and raising its face, (or eyes, if eyes it had,) in the very anguish of hatred, to some unknown heavens. What should be its skull wears what might be an Assyrian tiara, only ending behind in a floating train. This head rests upon a beautifully developed neck and throat. All power being given to the awful enemy, he is beautiful where he pleases, in order to point and envenom his ghostly ugliness. The mouth, in that stage of the apocalypse which Sir John Herschel was able to arrest in his eighteen- inch mirror, is amply developed. Brutalities unspeakable sit upon the upper lip, which is confluent with a snout; for separate nostrils there are none. Were it not for this one defect of nostrils; and, even in spite of this defect, (since, in so mysterious a mixture of the angelic and the brutal, we may suppose the sense of odor to work by some compensatory organ,) one is reminded by the phantom's attitude of a passage, ever memorable, in Milton: that passage, I mean, where Death first becomes aware, soon after the original trespass, of his own future empire over man. The 'meagre shadow' even smiles (for the first time and the last) on apprehending his own abominable bliss, by apprehending from afar the savor 'of mortal change on earth.'

      ——'Such a scent,' (he says,) 'I draw

      Of carnage, prey innumerable.'

      As illustrating the attitude of the phantom in Orion, let the reader allow me to quote the tremendous passage:—

      'So saying, with delight he snuff'd the smell

      Of mortal change on earth. As when a flock

      Of ravenous fowl, though many a league remote,

      Against the day of battle, to a field,

      Where armies lie encamp'd, come flying, lured

      With scent of living carcasses design'd

      For death, the following day, in bloody fight;

      So scented the grim feature, [Footnote: 'So scented the grim

      feature,' [feature is the old word for form or outline that

       is shadowy; and also for form (shadowy or not) which abstracts from

      the matter.] By the way, I have never seen it noticed, that

      Milton was indebted for the hint of this immortal passage to a superb

      line-and-a-half, in Lucan's Pharsalia.] and upturn'd

      His nostril wide into the murky air,

      Sagacious of his quarry from so far.'

      But the lower lip, which is drawn inwards with the curve of a conch shell,—oh what a convolute of cruelty and revenge is there! Cruelty!—to whom? Revenge!—for what? Ask not, whisper not. Look upwards to other mysteries. In the very region of his temples, driving itself downwards into his cruel brain, and breaking the continuity of his diadem, is a horrid chasm, a ravine, a shaft, that many centuries would not traverse; and it is serrated on its posterior wall with a harrow that perhaps is partly hidden. From the anterior wall of this chasm rise, in vertical directions, two processes; one perpendicular, and rigid as a horn, the other streaming forward before some portentous breath. What these could be, seemed doubtful; but now, when further examinations by Sir John Herschel, at the Cape of Good Hope, have filled up the scattered outline with a rich umbrageous growth, one is inclined to regard them as the plumes of a sultan. Dressed he is, therefore, as well as armed. And finally comes Lord Rosse, that glorifies him with the jewellery [Footnote: The jewellery of Stars. And one thing is very remarkable, viz., that not only the stars justify this name of jewellery, as usual, by the life of their splendor, but also, in this case, by their arrangement. No jeweller could have set, or disposed with more art, the magnificent quadrille of stars which is placed immediately below the upright plume. There is also another, a truncated quadrille, wanting only the left hand star (or you might call it a bisected lozenge) placed on the diadem, but obliquely placed as regards the curve of that diadem. Two or three other arrangements are striking, though not equally so, both from their regularity and from their repeating each other, as the forms in a kaleidoscope.] of stars: he is now a vision 'to dream of, not to tell:' he is ready for the worship of those that are tormented in sleep: and the stages of his solemn uncovering by astronomy, first by Sir W. Herschel, secondly, by his son, and finally by Lord Rosse, is like the reversing of some heavenly doom, like the raising of the seals that had been sealed by the angel, in the Revelations. But the reader naturally asks, How does all this concern Lord Rosse's telescope on the one side, or general astronomy on the other? This nebula, he will say, seems a bad kind of fellow by your account; and of course it will not break my heart to hear, that he has had the conceit taken out of him. But in what way can that affect the pretensions of this new instrument; or, if it did, how can the character of the instrument affect the general condition of a science? Besides, is not the science a growth from very ancient times? With great respect for the Earl of Rosse, is it conceivable that he, or any man, by one hour's working the tackle of his new instrument, can have carried any stunning revolutionary effect into the heart of a section so ancient in our mathematical physics? But the reader is to consider, that the ruins made by Lord Rosse, are in sidereal astronomy, which is almost wholly a growth of modern times; and the particular part of it demolished by the new telescope, is almost exclusively the creation of the two Herschels, father and son. Laplace, it is true, adopted their views; and he transferred them to the particular service of our own planetary system. But he gave to them no new sanction, except what arises from showing that they would account for the appearances, as they present themselves to our experience at this day. That was a negative confirmation; by which I mean, that, had their views failed in the hands of Laplace, then they were proved to be false; but, not failing, they were not therefore proved to be true. It was like proving a gun; if the charge is insufficient, or if, in trying the strength of cast iron, timber, ropes, &c., the strain is not up to the rigor of the demand, you go away with perhaps a favorable impression as to the promises

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