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      The Disowned — Volume 04

      CHAPTER XXXVII

      What a charming character is a kind old man.

—STEPHEN MONTAGUE.

      "Cheer up, my dear boy," said Talbot, kindly, "we must never despair. What though Lady Westborough has forbidden you the boudoir, a boudoir is a very different thing from a daughter, and you have no right to suppose that the veto extends to both. But now that we are on this subject, do let me reason with you seriously. Have you not already tasted all the pleasures, and been sufficiently annoyed by some of the pains, of acting the 'Incognito'? Be ruled by me: resume your proper name; it is at least one which the proudest might acknowledge; and its discovery will remove the greatest obstacle to the success which you so ardently desire."

      Clarence, who was labouring under strong excitement, paused for some moments, as if to collect himself, before he replied: "I have been thrust from my father's home; I have been made the victim of another's crime; I have been denied the rights and name of son; perhaps (and I say this bitterly) justly denied them, despite of my own innocence. What would you have me do? Resume a name never conceded to me,— perhaps not righteously mine,—thrust myself upon the unwilling and shrinking hands which disowned and rejected me; blazon my virtues by pretensions which I myself have promised to forego, and foist myself on the notice of strangers by the very claims which my nearest relations dispute? Never! never! never! With the simple name I have assumed; the friend I myself have won,—you, my generous benefactor, my real father, who never forsook nor insulted me for my misfortunes,— with these I have gained some steps in the ladder; with these, and those gifts of nature, a stout heart and a willing hand, of which none can rob me, I will either ascend the rest, even to the summit, or fall to the dust, unknown, but not contemned; unlamented, but not despised."

      "Well, well," said Talbot, brushing away a tear which he could not deny to the feeling, even while he disputed the judgment, of the young adventurer,—"well, this is all very fine and very foolish; but you shall never want friend or father while I live, or when I have ceased to live; but come,—sit down, share my dinner, which is not very good, and my dessert, which is: help me to entertain two or three guests who are coming to me in the evening, to talk on literature, sup, and sleep; and to-morrow you shall return home, and see Lady Flora in the drawing-room if you cannot in the boudoir."

      And Clarence was easily persuaded to accept the invitation. Talbot was not one of those men who are forced to exert themselves to be entertaining. He had the pleasant and easy way of imparting his great general and curious information, that a man, partly humourist, partly philosopher, who values himself on being a man of letters, and is in spite of himself a man of the world, always ought to possess. Clarence was soon beguiled from the remembrance of his mortifications, and, by little and little, entirely yielded to the airy and happy flow of Talbot's conversation.

      In the evening, three or four men of literary eminence (as many as Talbot's small Tusculum would accommodate with beds) arrived, and in a conversation, free alike from the jargon of pedants and the insipidities of fashion, the night fled away swiftly and happily, even to the lover.

      CHAPTER XXXVIII

      We are here (in the country) among the vast and noble scenes of Nature; we are there (in the town) among the pitiful shifts of policy. We walk here in the light and open ways of the divine bounty,—we grope therein the dark and confused labyrinths of human malice; our senses are here feasted with all the clear and genuine taste of their objects, which are all sophisticated there, and for the most part overwhelmed with their contraries: here pleasure, methinks, looks like a beautiful, constant, and modest wife; it is there an impudent, fickle, and painted harlot.

—COWLEY.

      Draw up the curtain! The scene is the Opera.

      The pit is crowded; the connoisseurs in the front row are in a very ill humour. It must be confessed that extreme heat is a little trying to the temper of a critic.

      The Opera then was not what it is now, nor even what it had been in a former time. It is somewhat amusing to find Goldsmith questioning, in one of his essays, whether the Opera could ever become popular in England. But on the night—on which the reader is summoned to that "theatre of sweet sounds" a celebrated singer from the Continent made his first appearance in London, and all the world thronged to "that odious Opera-house" to hear, or to say they had heard, the famous Sopraniello.

      With a nervous step, Clarence proceeded to Lady Westborough's box; and it was many minutes that he lingered by the door before he summoned courage to obtain admission.

      He entered; the box was crowded; but Lady Flora was not there. Lord Borodaile was sitting next to Lady Westborough. As Clarence entered, Lord Borodaile raised his eyebrows, and Lady Westborough her glass. However disposed a great person may be to drop a lesser one, no one of real birth or breeding ever cuts another. Lady Westborough, therefore, though much colder, was no less civil than usual; and Lord Borodaile bowed lower than ever to Mr. Linden, as he punctiliously called him. But Clarence's quick eye discovered instantly that he was no welcome intruder, and that his day with the beautiful marchioness was over. His visit, consequently, was short and embarrassed. When he left the box, he heard Lord Borodaile's short, slow, sneering laugh, followed by Lady Westborough's "hush" of reproof.

      His blood boiled. He hurried along the passage, with his eyes fixed upon the ground and his hand clenched.

      "What ho! Linden, my good fellow; why, you look as if all the ferocity of the great Figg were in your veins," cried a good-humoured voice.

      Clarence started, and saw the young and high-spirited Duke of Haverfield.

      "Are you going behind the scenes?" said his grace. "I have just come thence; and you had much better drop into La Meronville's box with me. You sup with her to-night, do you not?

      "No, indeed!" replied Clarence; "I scarcely know her, except by sight."

      "Well, and what think you of her?"

      "That she is the prettiest Frenchwoman I ever saw."

      "Commend me to secret sympathies!" cried the duke. "She has asked me three times who you were, and told me three times you were the handsomest man in London and had quite a foreign air; the latter recommendation being of course far greater than the former. So, after this, you cannot refuse to accompany me to her box and make her acquaintance."

      "Nay," answered Clarence, "I shall be too happy to profit by the taste of so discerning a person; but it is cruel in you, Duke, not to feign a little jealousy,—a little reluctance to introduce so formidable a rival."

      "Oh, as to me," said the duke, "I only like her for her mental, not her personal, attractions. She is very agreeable, and a little witty; sufficient attractions for one in her situation."

      "But do tell me a little of her history," said Clarence, "for, in spite of her renown, I only know her as La belle Meronville. Is she not living en ami with some one of our acquaintance?"

      "To be sure," replied the duke, "with Lord Borodaile. She is prodigiously extravagant; and Borodaile affects to be prodigiously fond: but as there is only a certain fund of affection in the human heart, and all Lord Borodaile's is centred in Lord Borodaile, that cannot really be the case."

      "Is he jealous of her?" said Clarence.

      "Not in the least! nor indeed, does she give him any cause. She is very gay, very talkative, gives excellent suppers, and always has her box at the Opera crowded with admirers; but that is all. She encourages many, and favours but one. Happy Borodaile! My lot is less fortunate! You know, I suppose, that Julia has deserted me?"

      "You astonish me,—and for what?"

      "Oh, she told me, with a vehement burst of tears, that she was convinced I did not love her, and that a hundred pounds a month was not sufficient to maintain a milliner's apprentice. I answered the first assertion by an assurance that I adored her: but I preserved a total silence with

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