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There’s going to be a splendid play.”

      Martha hesitated.

      There is so little to excite or interest in the monotonous life of a hard-working seamstress, that she really longed to throw aside the needle, and accept her cousin’s invitation.

      “I should like to go,” she said at length, “but I am afraid I ought not to spend either the time or the money.”

      “Then I’ll make you a fair offer. If you’ll spare the time, I’ll spare the money. I’ll buy the tickets. Won’t you go, too?” she continued, turning to Helen. “I’ll pay for you.”

      Helen looked at Martha who nodded kindly, and said, “Did you ever go to the theatre, Helen!”

      “No, Martha.”

      “Then you had better come. You can come back with me.”

      “Thank you,” said Helen. “I will see if father needs me.”

      She hastened up stairs, but found that her father, absorbed in his engrossing employment, had not even been aware of her absence.

      “Do you think you can spare me for two or three hours, papa?” she asked. “I have been invited to go out.”

      She had to repeat the question before her father comprehended.

      “Go, by all means, my dear child,” he answered. “I am afraid you confine yourself too much on my account.”

      Helen was soon ready. She went out with Martha Grey and her cousin, and a few minutes found them standing before a large building with a spacious entrance.

      “This is the theatre,” said Martha, addressing herself to Helen.

      Helen little thought of the consequences that were to follow this—her first entrance within the walls of a theatre.

      CHAPTER VII.

      A NEW TALENT

      Seated in the theatre, Helen looked about her in bewilderment. She had never been within the walls of a theatre. In the street the sun shone brightly. Here the sun was rigorously excluded, and gas took its place. It seemed to the unsophisticated child like a sudden leap from noon to night. She could hear the rumbling of vehicles in the streets, but it appeared to her, somehow, as if they were far away, and that she had come into a different world. She wondered what there was behind that broad green curtain in front, and why the lights should be arranged so oddly at the foot of it.

      “Lor’, child, that’s the stage,” was the lucid explanation of Martha’s cousin, to whom she applied for information. “Haven’t you ever been to the theatre before?”

      “No, never,” said Helen.

      The cousin looked at her with some curiosity, as if there must be something out of the common way about a person who had never been to the theatre, and expressed her decided conviction that Helen’s education had been shockingly neglected.

      “Why,” said she, “before I was half as high as you, I had been to the theatre ever so many times.”

      She spoke with so much complacency that Helen imagined she must be a very superior person, and possessed great knowledge of the world.

      While these and other thoughts were passing through her mind, the bell rang twice, and then the curtain rose.

      Helen nearly uttered an exclamation of surprise, so unprepared was she for the spectacle which was presented to her dazzled gaze. The play was a fairy extravaganza, which depended for its success chiefly upon scenery and stage effect. In the first scene was represented the palace of the Queen of the fairies, crowning the summit of a hill, rising in the centre of a beautiful island. Above floated fleecy clouds, from a break in which streamed the sunshine, lending its glory to the scene.

      In the foreground stood a circle of children about Helen’s age or younger, who figured as sylphs. With united voices they sang a song in honor of the Queen of the fairies, who directly afterwards was seen floating through the air above the stage, arrayed in such style as seemed befitting her illustrious rank.

      So complete was the illusion to Helen, that she gazed with suspended breath and a feeling, half of awe, as if the scene she looked upon was really one of enchantment.

      “Is she really a fairy?” she asked of Martha’s cousin.

      “No, child, of course not. It’s Henrietta Blake. I’ve seen her in the street many a time. Once I was introduced to her.”

      “What a beautiful creature she must be!” said Helen, admiringly.

      “Beautiful!” repeated the cousin, with some disdain. “For my part, I don’t think she’s anything to boast of in that line. Just notice what a poor complexion she has. You’d see it if it wasn’t for the paint. You wouldn’t have thought her very fairy-like if you had seen her in at Taylor’s the other evening, eating oysters.”

      Helen could scarcely believe her ears. It seemed to be almost like sacrilege to associate such a gross idea with the etherial being that floated before her in all the majestic beauty of a fairy queen. It took from the scene before her something of the charm with which her fancy had invested it. Still it was with a feeling of intense enjoyment that she followed the play to its conclusion, watching scene after scene pass before her, and the music was truly enchanting.

      At length the play was finished, and the curtain dropped. This, however, did not conclude the performance. After a short pause the curtain rose once more, and a young girl came forward and sang the well-known little Scotch song, “Comin’ thro’ the Rye.” It was sung correctly and in good taste, but with no remarkable display of power. Still it was vociferously encored, and, on its repetition, was applauded warmly.

      There was an afterpiece, but, as it was already late in the afternoon, Martha and her cousin decided not to remain.

      “Well, how did you like it?” asked the cousin, patronizingly.

      “Oh, it was beautiful!” exclaimed Helen, enthusiastically. “I am so much obliged to you for taking me.”

      “They have better plays sometimes,” returned the cousin, with an air of superior knowledge of the world. “I didn’t think much of the acting to-day, for my part. I’ll take you again some time when they’ve got something else.”

      Even after she was fairly in the street, Helen found it difficult to throw off the illusion of the stage. She could still see in imagination the gorgeous spectacle, the splendid fairy palace, the graceful sylphs, and the queen in her regal magnificence. She was so entirely under the dominion of fancy that to her the outer world seemed unreal, and that which she had seen, the real. She walked on, heeding little, till she was suddenly roused from her reverie in a very forcible manner, by coming in collision with some person. It proved to be a very fat old lady, who was walking, or rather waddling, slowly along the sidewalk, with her head thrown back. At the unexpected collision, she screamed, and gasped for breath, eyeing Helen, meanwhile, with no very amiable expression of countenance.

      “You’ve just about beaten the breath out of my body, you young trollop. Where was you brought up, I’d like to know, not to have any better manners?”

      “I hope you’ll excuse me,” said Helen, humbly, somewhat ashamed of her preoccupation. “I didn’t mean to run against you.”

      “Don’t tell me,” said the irritated old lady. “You did it a purpose. I know you did.”

      “She might as well say you ran into her on purpose,” retorted Martha’s cousin.

      “I didn’t speak to you, ma’am,” said the exasperated old lady. “It’s my belief that you’re all in league together, and I’ve a great mind to have you given in charge of the police.”

      “Indeed!” said the cousin, ironically.

      “Come away,” said Martha, in a low voice. “Don’t let us have a scene here.”

      As quickly as possible they escaped from the irate old lady. She stood panting for breath, and glaring at them over the rims of her glasses, which had been accidentally

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