LITMIR.BIZ

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we are out of breath, as usual, and our hands shaking; we shan’t be able to play even as well as we did before, and that isn’t saying much. Why,” he cried, as he looked at her, “you’re as red as a turkey-cock. I believe he’s been making love to you.”

      “Mr Sharnall,” she retorted quickly, “if you say those things I will never come to your room again. I hate you when you speak like that, and fancy you are not yourself.”

      She took her violin, and putting it under her arm, plucked arpeggi sharply.

      “There,” he said, “don’t take all I say so seriously; it is only because I am out of health and out of temper. Forgive me, child; I know well enough that there’ll be no lovemaking with you till the right man comes, and I hope he never will come, Anastasia—I hope he never will.”

      She did not accept or refuse his excuses, but tuned a string that had gone down.

      “Good heavens!” he said, as she walked to the music-stand to play; “can’t you hear the A’s as flat as a pancake?”

      She tightened the string again without speaking, and began the movement in which they had been interrupted. But her thoughts were not with the music, and mistake followed mistake.

      “What are you doing?” said the organist. “You’re worse than you were when we began five years ago. It’s mere waste of time for you to go on, and for me, too.”

      Then he saw that she was crying in the bitterness of vexation, and swung round on his music-stool without getting up.

      “Anstice, I didn’t mean it, dear. I didn’t mean to be such a brute. You are getting on well—well; and as for wasting my time, why, I haven’t got anything to do, nor anyone to teach except you, and you know I would slave all day and all night, too, if I could give you any pleasure by it. Don’t cry. Why are you crying?”

      She laid the violin on the table, and sitting down in that rush-bottomed chair in which Westray had sat the night before, put her head between her hands and burst into tears.

      “Oh,” she said between her sobs in a strange and uncontrolled voice—“oh, I am so miserable—everything is so miserable. There are father’s debts not paid, not even the undertaker’s bill paid for his funeral, and no money for anything, and poor Aunt Euphemia working herself to death. And now she says she will have to sell the little things we have in the house, and then when there is a chance of a decent lodger, a quiet, gentlemanly man, you go and abuse him, and say these rude things to me, because he rings the bell. How does he know aunt is out? how does he know she won’t let me answer the bell when she’s in? Of course, he thinks we have a servant, and then you make me so sad. I couldn’t sleep last night, because I knew you were drinking. I heard you when we went to bed playing trashy things that you hate except when you are not yourself. It makes me ill to think that you have been with us all these years, and been so kind to me, and now are come to this. Oh, do not do it! Surely we all are wretched enough, without your adding this to our wretchedness.”

      He got up from the stool and took her hand.

      “Don’t, Anstice—don’t! I broke myself of it before, and I will break myself again. It was a woman drove me to it then, and sent me down the hill, and now I didn’t know there was a living soul would care whether old Sharnall drank himself to death or not. If I could only think there was someone who cared; if I could only think you cared.”

      “Of course I care”—and as she felt his hand tighten she drew her own lightly away—“of course we care—poor aunt and I—or she would care, if she knew, only she is so good she doesn’t guess. I hate to see those horrid glasses taken in after your supper. It used to be so different, and I loved to hear the ‘Pastoral’ and ‘Les Adieux’ going when the house was still.”

      It is sad when man’s unhappiness veils from him the smiling face of nature. The promise of the early morning was maintained. The sky was of a translucent blue, broken with islands and continents of clouds, dazzling white like cotton-wool. A soft, warm breeze blew from the west, the birds sang merrily in every garden bush, and Cullerne was a town of gardens, where men could sit each under his own vine and fig-tree. The bees issued forth from their hives, and hummed with cheery droning chorus in the ivy-berries that covered the wall-tops with deep purple. The old vanes on the corner pinnacles of Saint Sepulchre’s tower shone as if they had been regilt. Great flocks of plovers flew wheeling over Cullerne marsh, and flashed with a blinking silver gleam as they changed their course suddenly. Even through the open window of the organist’s room fell a shaft of golden sunlight that lit up the peonies of the faded, threadbare carpet.

      But inside beat two poor human hearts, one unhappy and one hopeless, and saw nothing of the gold vanes, or the purple ivy-berries, or the plovers, or the sunlight, and heard nothing of the birds or the bees.

      “Yes, I will give it up,” said the organist, though not quite so enthusiastically as before; and as he moved closer to Anastasia Joliffe, she got up and left the room, laughing as she went out.

      “I must get the potatoes peeled, or you will have none for dinner.”

      Mr Westray, being afflicted neither with poverty nor age, but having a good digestion and entire confidence both in himself and in his prospects, could fully enjoy the beauty of the day. He walked this morning as a child of the light, forsaking the devious back-ways through which the organist had led him on the previous night, and choosing the main streets on his road to the church. He received this time a different impression of the town. The heavy rain had washed the pavements and roadway, and as he entered the Market Square he was struck with the cheerfulness of the prospect, and with the air of quiet prosperity which pervaded the place.

      On two sides of the square the houses overhung the pavement, and formed an arcade supported on squat pillars of wood. Here were situated some of the best “establishments,” as their owners delighted to call them. Custance, the grocer; Rose and Storey, the drapers, who occupied the fronts of no less than three houses, and had besides a “department” round the corner “exclusively devoted to tailoring”; Lucy, the bookseller, who printed the Cullerne Examiner, and had published several of Canon Parkyn’s sermons, as well as a tractate by Dr Ennefer on the means adopted in Cullerne for the suppression of cholera during the recent outbreak; Calvin, the saddler; Miss Adcutt, of the toy-shop; and Prior, the chemist, who was also postmaster. In the middle of the third side stood the Blandamer Arms, with a long front of buff, low green blinds, and window-sashes grained to imitate oak. At the edge of the pavement before the inn were some stone mounting steps, and by them stood a tall white pole, on which swung the green and silver of the nebuly coat itself. On either side of the Blandamer Arms clustered a few more modern shops, which, possessing no arcade, had to be content with awnings of brown stuff with red stripes. One of these places of business was occupied by Mr Joliffe, the pork-butcher. He greeted Westray through the open window.

      “Good-morning. About your work betimes, I see,” pointing to the roll of drawings which the architect carried under his arm. “It is a great privilege, this restoration to which you are called,” and here he shifted a chop into a more attractive position on the show-board—“and I trust blessing will attend your efforts. I often manage to snatch a few minutes from the whirl of business about mid-day myself, and seek a little quiet meditation in the church. If you are there then, I shall be glad to give you any help in my power. Meanwhile, we must both be busy with our own duties.”

      He began to turn the handle of a sausage-machine, and Westray was glad to be quit of his pious words, and still more of his insufferable patronage.

      Chapter Four

      The north side of Cullerne Church, which faced the square, was still in shadow, but, as Westray stepped inside, he found the sunshine pouring through the south windows, and the whole building bathed in a flood of most mellow light. There are in England many churches larger than that of Saint Sepulchre, and fault has been found with its proportions, because the roof is lower than in some other conventual buildings of its size. Yet, for all this, it is doubtful whether architecture has ever produced a composition more truly dignified and imposing.

      The nave was begun by Walter Le Bec in 1135, and has on either side an

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