LITMIR.BIZ

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many other histories. Even my adventure of the preceding evening with the lady of the beech-tree contributed to arouse the wild hope, that by some means life might be given to this form also, and that, breaking from her alabaster tomb, she might glorify my eyes with her presence. “For,” I argued, “who can tell but this cave may be the home of Marble, and this, essential Marble—that spirit of marble which, present throughout, makes it capable of being moulded into any form? Then if she should awake! But how to awake her? A kiss awoke the Sleeping Beauty! a kiss cannot reach her through the incrusting alabaster.” I kneeled, however, and kissed the pale coffin; but she slept on. I bethought me of Orpheus, and the following stones—that trees should follow his music seemed nothing surprising now. Might not a song awake this form, that the glory of motion might for a time displace the loveliness of rest? Sweet sounds can go where kisses may not enter. I sat and thought. Now, although always delighting in music, I had never been gifted with the power of song, until I entered the fairy forest. I had a voice, and I had a true sense of sound; but when I tried to sing, the one would not content the other, and so I remained silent. This morning, however, I had found myself, ere I was aware, rejoicing in a song; but whether it was before or after I had eaten of the fruits of the forest, I could not satisfy myself. I concluded it was after, however; and that the increased impulse to sing I now felt, was in part owing to having drunk of the little well, which shone like a brilliant eye in a corner of the cave. I sat down on the ground by the “antenatal tomb,” leaned upon it with my face towards the head of the figure within, and sang—the words and tones coming together, and inseparably connected, as if word and tone formed one thing; or, as if each word could be uttered only in that tone, and was incapable of distinction from it, except in idea, by an acute analysis. I sang something like this: but the words are only a dull representation of a state whose very elevation precluded the possibility of remembrance; and in which I presume the words really employed were as far above these, as that state transcended this wherein I recall it:

      “Marble woman, vainly sleeping

      In the very death of dreams!

      Wilt thou—slumber from thee sweeping,

      All but what with vision teems—

      Hear my voice come through the golden

      Mist of memory and hope;

      And with shadowy smile embolden

      Me with primal Death to cope?

      “Thee the sculptors all pursuing,

      Have embodied but their own;

      Round their visions, form enduring,

      Marble vestments thou hast thrown;

      But thyself, in silence winding,

      Thou hast kept eternally;

      Thee they found not, many finding—

      I have found thee: wake for me.”

      As I sang, I looked earnestly at the face so vaguely revealed before me. I fancied, yet believed it to be but fancy, that through the dim veil of the alabaster, I saw a motion of the head as if caused by a sinking sigh. I gazed more earnestly, and concluded that it was but fancy. Neverthless I could not help singing again—

      “Rest is now filled full of beauty,

      And can give thee up, I ween;

      Come thou forth, for other duty

      Motion pineth for her queen.

      “Or, if needing years to wake thee

      From thy slumbrous solitudes,

      Come, sleep-walking, and betake thee

      To the friendly, sleeping woods.

      Sweeter dreams are in the forest,

      Round thee storms would never rave;

      And when need of rest is sorest,

      Glide thou then into thy cave.

      “Or, if still thou choosest rather

      Marble, be its spell on me;

      Let thy slumber round me gather,

      Let another dream with thee!”

      Again I paused, and gazed through the stony shroud, as if, by very force of penetrative sight, I would clear every lineament of the lovely face. And now I thought the hand that had lain under the cheek, had slipped a little downward. But then I could not be sure that I had at first observed its position accurately. So I sang again; for the longing had grown into a passionate need of seeing her alive—

      “Or art thou Death, O woman? for since I

      Have set me singing by thy side,

      Life hath forsook the upper sky,

      And all the outer world hath died.

      “Yea, I am dead; for thou hast drawn

      My life all downward unto thee.

      Dead moon of love! let twilight dawn:

      Awake! and let the darkness flee.

      “Cold lady of the lovely stone!

      Awake! or I shall perish here;

      And thou be never more alone,

      My form and I for ages near.

      “But words are vain; reject them all—

      They utter but a feeble part:

      Hear thou the depths from which they call,

      The voiceless longing of my heart.”

      There arose a slightly crashing sound. Like a sudden apparition that comes and is gone, a white form, veiled in a light robe of whiteness, burst upwards from the stone, stood, glided forth, and gleamed away towards the woods. For I followed to the mouth of the cave, as soon as the amazement and concentration of delight permitted the nerves of motion again to act; and saw the white form amidst the trees, as it crossed a little glade on the edge of the forest where the sunlight fell full, seeming to gather with intenser radiance on the one object that floated rather than flitted through its lake of beams. I gazed after her in a kind of despair; found, freed, lost! It seemed useless to follow, yet follow I must. I marked the direction she took; and without once looking round to the forsaken cave, I hastened towards the forest.

      CHAPTER VI

      “Ah, let a man beware, when his wishes, fulfilled, rain down upon him, and his happiness is unbounded.”

—FOUQUE, Der Zauberring.

      “Thy red lips, like worms,

      Travel over my cheek.”

—MOTHERWELL.

      But as I crossed the space between the foot of the hill and the forest, a vision of another kind delayed my steps. Through an opening to the westward flowed, like a stream, the rays of the setting sun, and overflowed with a ruddy splendour the open space where I was. And riding as it were down this stream towards me, came a horseman in what appeared red armour. From frontlet to tail, the horse likewise shone red in the sunset. I felt as if I must have seen the knight before; but as he drew near, I could recall no feature of his countenance. Ere he came up to me, however, I remembered the legend of Sir Percival in the rusty armour, which I had left unfinished in the old book in the cottage: it was of Sir Percival that he reminded me. And no wonder; for when he came close up to me, I saw that, from crest to heel, the whole surface of his armour was covered with a light rust. The golden spurs shone, but the iron greaves glowed in the sunlight. The morning star, which hung from his wrist, glittered and glowed with its silver and bronze. His whole appearance was terrible; but his face did not answer to this appearance. It was sad, even to gloominess; and something of shame seemed to cover it. Yet it was noble and high, though thus beclouded; and the form looked lofty, although the head drooped, and the whole frame was bowed as with an inward grief. The horse seemed to share in his master’s dejection, and walked spiritless and slow. I noticed, too, that the white plume on his helmet

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