LITMIR.BIZ

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affairs were over—when Mr Atheling had finished his newspaper, and Mrs Atheling put aside her work-basket, and Mr Foggo was out of the way—then Papa was wont to look over his shoulder to his eldest child. “You may read some of your nonsense, if you like, Agnes,” said the household head; and it was Agnes’s custom upon this invitation, though not without a due degree of coyness, to gather up her papers, draw her chair into the corner, and read what she had written. Before Agnes began, Mrs Atheling invariably stretched out her hand for her work-basket, and was invariably rebuked by her husband; but Marian’s white hands rustled on unreproved, and Charlie sat still at his grammar. It was popularly reported in the family that Charlie kept on steadily learning his verbs even while he listened to Agnes’s story. He said so himself, who was the best authority; but we by no means pledge ourselves to the truth of the statement.

      And so the young romance was read: there was some criticism, but more approval; and in reality none of them knew what to think of it, any more than the youthful author did. They were too closely concerned to be cool judges, and, full of interest and admiration as they were, could not quite overcome the oddness and novelty of the idea that “our Agnes” might possibly one day be famous, and write for the world. Mr Atheling himself, who was most inclined to be critical, had the strangest confusion of feelings upon this subject, marvelling much within himself whether “the child” really had this singular endowment, or if it was only their own partial judgment which magnified her powers. The family father could come to no satisfactory conclusion upon the subject, but still smiled at himself, and wondered, when his daughter’s story brought tears to his eyes, or sympathy or indignation to his heart. It moved him without dispute,—it moved Mamma there, hastily rubbing out the moisture from the corner of her eyes. Even Charlie was disturbed over his grammar. “Yes,” said Mr Atheling, “but then you see she belongs to us; and though all this certainly never could have come into my head, yet it is natural I should sympathise with it; but it is a very different thing when you think of the world.”

      So it was, as different a thing as possible; for the world had no anxious love to sharpen its criticism—did not care a straw whether the young writer was eloquent or nonsensical; and just in proportion to its indifference was like to be the leniency of its judgment. These good people did not think of that; they made wonderful account of their own partiality, but never reckoned upon that hypercritical eye of love which will not be content with a questionable excellence; and so they pondered and marvelled with an excitement half amusing and half solemn. What would other people think?—what would be the judgment of the world?

      As for Agnes, she was as much amused as the rest at the thought of being “an author,” and laughed, with her bright eyes running over, at this grand anticipation; for she was too young and too inexperienced to see more than a delightful novelty and unusualness in her possible fame. In the mean time she was more interested in what she was about than in the result of it, and pleased herself with the turn of her pretty sentences, and the admirable orderliness of her manuscript; for she was only a girl.

      CHAPTER IV.

      MARIAN

      Marian Atheling had as little choice in respect to her particular endowment as her sister had; less, indeed, for it cost her nothing—not an hour’s thought or a moment’s exertion. She could not help shining forth so fair and sweet upon the sober background of this family life; she could not help charming every stranger who looked into her sweet eyes. She was of no particular “style” of beauty, so far as we are aware; she was even of no distinct complexion of loveliness, but wavered with the sweetest shade of uncertainty between dark and fair, tall and little. For hers was not the beauty of genius—it was not exalted and heroical expression—it was not tragic force or eloquence of features; it was something less distinct and more subtle even than these. Hair that caught the sunshine, and brightened under its glow; eyes which laughed a sweet response of light before the fair eyelids fell over them in that sweet inconsistent mingling of frankness and shyness which is the very charm of girlhood; cheeks as soft and bloomy and fragrant as any flower,—these seemed but the appropriate language in which alone this innocent, radiant, beautiful youth could find fit expression. For beauty of expression belonged to Marian as well as more obvious beauties; there was an entire sweet harmony between the language and the sentiment of nature upon this occasion. The face would have been beautiful still, had its possessor been a fool or discontented; as it was, being only the lovely exponent of a heart as pure, happy, and serene as heart could be, the face was perfect. Criticism had nothing to do with an effect so sudden and magical: this young face shone and brightened like a sunbeam, touching the hearts of those it beamed upon. Mere admiration was scarcely the sentiment with which people looked at her; it was pure tenderness, pleasure, unexpected delight, which made the chance passengers in the street smile as they passed her by. Their hearts warmed to this fair thing of God’s making—they “blessed her unaware.” Eighteen years old, and possessed of this rare gift, Marian still did not know what rude admiration was, though she went out day by day alone and undefended, and would not have faltered at going anywhere, if her mother bade or necessity called. She knew nothing of those stares and impertinent annoyances which fastidious ladies sometimes complained of, and of which she had read in books. Marian asserted roundly, and with unhesitating confidence, that “it was complete nonsense”—“it was not true;” and went upon her mother’s errands through all the Islingtonian streets as safely as any heroine ever went through ambuscades and prisons. She believed in lovers and knights of romance vaguely, but fervently,—believed even, we confess, in the melodramatic men who carry off fair ladies, and also in disguised princes and Lords of Burleigh; but knew nothing whatever, in her own most innocent and limited experience, of any love but the love of home. And Marian had heard of bad men and bad women,—nay, knew, in Agnes’s story, the most impossible and short-sighted of villains—a true rascal of romance, whose snares were made on purpose for discovery,—but had no more fear of such than she had of lions or tigers, the Gunpowder Plot, or the Spanish Inquisition. Safe as among her lawful vassals, this young girl went and came—safe as in a citadel, dwelt in her father’s house, untempted, untroubled, in the most complete and thorough security. So far as she had come upon the sunny and flowery way of her young life, her beauty had been no gift of peril to Marian, and she had no fear of what was to come.

      And no one is to suppose that Mrs Atheling’s small means were strained to do honour to, or “set off,” her pretty daughter. These good people, though they loved much to see their children happy and well esteemed, had no idea of any such unnecessary efforts; and Marian shone out of her brown merino frock, and her little pink rosebuds, as sweetly as ever shone a princess in the purple and pall of her high estate. Mrs Atheling thought Marian “would look well in anything,” in the pride of her heart, as she pinched the bit of white lace round Marian’s neck when Mr Foggo and Miss Willsie were coming to tea. It was indeed the general opinion of the household, and that other people shared it was sufficiently proved by the fact that Miss Willsie herself begged for a pattern of that very little collar, which was so becoming. Marian gave the pattern with the greatest alacrity, yet protested that Miss Willsie had many collars a great deal prettier—which indeed was very true.

      And Marian was her mother’s zealous assistant in all household occupations—not more willing, but with more execution and practical power than Agnes, who, by dint of a hasty anxiety for perfection, made an intolerable amount of blunders. Marian was more matter-of-fact, and knew better what she could do; she was constantly busy, morning and night, keeping always in hand some morsel of fancy-work, with which to occupy herself at irregular times after the ordinary work was over. Agnes also had bits of fancy-work in hand; but the difference herein between the two sisters was this, that Marian finished her pretty things, while Agnes’s uncompleted enterprises were always turning up in some old drawer or work-table, and were never brought to a conclusion. Marian made collars for her mother, frills for Bell and Beau, and a very fine purse for Charlie; which Charlie, having nothing to put in the same, rejected disdainfully: but it was a very rare thing indeed for Agnes to come to an end of any such labour. With Marian, too, lay the honour of far superior accuracy and precision in the important particular of “cutting out.” These differences furthered the appropriate division of labour, and the household work made happy progress under their united hands.

      To this we have only to add, that Marian Atheling was

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