LITMIR.BIZ

90

Vanderbank, or as his father sometimes wrote his name, Vandrebanc, was a son of Peter Vanderbank, a Parisian, who came into England with Gascar the painter, about 1674, and died at Bradfield, in Hertfordshire, in 1697. His father was admired for the softness of his prints, and still more for the size of them, some of his heads being the largest that had then appeared in England; but the prices he received by no means compensated for the time employed on his works, and he was reduced to want, and died at the house of Mr. Forester, his brother-in-law. After his death, his widow sold his plates to one Brown, a print-seller, who made a great profit by them. His eldest son had some share in the theatre at Dublin; the youngest, William, was a poor labourer, who gave an account of his father and the family to Vertue. The person mentioned in this paper was probably his father's name-son, and might be, as Walpole conjectures, an engraver. Whatever concern the father might have had in any manufacture of tapestry, he could not be the person meant here, for at this time he had been dead above ten years. The suite of tapestry, in the Duke of Ancaster's sale, with Vanderbank's name to it, mentioned by Walpole, must therefore be supposed to belong to the son, who is said, upon the authority of the French translator of the Tatler, to have represented nature very happily in works of tapestry, and to have been a man inimitable in this way. (See Walpole's "Anecdotes of Painting," 1782, vol. v. p. 166.)

91

Trick (the early editions have "gigg").

92

Waller wrote "Instructions to a Painter" and "Advice to a Painter," and Denham "Directions to a Painter."

93

Farquhar's "Beaux' Stratagem," 1707.

94

Bickerstaff acted the part of the Captain in Mrs. Centlivre's farce, "A Bickerstaff's Burying; or, Work for the Upholders" (1713), which was dedicated to the "magnificent Company of Upholders, whom the judicious Censor of Great Britain has so often condescended to mention." In the "British Apollo," vol. ii. No. 107 (Feb. 27 to March 1, 1710), is a "New Prologue to 'Don Quixote' for Mr. Bickerstaff's Benefit at the Theatre Royal, spoken by himself." The prologue ends:

In the Daily Courant for Feb. 4, 1710, there was advertised a performance of the "Comical History of Don Quixote" at Drury Lane, "at the desire of Isaac Bickerstaff, Esq., for the benefit of his cousin, John Bickerstaff."

95

George Powell, actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the Spectator. See also No. 31. An order to the comedians in Dorset Gardens forbade them acting till further order, because they had allowed Powell to play after he was committed for drawing his sword on Colonel Stanhope and Mr. Davenant. This is dated May 3, 10 Will. III. (1698); but on May 4 there was another order for the comedians to resume acting. (Lord Chamberlain's Records, Warrant Book No. 19, p. 80.) Cibber's remarks on this incident will be found in his "Apology," chap. x.

96

In a copy of the original edition of the Tatler, with MS. notes written early in the last century, which was sold at Messrs. Sotheby's, in April, 1887, the ladies here described were said to be Mrs. Chetwine and Mrs. Hales respectively. Mrs. Hales was a maid of honour who married Mr. Coke, vice-chamberlain, in July, 1709 (Luttrell's "Brief Relation," vi. 462); "Mrs. Chetwine" was probably the wife of William Richard Chetwynd, afterwards third Viscount Chetwynd, who married Honora, daughter of John Baker, Consul at Algiers; or the wife of his brother Walter, M.P. for Stafford, and Master of the Buckhounds. In 1717, Lady M. W. Montagu, describing a week spent by a fashionable lady, said, 'Friday, Mrs. Chetwynd's, &c.; a perpetual round of hearing the same scandal' (Pope's Works, ix. 385).

97

Charles Jervas, portrait painter (died 1739), became principal painter to George I. and George II. He also made a translation of "Don Quixote," first published in 1742.

98

A translation of Owen McSwiney (1709) from the Italian of Scarlatti.

99

In the Spectator (Nos. 1, 5, 13, &c.) Addison often wrote against the Italian opera. In 1706, Dennis published "An Essay on the Operas after the Italian Manner, which are about to be established on the English Stage: with some reflections on the damage which they may bring to the Public." He traces to the recent alterations in the entertainments of the stage, the fact that familiar conversation among all classes was confined to two points, news and toasting, neither of which required much intelligence.

100

The street cries of 1709 are described in Lauron's "Habits and Cries of the City of London." They included "Any card-matches or save-alls" and "Twelve-pence a peck, oysters."

101

Matches made by dipping pieces of card in melted sulphur. In the Spectator (No. 251), Addison speaks of vendors of card-matches as examples of the fact that those made most noise who had least to sell.

102

In vol. ii. of Dr. W. King's Works (1776) is "An Essay on the Invention of Samplers, by Mrs. Arabella Manly, schoolmistress at Hackney."

103

May Fair was abolished in 1709, after it had on several occasions been presented as a nuisance by the Grand Jury at Westminster. This fair was granted by King James II. under the Great Seal, in the fourth year of his reign, to Sir John Coell and his heirs for ever, in trust for Henry Lord Dover and his heirs for ever, to be held in the field called Brookfield, in the parish of St. Martin's, Westminster, to commence on the first day of May, and to continue fifteen days yearly. It soon became the resort of the idle, the dissipated, and the profligate, insomuch that the peace-officers were frequently opposed in the performance of their duty; and, in the year 1702, John Cooper, one of the constables, was killed, for which a fencing-master, named Cook, was executed. (See also No. 20.) The fair was revived under George I., but was finally abolished through the exertions of the sixth Earl of Coventry.

104

William Pinkethman, the popular actor and droll, was spoken of by Gildon as "the flower of Bartholomew Fair, and the idol of the rabble." In June, 1710, he opened a theatre at Greenwich, and in 1711 his "wonderful invention called The Pantheon, or, The Temple of the Heathen Gods," with over 100 figures, was to be seen in the Little Piazza, Covent Garden (Spectator, No. 46, advertisement).

105

"It is credibly reported that Mr. D–y has agreed with Mr. Pinkethman to have his play acted before that audience as soon as it has had its first sixteen days' run in Drury Lane" (folio). The play was D'Urfey's "Modern Prophets."

106

Britain.

107

John, Lord Somers, President of the Council.

108

Sidney, Lord Godolphin, the Lord High Treasurer; or (according to the MS. notes in the copy mentioned above) Lord Sunderland.

109

Edward, Earl of Orford.

110

At La Hogue, 1692.

111

Probably Lord Halifax.

112

Thomas, Earl of Wharton, Lord Lieutenant of Ireland.

113

"Advertisement.—Upon the humble petition of Running Stationers, &c., this paper maybe had of them, for the future, at the price of one penny" (folio). The first four numbers were distributed gratuitously.

114

Edward Richard Montagu, styled Viscount Hinchinbroke, who died before his father, on October 3, 1722, was the only son of Edward, third Earl of Sandwich. He was born about 1690, and became colonel of the First Regiment of Foot Guards, and Lord Lieutenant of Huntingdonshire. In 1707, he married Elizabeth, daughter of Alexander Popham, of Littlecot, Wilts, and of Anne, daughter of the first Duke of Montagu. (See Nos.

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