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The Tatler, Volume 1. Джозеф Аддисон
Читать онлайн.Название The Tatler, Volume 1
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Автор произведения Джозеф Аддисон
Жанр Зарубежная классика
Издательство Public Domain
No. 4.
[STEELE.
From Saturday April 16, to Tuesday, April 19, 1709
It is usual with persons who mount the stage for the cure or information of the crowd about them, to make solemn professions of their being wholly disinterested in the pains they take for the public good. At the same time, those very men, who make harangues in plush doublets, and extol their own abilities and generous inclinations, tear their lungs in vending a drug, and show no act of bounty, except it be, that they lower a demand of a crown, to six, nay, to one penny. We have a contempt for such paltry barterers, and have therefore all along informed the public that we intend to give them our advices for our own sakes, and are labouring to make our lucubrations come to some price in money, for our more convenient support in the service of the public. It is certain, that many other schemes have been proposed to me; as a friend offered to show me a treatise he had writ, which he called "The Whole Art of Life, or the Introduction to Great Men, illustrated in a Pack of Cards." But being a novice at all manner of play I declined the offer. Another advised me, for want of money, to set up my coach and practise physic, but having been bred a scholar, I feared I should not succeed that way neither; therefore resolved to go on in my present project. But you are to understand, that I shall not pretend to raise a credit to this work, upon the weight of my politic news only, but, as my Latin sentence in the title-page informs you, shall take anything that offers for the subject of my discourse. Thus, new persons, as well as new things, are to come under my consideration; as, when a toast, or a wit, is first pronounced such, you shall have the freshest advice of their preferment from me, with a description of the beauty's manner, and the wit's style; as also, in whose places they are advanced. For this town is never good-natured enough to raise one, without depressing another. But it is my design, to avoid saying anything, of any person, which ought justly to displease; but shall endeavour, by the variety of the matter and style, to give entertainment for men of pleasure, without offence to those of business.
White's Chocolate-house, April 18
All hearts at present pant for two ladies only96, who have for some time engrossed the dominion of the town. They are indeed both exceeding charming, but differ very much in their excellences. The beauty of Clarissa is soft, that of Chloe piercing. When you look at Clarissa, you see the most exact harmony of feature, complexion, and shape; you find in Chloe nothing extraordinary in any one of those particulars, but the whole woman irresistible. Clarissa looks languishing; Chloe, killing. Clarissa never fails of gaining admiration; Chloe, of moving desire. The gazers at Clarissa are at first unconcerned, as if they were observing a fine picture. They who behold Chloe, at the first glance, discover transport, as if they met their dearest friend. These different perfections are suitably represented by the last great painter Italy has sent us, Mr. Jervas.97 Clarissa is, by that skilful hand, placed in a manner that looks artless, and innocent of the torments she gives; Chloe drawn with a liveliness that shows she is conscious, but not affected, of her perfections. Clarissa is a shepherdess; Chloe, a country girl. I must own, the design of Chloe's picture shows, to me, great mastery in the painter; for nothing could be better imagined than the dress he has given her, of a straw hat and riband, to represent that sort of beauty which enters the heart with a certain familiarity, and cheats it into a belief, that it has received a lover as well as an object of love. The force of their different beauties is seen also in the effects it makes on their lovers. The admirers of Chloe are eternally gay and well-pleased: those of Clarissa, melancholy and thoughtful. And as this passion always changes the natural man into a quite different creature from what he was before, the love of Chloe makes coxcombs; that of Clarissa, madmen. There were of each kind just now here. Here was one that whistles, laughs, sings, and cuts capers, for love of Chloe. Another has just now written three lines to Clarissa, then taken a turn in the garden, then came back again, then tore his fragment, then called for some chocolate, then went away without it.
Chloe has so many admirers in the room at present, that there is too much noise to proceed in my narration, so that the progress of the loves of Clarissa and Chloe, together with the bottles that are drank each night for the one, and the many sighs which are uttered, and songs written, on the other, must be our subject on future occasions.
Will's Coffee-house, April 18
Letters from the Haymarket inform us, that on Saturday night last the opera of "Pyrrhus and Demetrius"98 was performed with great applause. This intelligence is not very acceptable to us friends of the theatre; for the stage being an entertainment of the reason and all our faculties, this way of being pleased with the suspense of them for three hours together, and being given up to the shallow satisfaction of the eyes and ears only, seems to arise rather from the degeneracy of our understanding, than an improvement of our diversions.99 That the understanding has no part in the pleasure is evident, from what these letters very positively assert, to wit, that a great part of the performance was done in Italian: and a great critic fell into fits in the gallery, at feeling, not only time and place, but languages and nations confused in the most incorrigible manner. His spleen is so extremely moved on this occasion, that he is going to publish a treatise against operas, which, he thinks, have already inclined us to thoughts of peace, and if tolerated, must infallibly dispirit us from carrying on the war. He has communicated his scheme to the whole room, and declared in what manner things of this kind were first introduced. He has upon this occasion considered the nature of sounds in general, and made a very elaborate digression upon the London cries,100 wherein he has shown from reason and philosophy why oysters are cried, card-matches101 sung, and turnips and all other vegetables neither cried, sung, nor said, but sold, with an accent and tone neither natural to man or beast. This piece seems to be taken from the model of that excellent discourse of Mrs. Manly the schoolmistress, concerning samplers.102 Advices from the upper end of Piccadilly say that Mayfair is utterly abolished;103 and we hear Mr. Pinkethman104 has removed his ingenious company of strollers to Greenwich: but other letters from Deptford say, the company is only making thither, and not yet settled; but that several heathen gods and goddesses, which are to descend in machines, landed at the King's Head Stairs last Saturday. Venus and Cupid went on foot from thence to Greenwich; Mars got drunk in the town, and broke his landlord's head; for which he sat in the stocks the whole evening; but Mr. Pinkethman giving security that he should do nothing this ensuing summer, he was set at liberty. The most melancholy part of all, was, that Diana was taken in the act of fornication with a boatman, and committed by Justice Wrathful, which has, it seems, put a stop to the diversions of the theatre of Blackheath. But there goes down another Diana and a patient Grissel next tide from Billingsgate.105
St. James's Coffee-house, April 18
They write from Saxony of the 13th instant, N.S., that the Grand General of the Crown of Poland was so far from entering into a treaty with King Stanislaus, that he had written circular letters, wherein he exhorted the Palatinates to join against him; declaring, that this was the most favourable conjuncture for asserting their liberty.
Letters from the Hague of the 23rd instant, N.S., say, they have advices from Vienna, which import, that his Electoral Highness of Hanover had signified to the Imperial Court, that he did not intend to put himself at the head of the troops of the Empire, except more effectual measures were taken for acting vigorously against the enemy the ensuing campaign. Upon this representation, the Emperor has given orders to several regiments to march towards the Rhine, and despatched expresses to the respective princes of the Empire to desire an augmentation of their forces.
These letters add, that an express arrived at the Hague on the 20th instant, with advice, that the enemy having made a detachment from Tournay of 1500 horse,
George Powell, actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the
In a copy of the original edition of the
Charles Jervas, portrait painter (died 1739), became principal painter to George I. and George II. He also made a translation of "Don Quixote," first published in 1742.
A translation of Owen McSwiney (1709) from the Italian of Scarlatti.
In the
The street cries of 1709 are described in Lauron's "Habits and Cries of the City of London." They included "Any card-matches or save-alls" and "Twelve-pence a peck, oysters."
Matches made by dipping pieces of card in melted sulphur. In the
In vol. ii. of Dr. W. King's Works (1776) is "An Essay on the Invention of Samplers, by Mrs. Arabella Manly, schoolmistress at Hackney."
May Fair was abolished in 1709, after it had on several occasions been presented as a nuisance by the Grand Jury at Westminster. This fair was granted by King James II. under the Great Seal, in the fourth year of his reign, to Sir John Coell and his heirs for ever, in trust for Henry Lord Dover and his heirs for ever, to be held in the field called Brookfield, in the parish of St. Martin's, Westminster, to commence on the first day of May, and to continue fifteen days yearly. It soon became the resort of the idle, the dissipated, and the profligate, insomuch that the peace-officers were frequently opposed in the performance of their duty; and, in the year 1702, John Cooper, one of the constables, was killed, for which a fencing-master, named Cook, was executed. (See also No. 20.) The fair was revived under George I., but was finally abolished through the exertions of the sixth Earl of Coventry.
William Pinkethman, the popular actor and droll, was spoken of by Gildon as "the flower of Bartholomew Fair, and the idol of the rabble." In June, 1710, he opened a theatre at Greenwich, and in 1711 his "wonderful invention called The Pantheon, or, The Temple of the Heathen Gods," with over 100 figures, was to be seen in the Little Piazza, Covent Garden (
"It is credibly reported that Mr. D–y has agreed with Mr. Pinkethman to have his play acted before that audience as soon as it has had its first sixteen days' run in Drury Lane" (folio). The play was D'Urfey's "Modern Prophets."