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down the board in endless procession, and he was thankful, when he thought of it, that Lawrence seemed to forget him, though Lawrence had forgotten no one else there. He seemed to note accurately each mouthful every one took.

      “Hand up another dozen eggs for Miss Winters, Joe,” he called to one of the men, and then they all laughed at Miss Winters.

      When the cake came, Lawrence identified each kind with some remark about the mother of the girl who had brought it, and tasted all, because, as he said, he could not afford to show partiality. The fun lagged somewhat as the meal neared its end, but Lawrence revived it instantly and sensationally by rising suddenly, bending far over toward Lavinia in a tragic attitude and saying:

      “Why, Vine, child, you haven’t eaten a mouthful! I do believe you’re in love!”

      The company burst into laughter, but they suddenly stopped when they saw Marley. His face showed his anger with them, and he made a little movement, but Lavinia smiled up at Lawrence, and said:

      “Well, Jack, it’s evident that you’re not.”

      And then they all laughed at Lawrence, and the girls clapped their hands, while Marley, angry now with himself, tried to laugh with them.

      When they stopped laughing Lawrence produced his cigarettes, and tossing one to Marley in a way that delicately conveyed a sense of intimacy and affection, he said:

      “When you girls get your dishes done up we’ll be back and see if we can’t think up something to entertain you,” and then he called Marley and with him and the other men strolled down to the lake.

      CHAPTER IV

      MOONLIGHT

      The dance was proposed almost immediately. Marley had hoped up to the very last minute that something, possibly a miracle, would prevent it, but scarcely had the men finished their first cigarettes before Howard was saying:

      “Well, let’s be getting back to the girls. They’ll want to dance.”

      Howard spoke as if the dancing would be a sacrifice on the part of the men to the pleasure of the girls, but they all turned at once, some of them flinging their cigarettes into the water, as if to complete the sacrifice, and started back. When they reached the pavilion, Payson and Gallard took instruments out of green bags, Payson a guitar and Gallard a mandolin, and Lawrence, bustling about over the floor, shoving the few chairs against the unplastered wooden walls, was shouting:

      “Tune ’em up, boys, tune ’em up!”

      The first tentative notes of the strings twanged in the hollow room, and Lawrence was asking the girls for dances, scribbling their names on his cuff with a disregard of its white polished linen almost painful.

      “I’ll have to divide up some of ’em, you know, girls,” he said. “Jim and Elmer have to play, and that makes us two men shy. But I’ll do the best I can—wish I could take you all in my arms at once and dance with you.”

      The girls, standing in an expectant, eager little group, clutched one another nervously, and pretended to sneer at Lawrence’s patronage.

      Marley was standing with Lavinia near the door. He was trying to affect an ease; he knew by the way the other girls glanced at him now and then that they were speculating on his possibilities as a partner; he tried just then to look as if he were going to dance as all the other men were, yet he felt the necessity of confessing to Lavinia.

      “You know,” he said contritely, “that I don’t dance.”

      She looked up, a disappointment springing to her eyes too quickly for her to conceal it. She was flushed with pleasure and excitement, and tapping her foot in time with the chords Payson and Gallard were trying on their instruments. Marley saw her surprise.

      “I ought not to have come,” he said; “I’ve no business here.”

      The look of disappointment in Lavinia’s eyes had gone, and in its place was now an expression of sympathy.

      “It makes no difference,” she said. And then she added in a low voice: “I’ll not dance either; there are too many of us girls anyway.”

      “Oh, don’t let me keep you from it,” said Marley, and yet a joy was shining in his eyes. She turned away and blushed.

      “I’ll give you all my dances,” she said; “we can sit them out.”

      “But it won’t be any fun for you,” protested Marley. And just then Lawrence came up.

      “Say, Glenn,” he said, “if you don’t want to dance I’ll take Lavinia for the first number.”

      The guitar and mandolin, after a long preliminary strumming to get themselves in tune, suddenly burst into The Georgia Campmeeting, and the couples were instantly springing across the floor.

      “Come on, Vine,” said Lawrence, his fingers twitching. And Lavinia, eager, trembling, alive, casting one last glance at Marley, said “Just this one!” and went whirling away with Lawrence.

      Marley moved aside, awkwardly, when the couples, sweeping in a long oval stream around the little room, whirled past him. Lavinia danced with a grace that almost hurt him; she was laughing as she looked up into Lawrence’s face, talking to him as they danced. Marley felt a gloom, almost a rage, settle on him. He looked up and down the room. At the farther end, through the door by which the musicians sat swinging their feet over their knees in time to the tune they played, he could see the man who kept the grounds at the lake, looking on at the dance; his wife was with him, and they smiled contentedly at the joy of the young people.

      Marley could not bear their joy, any more than he could bear the joy of the dancers, and he looked away from them. Glancing along the wall he saw a girl, sitting alone. It was Grace Winters; she was older than the others, and she sat there sullenly, her dark brows contracted under her dark hair. Marley felt drawn toward her by a common trouble, and he thought, instantly, that he might appear less conspicuous if he went and sat beside her. As he approached, her sallow face brightened with a brilliant smile of welcome and she drew aside her skirts to make a place for him, though there was no one else on all that side of the room. Marley sat down.

      “It’s warm, isn’t it?” he said.

      “Yes,” Miss Winters replied, “almost too warm to dance, don’t you think?”

      Marley tried to express his acquiescence in the polite smile he had seen the other men use before the dance began, but he did not feel that he carried it off very well.

      “I should think you’d be dancing, Mr. Marley,” Miss Winters said. “I hear you are a splendid dancer. Don’t you care to dance this evening?”

      “I can’t dance,” said Marley, crudely.

      He was looking at Lavinia, following her young figure as it glided past with Lawrence. Miss Winters turned away. Her face became gloomy again, and she said nothing more. Marley was absorbed in Lavinia, and they sat there together silent, conspicuous and alone, in a wide separation.

      Marley thought the dance never would end. It seemed to him that the dancers must drop from fatigue; but at last the mandolin and guitar ceased suddenly, the girls cried out a disappointed unisonant “Oh!” and then they all laughed and clapped their hands. Lavinia and Lawrence were coming up, glowing with the joy of the dance.

      “Oh, that was splendid, Jack!” Lavinia cried, putting back her hair with that wave of her hand.

      Lawrence’s face was redder than ever. He leaned over and in a whisper that was for Lavinia and Marley together he said:

      “Lavinia, you’re the queen dancer of the town.” And then he turned to Miss Winters.

      “Grace,” he said, distributing himself with the impartiality he felt his position as a social leader demanded, “you’ve promised me a dance for a long time. Now’s my chance.”

      “Why certainly, Jack,” Miss Winters said, with her brilliant smile, and then she took Lawrence’s arm and drew him away, as if otherwise he might escape.

      “Take me outdoors!”

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