LITMIR.BIZ

Скачать книгу

manner, without a thought of familiarity. W. was delighted with Madame Guadagni. She talked about everything and really didn't look any older. I asked about our old apartment (piano nobile—first floor); she said it was always let—generally to foreigners. I didn't ask if she had made any modern improvements since we lived there. Shall you ever forget that cold winter with the doors that wouldn't open, and the windows that wouldn't shut, and the chimneys that always smoked, and the calorifère, which John never would light, as he was afraid it would warm the Guadagni rooms below? I should have liked to go over the apartment and see the rooms again—the big ball-room where we danced so often and had so much music. We wound up with a turn in the Cascine, drawing up in the Piazza alongside of Lottie's carriage, which was of course surrounded by all the gilded youth of Florence. Maquay came to talk to us, Carlo Alessandri and Serristori, whom I hadn't yet seen. He was just the same (laughing and criticising) as in the old days when some of the swells appeared in so-called Worth garments, which he said were all made in a little room over his stables, by the wife and daughters of one of his men.

      I was glad to get in and have a quiet hour to write before dinner. I am at my table close up to the open window. The air is soft and delicious—the garden just beginning to look dark and mysterious in the waning light. The group of cypresses (I don't know how to write that in the plural, it looks funny) always black. I was called off various times, and must finish now as we are going to dine at the Maquays—we being ourselves, Mary, and Charles. We generally go about a family party.

Sunday, February 21, 1880.

      We are making our pacquets as we have decided to leave for Rome on Monday (22). The Schuylers are clamouring for us, and though I hate to leave here I really think we ought to go. As W. has never seen Rome two months will not be too much. We shan't have much more as he wants to get home for the Conseil Général. The Schuylers want to have a big reception for us, and would like next Sunday week, so I think we really shall get off this time. The longer we stay the more invitations we have. It has been all quite charming. Our Maquay dinner was very easy and pleasant; the Tchiatcheffs, Lottie, Alessandri, Talleyrands, Mrs. Fuller, and one or two stray men. The house looked so natural—of course the ball-room wasn't open as we were a small party, but they lighted it after dinner. I wanted W. to see how pretty it was and how light—white with red seats all around. How it took me back to old times? I seemed to see everybody settling for the cotillon—the stairs too, where we all used to sit waiting for the cotillon to begin. How we amused ourselves that winter in Florence, and how scattered all that little band is now. The Florentines amuse themselves still—there must be something in the air which makes people light-hearted—one can't imagine a serious, studious life in Florence.

      We spent two hours in the Uffizi yesterday looking at all the old friends again. I was delighted to see the dear little "St. John in the Wilderness" hanging just where it did before, on one side of the door in the Tribuna; also the Peruginos—I like them so much—his Madonnas with their wooden faces, but a pure, unearthly expression all the same, and the curious green colour one sees in all his pictures. We saw as much as we could in the two hours, but as it was the second visit we found our way about better. I never rested until I found the corridor with Niobe and all her children—it used to fascinate me in the old days. One realized perfectly all those big sons and daughters, so terrified, and the last little one clinging to his mother's skirts.

      We went to tea, Mary and I, with Edith Peruzzi—quite quietly—as she wanted to show me her children—and fine specimens they are; a duck of a boy, quite sociable and smiling. Nina and Louisa Maquay came in—Louisa looked lovely. This morning I went to the English church with Mary and Beatrice. We didn't go out again till late—after tea—as we had various visitors, among others Schuyler Crosby, who had asked us to dine but we had no evening left. I saw him riding the other day in the Cascine, and recognised him some way off by his seat. I don't know what it is, but whatever the Americans do, whether riding, dancing, or tennis, they do it differently from any one else. I was talking about it the other day to an Englishman who had seen some of the Anglo-American boat races, and he quite agreed with me, said their rowing was very good, but quite another thing from the English sport.

      We drove out again Fiesole way. It was enchanting—more roses come out every day. There was a perfect fringe of pink roses hanging over some of the old grey walls. As it was Sunday, and a lovely day, there were quantities of people about. There are scarcely any costumes left, but all Italians like bright colours, and the red and green fichus and aprons looked pretty and gay as the various groups passed us. Some of the old women were terribly bent, with such brown, wrinkled faces—one could quite see that they had toiled up and down hills under the Italian scorching sun all their lives, with baskets and bundles of fagots on their backs—but the old eyes were keen and smiling. They don't look so utterly starved and wretched as Ouida (and others) say they are. I suppose they live on nothing, and go on quite simply, leading the same lives that their fathers and mothers did before them, without knowing of anything better.

      Tell Henrietta I haven't made much progress in the travelling work she presented me with. I did take it out into the drawing-room one evening, but the immediate result of that was disastrous. I took it out of the bag proudly, to show that I had silk, embroidery, scissors, needles, etc., like everybody else, but left it on the table. Somebody wanted a book or a newspaper also on the table; turned everything upside down, and the work, silk, needles, thimble, etc., went rolling all over the floor. When you think of the crevasses of an old parquet floor in an Italian Palace, you can imagine how difficult it was to find anything again. The two girls were hours on their knees looking for my thimble which never turned up—however, that will be an excellent reason for buying a pretty little gold thimble with a row of turquoises that I saw the other day in a shop on the Ponte Vecchio. There is evidently a fate against my becoming an accomplished needlewoman, and I am afraid the "clumsy little fingers," which used to worry you so in the old days of music lessons, have not improved with advancing years. Perhaps I shall take to work in my old age. Isn't it George Sand who says (and I don't believe she ever took a needle in her hand), "Don't despise our less ambitious sisters who work. Many great resolutions and silent abnegations have been woven into the bright flowers and delicate tracings of the embroidery in the long hours spent over the frame."

Monday Night, February 22, 1880.

      We really are starting to-morrow morning—trunks are packed, compartment engaged, and we have said good-bye to everybody. I made a last little turn this morning in the Boboli Gardens. I didn't see the custode—I wanted to say good-bye to him. Then we went to the Pitti gallery, W. wanted to see one particular Botticelli, "la bella Simonetta" I think, which he and Mary had been talking about, and which we had missed the other day. It is quite impossible to see everything. I had remembered pretty well the principal pictures. Then we took a fiacre and went out to San Marco to see the Fra Angelicos and Savonarola's cell. We had never once got there, there is always so much to do. We walked through the cloisters first—the frescoes are perfectly well preserved—some of Fra Angelico's and others less interesting. I wanted to see the cells, and was quite pleased to recognise the "Coronation of the Virgin" and the "Madonna and Child" surrounded by angels, all in their long green-blue robes with wings and musical instruments of all kinds. As usual people were copying them, and I will try and find a pretty one and bring it back. I want the one in a sort of light green dress blowing a trumpet. The faces are quite beautiful, so pure. He must have had a wonderful imagination—I wonder if he believed angels look like that? Somehow or other I always think of an angel in a white robe. We saw of course Savonarola's cell, and they showed us his rosary, and a piece of wood which is supposed to have been taken from his funeral pile. It all looked so peaceful and smiling to-day, one could hardly realize the long hours of doubt and self-torture passed in these solitary cells. There is a fine description in one of the numerous books the Bunsens have on Florence, of Savonarola's preaching—all the people congregated in the great square before the church, when there was no longer any room inside, leaving their shops and their work to come and listen to him. That is one of the delightful things in this household, you can always find a book in almost any language about any subject that interests you, religion, music, politics, everything.

      Beatrice has a delightful German magazine, "Monatsheft," very well illustrated, with all the modern German literature, stories, essays, criticisms, etc. One could almost wish for a rainy day or a quiet evening to read a little.

      W. went

Скачать книгу