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Strong as Death. Guy de Maupassant
Читать онлайн.Название Strong as Death
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Автор произведения Guy de Maupassant
Жанр Зарубежная классика
Издательство Public Domain
It was quite true; he felt a profound, tormenting, harassing necessity for seeing her. What did it mean? Was it love? But he felt no mental exaltation, no intoxication of the senses; it awakened no reverie of the soul, when he realized that if she did not come that day he should suffer keenly.
The door-bell rang on the stairway of the little hotel, and Olivier Bertin suddenly found himself somewhat breathless, then so joyous that he executed a pirouette and flung his cigarette high in the air.
She entered; she was alone! Immediately he was seized with a great audacity.
“Do you know what I asked myself while waiting for you?”
“No, indeed, I do not.”
“I asked myself whether I were not in love with you?”
“In love with me? You must be mad!”
But she smiled, and her smile said: That is very pretty; I am glad to hear it! However, she said: “You are not serious, of course; why do you make such a jest?”
“On the contrary, I am absolutely serious,” he replied. “I do not declare that I am in love with you; but I ask myself whether I am not well on the way to become so.”
“What has made you think so?”
“My emotion when you are not here; my happiness when you arrive.”
She seated herself.
“Oh, don’t disturb yourself over anything so trifling! As long as you sleep well and have an appetite for dinner, there will be no danger!”
He began to laugh.
“And if I lose my sleep and no longer eat?”
“Let me know of it.”
“And then?”
“I will allow you to recover yourself in peace.”
“A thousand thanks!”
And on the theme of this uncertain love they spun theories and fancies all the afternoon. The same thing occurred on several successive days. Accepting his statement as a sort of jest, of no real importance, she would say gaily on entering: “Well, how goes your love to-day?”
He would reply lightly, yet with perfect seriousness, telling her of the progress of his malady, in all its intimate details, and of the depth of the tenderness that had been born and was daily increasing. He analyzed himself minutely before her, hour by hour, since their separation the evening before, with the air of a professor giving a lecture; and she listened with interest, a little moved, and somewhat disturbed by this story which seemed that in a book of which she was the heroine. When he had enumerated, in his gallant and easy manner, all the anxieties of which he had become the prey, his voice sometimes trembled in expressing by a word, or only by an intonation, the tender aching of his heart.
And she persisted in questioning him, vibrating with curiosity, her eyes fixed upon him, her ear eager for those things that are disturbing to know but charming to hear.
Sometimes when he approached her to alter a pose he would seize her hand and try to kiss it. With a swift movement she would draw away her fingers from his lips, saying, with a slight frown:
“Come, come – work!”
He would begin his work again, but within five minutes she would ask some adroit question that led him back to the sole topic that interested them.
By this time she began to feel some fear deep in her heart. She longed to be loved – but not too much! Sure of not being led away, she yet feared to allow him to venture too far, thereby losing him, since then she would be compelled to drive him to despair after seeming to encourage him. Yet, should it become necessary to renounce this tender and delicate friendship, this stream of pleasant converse which rippled along bearing nuggets of love like a river whose sand is full of gold, it would cause her great sorrow – a grief that would be heart-breaking.
When she set out from her own home to go to the painter’s studio, a wave of joy, warm and penetrating, overflowed her spirit, making it light and happy. As she laid her hand on Olivier’s bell, her breast throbbed with impatience, and the stair-carpet seemed the softest her feet ever had pressed. But Bertin became gloomy, a little nervous, often irritable. He had his moments of impatience, soon repressed, but frequently recurring.
One day, when she had just entered, he sat down beside her instead of beginning to paint, saying:
“Madame, you can no longer ignore the fact that what I have said is not a jest, and that I love you madly.”
Troubled by this beginning and seeing that the dreaded crisis had arrived, she tried to stop him, but he listened to her no longer. Emotion overflowed his heart, and she must hear him, pale, trembling, and anxious as she listened. He spoke a long time, demanding nothing, tenderly, sadly, with despairing resignation; and she allowed him to take her hands, which he kept in his. He was kneeling before her without her taking any notice of his attitude, and with a far-away look upon his face he begged her not to work him any harm. What harm? She did not understand nor try to understand, overcome by the cruel grief of seeing him suffer, yet that grief was almost happiness. Suddenly she saw tears in his eyes and was so deeply moved that she exclaimed: “Oh!” – ready to embrace him as one embraces a crying child. He repeated in a very soft tone: “There, there! I suffer too much;” then, suddenly, won by his sorrow, by the contagion of tears, she sobbed, her nerves quivering, her arms trembling, ready to open.
When she felt herself suddenly clasped in his embrace and kissed passionately on the lips, she wished to cry out, to struggle, to repulse him; but she judged herself lost, for she consented while resisting, she yielded even while she struggled, pressing him to her as she cried: “No, no, I will not!”
Then she was overcome with the emotion of that moment; she hid her face in her hands, then she suddenly sprang to her feet, caught up her hat which had fallen to the floor, put it on her head and rushed away, in spite of the supplications of Olivier, who held a fold of her skirt.
As soon as she was in the street, she had a desire to sit down on the curbstone, her limbs were so exhausted and powerless. A cab was passing; she called to it and said to the driver: “Drive slowly, and take me wherever you like.” She threw herself into the carriage, closed the door, sank back in one corner, feeling herself alone behind the raised windows – alone to think.
For some minutes she heard only the sound of the wheels and the jarring of the cab. She looked at the houses, the pedestrians, people in cabs and omnibuses, with a blank gaze that saw nothing; she thought of nothing, as if she were giving herself time, granting herself a respite before daring to reflect upon what had happened.
Then, as she had a practical mind and was not lacking in courage, she said to herself: “I am a lost woman!” For some time she remained under that feeling of certainty that irreparable misfortune had befallen her, horror-struck, like a man fallen from a roof, knowing that his legs are broken but dreading to prove it to himself.
But, instead of feeling overwhelmed by the anticipation of suffering, her heart remained calm and peaceful after this catastrophe; it beat slowly, softly, after the fall that had terrified her soul, and seemed to take no part in the perturbation of her mind.
She repeated aloud, as if to understand and convince herself: “Yes, I am a lost woman.” No echo of suffering responded from her heart to this cry of her conscience.
She allowed herself to be soothed for some time by the movement of the carriage, putting off a little longer the necessity of facing this cruel situation. No, she did not suffer. She was afraid to think, that was all; she feared to know, to comprehend, and to reflect; on the contrary, in that mysterious and impenetrable being created within us by the incessant struggle between our desires and our will, she felt an indescribable peace.
After perhaps half an hour of this strange repose, understanding at last that the despair she had invoked would not come, she shook off her torpor and murmured: “It is strange: I am hardly sorry even!”
Then she began to reproach herself. Anger