LITMIR.BIZ

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a natural benevolence.

      Sometimes, when the baroness talked of far away things that happened in her youth, she would say, in order to fix a date: "It was the time that Lison had that attack."

      They never said more than that; and this "attack" remained shrouded, as in a mist.

      One evening, Lise, who was then twenty, had thrown herself into the water, no one knew why. Nothing in her life, her manner, gave any intimation of this seizure. They fished her out half dead, and her parents, raising their hands in horror, instead of seeking the mysterious cause of this action, had contented themselves with calling it "that attack," as if they were talking of the accident that happened to the horse "Coco," who had broken his leg a short time before in a ditch, and whom they had been obliged to kill.

      From that time Lise, presently Lison, was considered feeble-minded.

      The gentle contempt which she inspired in her relations gradually made its way into the minds of all those who surrounded her. Little Jeanne herself, with the natural instinct of children, took no notice of her, never went up to kiss her good-night, never went into her room. Good Rosalie, alone, who gave the room all the necessary attention, seemed to know where it was situated.

      When Aunt Lison entered the dining-room for breakfast, the little one would go up to her from habit and hold up her forehead to be kissed;

      that was all.

      If anyone wished to speak to her, they sent a servant to call her, and if she was not there, they did not bother about her, never thought of her, never thought of troubling themselves so much as to say: "Why, I have not seen Aunt Lison this morning!"

      When they said "Aunt Lison," these two words awakened no feeling of affection in anyone's mind. It was as if one had said: "The coffee pot, or the sugar bowl."

      She always walked with little, quick, silent steps, never made a noise, never knocking up against anything; and seemed to communicate to surrounding objects the faculty of not making any sound. Her hands seemed to be made of a kind of wadding, she handled everything so lightly and delicately.

      She arrived about the middle of July, all upset at the idea of this marriage. She brought a quantity of presents which, as they came from her, remained almost unnoticed. On the following day they had forgotten she was there at all.

      But an unusual emotion was seething in her mind, and she never took her eyes off the engaged couple. She interested herself in Jeanne's trousseau with a singular eagerness, a feverish activity, working like a simple seamstress in her room, where no one came to visit her.

      She was continually presenting the baroness with handkerchiefs she had hemmed herself, towels on which she had embroidered a monogram, saying as she did so: "Is that all right, Adelaide?" And little mother, as she carelessly examined the objects, would reply: "Do not give yourself so much trouble, my poor Lison."

      One evening, toward the end of the month, after an oppressively warm day, the moon rose on one of those clear, mild nights which seem to move, stir and affect one, apparently awakening all the secret poetry of one's soul. The gentle breath of the fields was wafted into the quiet drawing-room. The baroness and her husband were playing cards by the light of a lamp, and Aunt Lison was sitting beside them knitting;

      while the young people, leaning on the window sill, were gazing out at the moonlit garden.

      The linden and the plane tree cast their shadows on the lawn which extended beyond it in the moonlight, as far as the dark wood.

      Attracted by the tender charm of the night, and by this misty illumination that lighted up the trees and the bushes, Jeanne turned toward her parents and said: "Little father, we are going to take a short stroll on the grass in front of the house."

      The baron replied, without looking up: "Go, my children," and continued his game.

      They went out and began to walk slowly along the moonlit lawn as far as the little wood at the end. The hour grew late and they did not think of going in. The baroness grew tired, and wishing to retire, she said:

      "We must call the lovers in."

      The baron cast a glance across the spacious garden where the two forms were wandering slowly.

      "Let them alone," he said; "it is so delicious outside! Lison will wait for them, will you not, Lison?"

      The old maid raised her troubled eyes and replied in her timid voice:

      "Certainly, I will wait for them."

      Little father gave his hand to the baroness, weary himself from the heat of the day.

      "I am going to bed, too," he said, and went up with his wife.

      Then Aunt Lison rose in her turn, and leaving on the arm of the chair her canvas with the wool and the knitting needles, she went over and leaned on the window sill and gazed out at the night.

      The two lovers kept on walking back and forth between the house and the wood. They squeezed each other's fingers without speaking, as though they had left their bodies and formed part of this visible poetry that exhaled from the earth.

      All at once Jeanne perceived, framed in the window, the silhouette of the aunt, outlined by the light of the lamp behind her.

      "See," she said, "there is Aunt Lison looking at us."

      The vicomte raised his head, and said in an indifferent tone without thinking:

      "Yes, Aunt Lison is looking at us."

      And they continued to dream, to walk slowly, and to love each other.

      But the dew was falling fast, and the dampness made them shiver a little.

      "Let us go in now," said Jeanne. And they went into the house.

      When they entered the drawing-room, Aunt Lison had gone back to her work. Her head was bent over her work, and her fingers were trembling as if she were very tired.

      "It is time to go to bed, aunt," said Jeanne, approaching her.

      Her aunt turned her head, and her eyes were red as if she had been crying. The young people did not notice it; but suddenly M. de Lamare perceived that Jeanne's thin shoes were covered with dew. He was worried, and asked tenderly:

      "Are not your dear little feet cold?"

      All at once the old lady's hands shook so violently that she let fall her knitting, and hiding her face in her hands, she began to sob convulsively.

      The engaged couple looked at her in amazement, without moving.

      Suddenly Jeanne fell on her knees, and taking her aunt's hands away from her face, said in perplexity:

      "Why, what is the matter, Aunt Lison?"

      Then the poor woman, her voice full of tears, and her whole body shaking with sorrow, replied:

      "It was when he asked you-are not your-your-dear little feet cold? – no one ever said such things to me-to me-never-never-"

      Jeanne, surprised and compassionate, could still hardly help laughing at the idea of an admirer showing tender solicitude for Lison; and the vicomte had turned away to conceal his mirth.

      But the aunt suddenly rose, laying her ball of wool on the floor and her knitting in the chair, and fled to her room, feeling her way up the dark staircase.

      Left alone, the young people looked at one another, amused and saddened. Jeanne murmured:

      "Poor aunt!" Julien replied. "She must be a little crazy this evening."

      They held each other's hands and presently, gently, very gently, they exchanged their first kiss, and by the following day had forgotten all about Aunt Lison's tears.

      The two weeks preceding the wedding found Jeanne very calm, as though she were weary of tender emotions. She had no time for reflection on the morning of the eventful day. She was only conscious of a feeling as if her flesh, her bones and her blood had all melted beneath her skin, and on taking hold of anything, she noticed that her fingers trembled.

      She did not regain her self-possession until she was in the chancel of the church during the marriage ceremony.

      Married!

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