LITMIR.BIZ

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p>Birds and Nature Vol. 9 No. 1 [January 1901]

      THE OLD YEAR

      Ring out, wild bells, to the wild sky,

      The flying cloud, the frosty light:

      The year is dying in the night;

      Ring out, wild bells, and let him die.

      Ring out the old, ring in the new,

      Ring, happy bells, across the snow:

      The year is going, let him go;

      Ring out the false, ring in the true.

      Ring out the grief that saps the mind,

      For those that here we see no more;

      Ring out the feud of rich and poor,

      Ring in redress to all mankind.

      Ring out false pride in place and blood,

      The civic slander and the spite;

      Ring in the love of truth and right,

      Ring in the common love of good.

      Ring out old shapes of foul disease,

      Ring out the narrowing lust of gold;

      Ring out the thousand wars of old,

      Ring in the thousand years of peace.

      Ring in the valiant man and free,

      The larger heart, the kindlier hand;

      Ring out the darkness of the land,

      Ring in the Christ that is to be.

– Alfred Tennyson.

      THE WHITE-WINGED CROSSBILL

      (Loxia leucoptera.)

      The Crossbills, together with the finches, the sparrows, the grosbeaks, the redpolls, the goldfinches, the towhees, the cardinals, the longspurs, and the buntings, belong to that large family of perching birds called the Fringillidae, from the Latin word Fringilla, meaning a finch.

      Mr. Chapman tells us, in his “Birds of Eastern North America,” that “this, the largest family of birds, contains some five hundred and fifty species, which are represented in all parts of the world, except the Australian region. Its members present a wide diversity of form and habit, but generally agree in possessing stout, conical bills, which are admirably adapted to crush seeds. They are thus chief among seed-eaters, and for this reason are not so migratory as insect-eating species.” Many of the birds most highly prized for the cage and as songsters are representatives of this family and many of the species are greatly admired for their beautiful coloring. The White-Winged Crossbill is a native of the northern part of North America, migrating southward into the United States during the winter months. Its technical name, Loxia leucoptera, is most appropriate and descriptive. The generic name Loxia is derived from the Greek loxos, meaning crosswise or slanting, and the specific name leucoptera is from two Greek works, meaning white and wing, and has reference to the white tips of the feathers of the wings. The common name, Crossbill, or, as the bird is sometimes called, Crossbeak, describes the peculiar structure of the bill which marks them as perhaps the most peculiar of our song birds. The bill is quite deeply cut at the base and compressed near the tips of the two parts, which are quite abruptly bent, one upward and the other downward, so that the points cross at an angle of about forty-five degrees. This characteristic gives this bird a parrot-like appearance. The similarity is heightened by the fact that these hook-like bills are used by the birds to assist in climbing from branch to branch.

      The Crossbills are even parrot-like in captivity. Dr. Ridgway, in the “Ornithology of Illinois,” writes as follows regarding the habits of a pair: “They were very tame, and were exceedingly interesting little pets. Their movements in the cage were like those of caged parrots in every respect, except that they were far more easy and rapid. They clung to the sides and upper wires of the cage with their feet, hung down from them, and seemed to enjoy the practice of walking with their head downward. They were in full song, and both the male and female were quite good singers. Their songs were irregular and varied, but sweet and musical. They ate almost every kind of food, but were especially eager for slices of raw apple. Although while they lived they were continually bickering over their food, yet when the female was accidentally choked by a bit of egg shell her mate was inconsolable, ceased to sing, refused his food, and died of grief in a very few days.”

      Their peculiar bills are especially fitted for obtaining their food, which consists to a great extent of the seeds of cone-bearing trees, such as the pine, the hemlock and the spruce. The ornithologist Wilson says: “On first glancing at the bill of this extraordinary bird one is apt to pronounce it deformed and monstrous; but, on attentively observing the use to which it is applied by the owner and the dexterity with which he detaches the seeds of the pine-tree from the cone and from the husks that inclose them, we are obliged to confess on this, as on many other occasions where we have judged too hastily of the operations of nature, that no other conformation could have been so excellently adapted to the purpose; and that its deviation from the common form, instead of being a defect or monstrosity as the celebrated French naturalist insinuates, is a striking proof of the wisdom of the great Creator.”

      As an accidental malformation this structure of the bill has been noted among other birds, and, it is said, with some frequency among the crows. A mediaeval legend gives as the cause for this conformation of the bill and the red color of the plumage that it was acquired “in recognition of the pity it bestowed on the suffering Savior at the Crucifixion.”

      Probably due to the nature of their food, which can usually be procured in any season, these birds are apparently not under the control of the usual laws that govern migration, but wander about in a seemingly aimless manner and are not influenced to any great extent by the changing seasons. They do not seem to be a constant inhabitant of any given locality for any length of time, but appear and disappear as if constantly dissatisfied with their surroundings.

      The two sexes vary in color, the body of the male being a dull carmine-red, which is brighter on the rump, and that of the female is brownish, tinged with olive-green and with brownish yellow on the rump. The young males are similar in color to the females, but pass through a changeable plumage while maturing.

      The Crossbill usually builds its nest in a cone-bearing tree and does not always choose the most inconspicuous locality. The nest is generally constructed of rather coarse twigs and strips of birch or cedar bark and lichens. This is lined with hair, the softer fibers of bark, fine rootlets, grass and feathers. The whole nest is saucer-shaped and about four inches in diameter, outside measurement, by one and one-half in depth. Authorities tell us that the eggs are usually three in number. In color they are a pale blue, nearly spotless at the smaller end, but at the larger end marked with irregular streaks or dots of lavender or reddish-brown. The eggs are small, about eight-tenths of an inch long by nearly six-tenths in diameter.

      On account of their vagrant habits, Dr. Brehm was wont to call them the “Gypsies” among birds. While seeking food or flying from place to place, they continually utter a plaintive note and their song is soft and sweet.

      THE LEGEND OF THE CROSSBILL

      On the cross the dying Saviour

      Heavenward lifts his eyelids calm.

      Feels, but scarcely feels, a trembling

      In his pierced and bleeding palm.

      And by all the world forsaken,

      Sees he how with zealous care

      At the ruthless nail of iron

      A little bird is striving there.

      Stained with blood and never tiring,

      With its beak it doth not cease,

      From the cross ’twould free the Saviour,

      Its Creator’s Son release.

      And the Saviour speaks in mildness:

      “Blest be thou of all the good!

      Bear, as token

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