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The Three Cities Trilogy: Paris, Volume 5. Emile Zola
Читать онлайн.Название The Three Cities Trilogy: Paris, Volume 5
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Автор произведения Emile Zola
Жанр Зарубежная классика
Издательство Public Domain
As Pierre and Guillaume went along they became mixed with dark groups of people, a whole flock of inquisitive folk, a promiscuous, passionate tramp, tramp towards the guillotine. It came from all Paris, urged on by brutish fever, a hankering for death and blood. In spite, however, of the dull noise which came from this dim crowd, the mean streets that were passed remained quite dark, not a light appeared at any of their windows; nor could one hear the breathing of the weary toilers stretched on their wretched pallets from which they would not rise before the morning twilight.
On seeing the jostling crowd which was already assembled on the Place Voltaire, Pierre understood that it would be impossible for him and his brother to ascend the Rue de la Roquette. Barriers, moreover, must certainly have been thrown across that street. In order therefore to reach the corner of the Rue Merlin, it occurred to him to take the Rue de la Folie Regnault, which winds round in the rear of the prison, farther on.
Here indeed they found solitude and darkness again.
The huge, massive prison with its great bare walls on which a moonray fell, looked like some pile of cold stones, dead for centuries past. At the end of the street they once more fell in with the crowd, a dim restless mass of beings, whose pale faces alone could be distinguished. The brothers had great difficulty in reaching the house in which Mege resided at the corner of the Rue Merlin. All the shutters of the fourth-floor flat occupied by the Socialist deputy were closed, though every other window was wide open and crowded with surging sightseers. Moreover, the wine shop down below and the first-floor room connected with it flared with gas, and were already crowded with noisy customers, waiting for the performance to begin.
"I hardly like to go and knock at Mege's door," said Pierre.
"No, no, you must not do so!" replied Guillaume.
"Let us go into the wine shop. We may perhaps be able to see something from the balcony."
The first-floor room was provided with a very large balcony, which women and gentlemen were already filling. The brothers nevertheless managed to reach it, and for a few minutes remained there, peering into the darkness before them. The sloping street grew broader between the two prisons, the "great" and the "little" Roquette, in such wise as to form a sort of square, which was shaded by four clumps of plane-trees, rising from the footways. The low buildings and scrubby trees, all poor and ugly of aspect, seemed almost to lie on a level with the ground, under a vast sky in which stars were appearing, as the moon gradually declined. And the square was quite empty save that on one spot yonder there seemed to be some little stir. Two rows of guards prevented the crowd from advancing, and even threw it back into the neighbouring streets. On the one hand, the only lofty houses were far away, at the point where the Rue St. Maur intersects the Rue de la Roquette; while, on the other, they stood at the corners of the Rue Merlin and the Rue de la Folie Regnault, so that it was almost impossible to distinguish anything of the execution even from the best placed windows. As for the inquisitive folk on the pavement they only saw the backs of the guards. Still this did not prevent a crush. The human tide flowed on from all sides with increasing clamour.
Guided by the remarks of some women who, leaning forward on the balcony, had been watching the square for a long time already, the brothers were at last able to perceive something. It was now half-past three, and the guillotine was nearly ready. The little stir which one vaguely espied yonder under the trees, was that of the headsman's assistants fixing the knife in position. A lantern slowly came and went, and five or six shadows danced over the ground. But nothing else could be distinguished, the square was like a large black pit, around which ever broke the waves of the noisy crowd which one could not see. And beyond the square one could only identify the flaring wine shops, which showed forth like lighthouses in the night. All the surrounding district of poverty and toil was still asleep, not a gleam as yet came from workrooms or yards, not a puff of smoke from the lofty factory chimneys.
"We shall see nothing," Guillaume remarked.
But Pierre silenced him, for he has just discovered that an elegantly attired gentleman leaning over the balcony near him was none other than the amiable deputy Duthil. He had at first fancied that a woman muffled in wraps who stood close beside the deputy was the little Princess de Harn, whom he had very likely brought to see the execution since he had taken her to see the trial. On closer inspection, however, he had found that this woman was Silviane, the perverse creature with the virginal face. Truth to tell, she made no concealment of her presence, but talked on in an extremely loud voice, as if intoxicated; and the brothers soon learnt how it was that she happened to be there. Duvillard, Duthil, and other friends had been supping with her at one o'clock in the morning, when on learning that Salvat was about to be guillotined, the fancy of seeing the execution had suddenly come upon her. Duvillard, after vainly entreating her to do nothing of the kind, had gone off in a fury, for he felt that it would be most unseemly on his part to attend the execution of a man who had endeavoured to blow up his house. And thereupon Silviane had turned to Duthil, whom her caprice greatly worried, for he held all such loathsome spectacles in horror, and had already refused to act as escort to the Princess. However, he was so infatuated with Silviane's beauty, and she made him so many promises, that he had at last consented to take her.
"He can't understand people caring for amusement," she said, speaking of the Baron. "And yet this is really a thing to see… But no matter, you'll find him at my feet again to-morrow."
Duthil smiled and responded: "I suppose that peace has been signed and ratified now that you have secured your engagement at the Comedie."
"Peace? No!" she protested. "No, no. There will be no peace between us until I have made my debut. After that, we'll see."
They both laughed; and then Duthil, by way of paying his court, told her how good-naturedly Dauvergne, the new Minister of Public Instruction and Fine Arts, had adjusted the difficulties which had hitherto kept the doors of the Comedie closed upon her. A really charming man was Dauvergne, the embodiment of graciousness, the very flower of the Monferrand ministry. His was the velvet hand in that administration whose leader had a hand of iron.
"He told me, my beauty," said Duthil, "that a pretty girl was in place everywhere." And then as Silviane, as if flattered, pressed closely beside him, the deputy added: "So that wonderful revival of 'Polyeucte,' in which you are going to have such a triumph, is to take place on the day after to-morrow. We shall all go to applaud you, remember."
"Yes, on the evening of the day after to-morrow," said Silviane, "the very same day when the wedding of the Baron's daughter will take place. There'll be plenty of emotion that day!"
"Ah! yes, of course!" retorted Duthil, "there'll be the wedding of our friend Gerard with Mademoiselle Camille to begin with. We shall have a crush at the Madeleine in the morning and another at the Comedie in the evening. You are quite right, too; there will be several hearts throbbing in the Rue Godot-de-Mauroy."
Thereupon they again became merry, and jested about the Duvillard family – father, mother, lover and daughter – with the greatest possible ferocity and crudity of language. Then, all at once Silviane exclaimed: "Do you know, I'm feeling awfully bored here, my little Duthil. I can't distinguish anything, and I should like to be quite near so as to see it all plainly. You must take