LITMIR.BIZ

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sentence and her execution. She retired to her cell, wrote a few words of parting to her friends, played upon a harp, which had found its way into the prison, her requiem, in tones so wild and mournful, that, floating in the dark hours of the night, through these sepulchral caverns, they fell like unearthly music upon the despairing souls there incarcerated.

      The morning of the 10th of November, 1793, dawned gloomily upon Paris. It was one of the darkest days of that reign of terror which, for so long a period enveloped France in its sombre shades. The ponderous gates of the court-yard of the Conciergerie opened that morning to a long procession of carts loaded with victims for the guillotine. Madame Roland had contemplated her fate too long, and had disciplined her spirit too severely, to fail of fortitude in this last hour of trial. She came from her cell scrupulously attired for the bridal of death. A serene smile was upon her cheek, and the glow of joyous animation lighted up her features as she waved an adieu to the weeping prisoners who gathered around her. The last cart was assigned to Madame Roland. She entered it with a step as light and elastic as if it were a carriage for a pleasant morning's drive. By her side stood an infirm old man, M. La Marche. He was pale and trembling, and his fainting heart, in view of the approaching terror, almost ceased to beat. She sustained him by her arm, and addressed to him words of consolation and encouragement in cheerful accents and with a benignant smile. The poor old man felt that God had sent an angel to strengthen him in the dark hour of death. As the cart heavily rumbled along the pavement, drawing nearer and nearer to the guillotine, two or three times, by her cheerful words, she even caused a smile faintly to play upon his pallid lips.

      The guillotine was now the principal instrument of amusement for the populace of Paris. It was so elevated that all could have a good view of the spectacle it presented. To witness the conduct of nobles and of ladies, of boys and of girls, while passing through the horrors of a sanguinary death, was far more exciting than the unreal and bombastic tragedies of the theatre, or the conflicts of the cock-pit and the bear garden. A countless throng flooded the streets; men, women, and children, shouting, laughing, execrating. The celebrity of Madame Roland, her extraordinary grace and beauty, and her aspect, not only of heroic fearlessness, but of joyous exhilaration, made her the prominent object of the public gaze. A white robe gracefully enveloped her perfect form, and her black and glossy hair, which for some reason the executioners had neglected to cut, fell in rich profusion to her waist. A keen November blast swept the streets, under the influence of which, and the excitement of the scene, her animated countenance glowed with all the ruddy bloom of youth. She stood firmly in the cart, looking with a serene eye upon the crowds which lined the streets, and listening with unruffled serenity to the clamor which filled the air. A large crowd surrounded the cart in which Madame Roland stood, shouting, "To the guillotine! to the guillotine!" She looked kindly upon them, and, bending over the railing of the cart, said to them, in tones as placid as if she were addressing her own child, "My friends, I am going to the guillotine. In a few moments I shall be there. They who send me thither will ere long follow me. I go innocent. They will come stained with blood. You who now applaud our execution will then applaud theirs with equal zeal."

      Madame Roland had continued writing her memoirs until the hour in which she left her cell for the scaffold. When the cart had almost arrived at the foot of the guillotine, her spirit was so deeply moved by the tragic scene – such emotions came rushing in upon her soul from departing time and opening eternity, that she could not repress the desire to pen down her glowing thoughts. She entreated an officer to furnish her for a moment with pen and paper. The request was refused. It is much to be regretted that we are thus deprived of that unwritten chapter of her life. It can not be doubted that the words she would then have written would have long vibrated upon the ear of a listening world. Soul-utterances will force their way over mountains, and valleys, and oceans. Despotism can not arrest them. Time can not enfeeble them.

      The long procession arrived at the guillotine, and the bloody work commenced. The victims were dragged from the carts, and the ax rose and fell with unceasing rapidity. Head after head fell into the basket, and the pile of bleeding trunks rapidly increased in size. The executioners approached the cart where Madame Roland stood by the side of her fainting companion. With an animated countenance and a cheerful smile, she was all engrossed in endeavoring to infuse fortitude into his soul. The executioner grasped her by the arm. "Stay," said she, slightly resisting his grasp; "I have one favor to ask, and that is not for myself. I beseech you grant it me." Then turning to the old man, she said, "Do you precede me to the scaffold. To see my blood flow would make you suffer the bitterness of death twice over. I must spare you the pain of witnessing my execution." The stern officer gave a surly refusal, replying, "My orders are to take you first." With that winning smile and that fascinating grace which were almost resistless, she rejoined, "You can not, surely, refuse a woman her last request." The hard-hearted executor of the law was brought within the influence of her enchantment. He paused, looked at her for a moment in slight bewilderment, and yielded. The poor old man, more dead than alive, was conducted upon the scaffold and placed beneath the fatal ax. Madame Roland, without the slightest change of color, or the apparent tremor of a nerve, saw the ponderous instrument, with its glittering edge, glide upon its deadly mission, and the decapitated trunk of her friend was thrown aside to give place for her. With a placid countenance and a buoyant step, she ascended the platform. The guillotine was erected upon the vacant spot between the gardens of the Tuileries and the Elysian Fields, then known as the Place de la Revolution. This spot is now called the Place de la Concorde. It is unsurpassed by any other place in Europe. Two marble fountains now embellish the spot. The blood-stained guillotine, from which crimson rivulets were ever flowing, then occupied the space upon which one of these fountains has been erected; and a clay statue to Liberty reared its hypocritical front where the Egyptian obelisk now rises. Madame Roland stood for a moment upon the elevated platform, looked calmly around upon the vast concourse, and then bowing before the colossal statue, exclaimed, "O Liberty! Liberty! how many crimes are committed in thy name." She surrendered herself to the executioner, and was bound to the plank. The plank fell to its horizontal position, bringing her head under the fatal ax. The glittering steel glided through the groove, and the head of Madame Roland was severed from her body.

      Thus died Madame Roland, in the thirty-ninth year of her age. Her death oppressed all who had known her with the deepest grief. Her intimate friend Buzot, who was then a fugitive, on hearing the tidings, was thrown into a state of perfect delirium, from which he did not recover for many days. Her faithful female servant was so overwhelmed with grief, that she presented herself before the tribunal, and implored them to let her die upon the same scaffold where her beloved mistress had perished. The tribunal, amazed at such transports of attachment, declared that she was mad, and ordered her to be removed from their presence. A man-servant made the same application, and was sent to the guillotine.

      The grief of M. Roland, when apprized of the event, was unbounded. For a time he entirely lost his senses. Life to him was no longer endurable. He knew not of any consolations of religion. Philosophy could only nerve him to stoicism. Privately he left, by night, the kind friends who had hospitably concealed him for six months, and wandered to such a distance from his asylum as to secure his protectors from any danger on his account. Through the long hours of the winter's night he continued his dreary walk, till the first gray of the morning appeared in the east. Drawing a long stilletto from the inside of his walking-stick, he placed the head of it against the trunk of a tree, and threw himself upon the sharp weapon. The point pierced his heart, and he fell lifeless upon the frozen ground. Some peasants passing by discovered his body. A piece of paper was pinned to the breast of his coat, upon which there were written these words: "Whoever thou art that findest these remains, respect them as those of a virtuous man. After hearing of my wife's death, I would not stay another day in a world so stained with crime."

[From Dickens's Household Words.]

      CHEMICAL CONTRADICTIONS

      Science, whose aim and end is to prove the harmony and "eternal fitness of things," also proves that we live in a world of paradoxes; and that existence itself is a whirl of contradictions. Light and darkness, truth and falsehood, virtue and vice, the negative and positive poles of galvanic or magnetic mysteries, are evidences of all-pervading antitheses, which, acting like the good and evil genii of Persian Mythology, neutralize each other's powers when they come into collision. It is the office of science to solve these mysteries. The appropriate symbol

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