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p>Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850

      THOMAS DE QUINCEY

      When "Gilfillan's Gallery" first appeared, a copy of it was sent to an eminent lay-divine, the first sentence of whose reply was, "You have sent me a list of shipwrecks." It was but too true, for that "Gallery" contains the name of a Godwin, shipwrecked on a false system, and a Shelley, shipwrecked on an extravagant version of that false system – and a Hazlitt, shipwrecked on no system at all – and a Hall, driven upon the rugged reef of madness – and a Foster, cast high and dry upon the dark shore of Misanthropy – and an Edward Irving, inflated into sublime idiocy by the breath of popular favor, and in the subsidence of that breath, left to roll at the mercy of the waves, a mere log – and lastly, a Coleridge and a De Quincy, stranded on the same poppy-covered coast, the land of the "Lotos-eaters," where it is never morning, nor midnight, nor full day, but always afternoon.

      Wrecks all these are, but all splendid and instructive withal. And we propose now – repairing to the shore, where the last great argosy, Thomas De Quincey, lies half bedded in mud – to pick up whatever of noble and rare, of pure and permanent, we can find floating around. We would speak of De Quincey's history, of his faults, of his genius, of his works, and of his future place in the history of literature. And when we reflect on what a mare magnum we are about to show to many of our readers, we feel for the moment as if it were new to us also, as if we stood —

      "Like stout Cortea, when with eagle eyes

      He stared at the Pacific,

      – and all his men

      Gathered round him with a wild surmise,

      Silent, upon a peak of Darien."

      We can not construct a regular biography of this remarkable man; neither the time for this has come, nor have the materials been, as yet, placed within reach of us, or of any one else. But we may sketch the outlines of what we know, which is indeed but little.

      Thomas De Quincey is the son of a Liverpool merchant. He is one of several children, the premature loss of one of whom he has, in his "Suspiria de Profundis" (published in "Blackwood") most plaintively and eloquently deplored. His father seems to have died early. Guardians were appointed over him, with whom he contrived to quarrel, and from whose wing (while studying at Oxford) he fled to London. There he underwent a series of surprising adventures and severe sufferings, which he has recounted in the first part of his "Opium Confessions." On one occasion, while on the point of death by starvation, his life was saved by the intervention of a poor street-stroller, of whom he afterward lost sight, but whom, in the strong gratitude of his heart, he would pursue into the central darkness of a London brothel, or into the deeper darkness of the grave. Part of the same dark period of his life was spent in Wales, where he subsisted now on the hospitality of the country people, and now, poor fellow, on hips and haws. He was at last found out by some of his friends, and remanded to Oxford. There he formed a friendship with Christopher North, which has continued unimpaired to this hour. Both – besides the band of kindred genius – had that of profound admiration, then a rare feeling, for the poetry of Wordsworth. In the course of this part of his life he visited Ireland, and was introduced soon afterward to OPIUM – fatal friend, treacherous ally – root of that tree called Wormwood, which has overshadowed all his after life. A blank here occurs in his history. We find him next in a small white cottage in Cumberland – married – studying Kant, drinking laudanum, and dreaming the most wild and wondrous dreams which ever crossed the brain of mortal. These dreams he recorded in the "London Magazine," then a powerful periodical, conducted by John Scott, and supported by such men as Hazlitt, Reynolds, and Allan Cunningham. The "Confessions," when published separately, ran like wildfire, although from their anonymous form they added nothing at the time to the author's fame. Not long after their publication, Mr. De Quincey came down to Scotland, where he has continued to reside, wandering from place to place, contributing to periodicals of all sorts and sizes – to "Blackwood," "Tait," "North British Review," "Hogg's Weekly Instructor," as well as writing for the "Encyclopædia Britannica," and publishing one or two independent works, such as "Klosterheim," a tale, and the "Logic of Political Economy." His wife has been long dead. Three of his daughters, amiable and excellent persons, live in the sweet village of Lasswade, in the neighborhood of Edinburgh; and there he is, we believe, at present himself.

      From his very imperfect sketch of De Quincey's history, there rush into our minds some rather painful reflections. It is painful to see a

      "Giant mind broken by sorrows unspoken,

      And woes."

      It is painful to see a glorious being transfigured into a rolling thing before the whirlwind. It is painful to be compelled to inscribe upon such a shield the word "Desdichado." It is painful to remember how much misery must have passed through that heart, and how many sweat drops of agony must have stood, in desolate state, upon that brow. And it is most painful of all to feel that guilt, as well as misery, has been here, and that the sowing of the wind preceded the reaping of the whirlwind.

      Such reflections were mere sentimentalism, unless attended by such corollaries as these: 1st. Self-control ought to be more than at present a part of education, sedulously and sternly taught, for is it not the geometry of life? 2dly. Society should feel more that she is responsible for the wayward children of genius, and ought to seek more than she does to soothe their sorrows, to relieve their wants, to reclaim their wanderings, and to search, as with lighted candles, into the causes of their incommunicable misery. Had the public, twenty years ago, feeling Mr. De Quincey to be one of the master spirits of the age, and, therefore, potentially, one of its greatest benefactors, inquired deliberately into his case, sought him out, put him beyond the reach of want, encouraged thus his heart, and strengthened his hand, rescued him from the mean miseries into which he was plunged, smiled approvingly upon the struggles he was making to conquer an evil habit – in one word, recognized him, what a different man had he been now, and over what magnificent wholes had we been rejoicing, in the shape of his works, instead of deploring powers and acquirements thrown away, in rearing towers of Babel, tantalizing in proportion to the magnitude of their design, and the beauty of their execution. Neglected and left alone as a corpse in the shroud of his own genius, a fugitive, though not a vagabond, compelled day after day to fight absolute starvation at the point of his pen, the marvel is, that he has written so much which the world may not willingly let die. But, it is the world's fault that the writings it now recognizes, and may henceforth preserve on a high shelf, are rather the sublime ravings of De Quincey drunk, than the calm, profound cogitations of De Quincey sober. The theory of capital punishments is much more subtle and widely ramified than we might at first suppose. On what else are many of our summary critical and moral judgments founded? Men find a man guilty of a crime – they vote him for that one act a purely pernicious member of society, and they turn him off. So a Byron quarrels with his wife – a Coleridge loses his balance, and begins to reel and totter like Etna in an earthquake – a Burns, made an exciseman, gradually descends toward the low level of his trade – or a De Quincey takes to living on laudanum, and the public, instead of seeking to reform and re-edify each brilliant begun ruin, shouts out, "Raze, raze it to its foundation." Because the sun is eclipsed, they would howl him away! Because one blot has lighted on an imperishable page, they would burn it up! Let us hope, that as our age is fast becoming ashamed of those infernal sacrifices called executions, so it shall also soon forbear to make its most gifted sons pass through the fire to Moloch, till it has tested their thorough and ineradicable vileness.

      Mr. De Quincey's faults we have spoken of in the plural – we ought, perhaps, rather to have used the singular number. In the one word excitement, assuming the special form of opium – the "insane root" – lies the gravamen of his guilt, as, also, of Coleridge's. Now, we are far from wishing to underrate the evil of this craving. But we ought to estimate Mr. De Quincey's criminality with precision and justice; and, while granting that he used opium to excess – an excess seldom paralleled – we must take his own explanation of the circumstances which led him to begin its use, and of the effects it produced on him. He did not begin it to multiply or intensify his pleasures, still less to lash himself with its fiery thongs into a counterfeit inspiration, but to alleviate bodily pain. It became, gradually and reluctantly, a necessity of his life. Like the serpents around Laocoon, it confirmed its

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