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close to us, and at other times far away. To an unaccustomed ear it might easily have passed for the roaring of a host of much more dangerous wild beasts, so loud and hollow did it sound. I awoke in the morning cold and stiff, but soon put my blood into circulation by running two or three times up and down a steep bit of the hill. As for Donald, he shook himself, took a pinch of snuff, and was all right. The sun was not yet above the horizon, though the tops of the mountains to the west were already brightly gilt by its rays, and the grouse-cocks were answering each other in every direction."

      A graphic and most true description! The same gathering of the deer, but on a far larger scale, may be seen in the glens near the centre of Sutherland, hard by the banks of Loch Naver. Many hundreds of them congregate there together at the bleak season of their love; and the bellowing of the stags may be heard miles off among the solitude of the mountain. Nor is it altogether safe at that time to cross their path. The hart – a dangerous brute whenever brought to bay – then appears to lose all trace of his customary timidity, and will advance against the intruder, be he who he may, with levelled antler and stamping hoof, as becomes the acknowledged leader, bashaw, and champion of the herd. Also among the Coolin hills, perhaps the wildest of all our Highland scenery, where the dark rain-clouds of the Atlantic stretch from peak to peak of the jagged heights – where the ghostlike silence strikes you with unwonted awe, and the echo of your own footfall rings startlingly on the ear from the metallic cliffs of Hyperstein.

      What is it, Ian? As we live, Orleans is pointing in yon correi, and Bordeaux backing him like a Trojan. Soho, Tours! Now for it. Black game, we rather think. Well roaded, dogs! Bang! An old cock. Ian, you may pick him up.

       LETTERS AND IMPRESSIONS FROM PARIS. 2

      The gay metropolis of France has not lacked chroniclers, whether indigenous or foreign. And no wonder. The subject is inexhaustible, the mine can never be worn out. Paris is a huge kaleidoscope, in which the slightest movement of the hand of time produces fantastic changes and still recurring novelties. Central in position, it is the rendezvous of Europe. London is respected for its size, wealth, and commerce, and as the capital of the great empire on which the sun never sets; Paris is loved for its pleasures and pastimes, its amusements and dissipations. The one is the money-getter's Eldorado, the other the pleasure-seeker's paradise. The former is viewed with wonder and admiration; for size it is a province, for population a kingdom. But Paris, the modern Babel, with its boulevards and palaces, its five-and-twenty theatres, its gaudy restaurants and glittering coffee-houses, its light and cheerful aspect, so different from the soot-grimed walls of the English capital, is the land of promise to truant gentlemen and erratic ladies, whether from the Don or the Danube, the Rhine or the Wolga, from the frozen steppes of the chilly north, or the orange groves of the sunny south. A library has been written to exhibit its physiognomy; thousands of pens have laboured to depict the peculiarities of its population, floating and stationary.

      Amongst those who have most recently attempted the task, Mr Karl Gutzkow, a dramatist of some fame in his own land, holds a respectable place. He has recorded in print the results of two visits to Paris, paid in 1842 and in the present year. The self-imposed labour has been creditably performed; much truth and sharpness of observation are manifest in his pages, although here and there a triviality forces a smile, a far-fetched idea or a bizarre opinion causes a start. Mr Gutzkow partakes a fault common to many of his countrymen – a tendency to extremes, an aptness either to trifle or to soar, now playing on the ground with the children, then floating in the clouds with mystical familiars, or on a winged hobbyhorse. Desultory in style, he neglects the classification of his subject. Abruptly passing from the grave to the light, from the solid to the frothy, he breaks off a profound disquisition or philosophical argument to chatter about the new vaudeville, and glides from a scandalous anecdote of an actress into the policy of Louis Philippe. His frequent and capricious transitions are not disagreeable, and help one pleasantly enough through the book, but a methodical arrangement would be more favourable to the reader's memory. As it is, we lay down the volume with a perfect jumble in our brains, made up of the sayings, doings, qualities, and characteristics of actors, authors, statesmen, communists, journalists, and of the various other classes concerning whom Mr Gutzkow discourses, introducing them just as they occur to him, or as he happened to meet with them, and in some instances returning three or four times to the same individual. The first part of the book, which is the most lengthy and important, is in the form of letters, and was perhaps actually written to friends in Germany. This would account for its desultoriness and medley of matter. The second portion, written during or subsequently to a recent visit to Paris, serves as an appendix, and as a rectification of what came before. The author troubles himself little about places; he went to see Parisians rather than to gaze at Paris, to study men rather than to admire monuments, and has the good sense to avoid prattling about things that have been described and discussed by more common-place writers than himself. Well provided with introductions, he made the acquaintance of numerous notabilities, both political and literary, and of them he gives abundant details: an eager play-goer, his theatrical criticisms are bold, minute, and often exceedingly happy; an observant man, his remarks on the social condition of Paris and of France are both acute and interesting. Let us follow him page by page through his fifth letter or chapter, the first that relates to Paris. Those that precede contain an account of his journey from Hanover. On his entrance into France, he encounters various petty disagreeables, in the shape of ill-hung vehicles, sulky conductors, bad dinners, extravagant prices, and attempts at extortion, which stir up his bile, accustomed as he is to the moderate charges, smiling waiters, and snug although slow eilwagens of his own country. But he has resolved neither to grumble at trifles nor to judge hastily. A visit to France, and especially to Paris, has long been his darling project. His greatest fear is to be disappointed – imagination, especially that of a German, is so apt to outrun reality.

      "Every sou upon which I read 'Republique Française,' every portrait of the unhappy Louis upon the coarse copper money, makes such impression on me, that I no longer think of any thing but the historical ground under my feet; and consoled for my trifling grievances, upon a fine spring morning I enter the great Babel through the Barrière St Denis.

      "I am in France, in Paris. I must reflect, in order to ascertain what was my first thought. As a boy, I hated France and loved Paris. My thoughts clung fast to Germany's fall and Germany's greatness; my feelings, my fancy, ranged through the French capital, of which I had early heard much from my father, who had twice marched thither as a Prussian soldier and conqueror." Then come sundry reflections on the July revolution, and its effect on Europe. "These are chains of thought which hereafter will occupy us much. I must now think for a while of the France that I brought with me, because the one I have found is likely to lead me astray. Louis Philippe, Guizot, the armed peace, the peace at all price, the chamber of peers, the attempts on the king's life, the deputies, the épiciers, the great men and the little intrigues, art and science, Véry, Vefour, Musard – I am really puzzled not to forget something of what I previously knew. A hackney-coach horse, lying dead upon the boulevard, preoccupies me more than yonder hôtel des Capucins, where Guizot gives his dinners. A wood-pavement at the end of the Rue Richelieu sets me a-thinking more than the bulletin of to-day's Débats. They pave Paris with wood to deprive revolutions of building materials. Barricades are not to be made out of blocks. Better that those who cannot hear should be run over than that those who cannot see should risk to fall from their high estate."

      Considering that, when this was written, all the wood-pavement in Paris might have been covered with a Turkey carpet, and that up to this day its superficies has very little increased, Mr Gutzkow's discovery has much the appearance of a mare's nest. A better antidote to the stone within Paris is to be found in the stone around it. The fortifications will match the barricades. But it would be unfair to criticise too severely the crude impressions of a novice, suddenly set down amidst the turmoil, bustle, tumult, and fever of the French capital. From the pavements we pass to the promenaders.

      "Pity that black should this year be the fashion for ladies' dresses. The mourning garments clash with the freshness of spring. The heavens are blue, the sun shines, the trees already burst into leaf, the fountains round the obelisk throw their countless diamonds into the air. The exhibition of pictures has just opened. Shall I go thither, and exchange this violet-scented atmosphere

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