LITMIR.BIZ

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banners in churches, and flowers on graves, – of self-immolated youths, and broken-hearted damsels; – too frequent a reference to the Syrian plains, and knights in panoply, and vigils of arms, as mere illustrations of the noble in character, or the heroic in devotion. Situations are adduced as applicable to general conduct, which have only occurred, or could only have occurred, in particular states of society, and are never likely, from existing circumstances, to occur again. Far better this, however, than a contrary fault; for it is the purpose of poetry to elevate, and not to repress. Admitting that the effervescence is adventitious, still it is of virtuous growth, and proceeds from no distortion of principle. If not the reflection of human nature as it actually is, it is the delineation of the fata morgana of a noble mind – of something that occurs to us "in musings high," and which we sigh to think of as of something loftier and better, to which that nature would willingly aspire. We can readily conceive, that to a woman of the exquisite taste possessed by Mrs Hemans, any attempt at the startling or bizarre, either in conception or subject, was a thing especially to be avoided. We do not mean to imply by this, that, as every true poet must have, she had not a manner of her own. To this honour, no author of our day has higher or less equivocal claims. She knew what to admire in others, but she felt that she had a mission of her own. To substantiate this, we have only to suppose her productions blotted out from our literature, and then remark whether or not any blank be left; for, wherever we have originality, we have accession. We admit that originality is of all shades and grades, from a Burns to a Bloomfield, from a Crabbe to a Clare – still the names of the second and the fourth are those of true poets, as well as those of the authors of "The Cottar's Saturday Night," and "Sir Eustace Gray," – Parnassus, as Dr Johnson observes, having its "flowers of transient fragrance, as well as its cedars of perennial growth, and its laurels of eternal verdure." In the case of Mrs Hemans, this question is set at rest, from her having become the founder of a school, and that only eclipsed in the number of its adherents and imitators by those of Scott, Byron, and Wordsworth. In America especially has this been the case; a great part of the recent poetry in that country – more particularly that of its female writers – has been little more than an echo of her Records of Woman, and Lays of Many Lands, and lyrical strains; and, from Mrs Sigourney – "the American Mrs Hemans" – downwards, there are only corroborative proofs of a Cisatlantic fact, that no copyist, however acute and faithful, has ever yet succeeded in treading on the kibes of his master, far less of outstripping him in the struggle for excellence.

      Like all original writers, Mrs Hemans has her own mode and her own province. In reading the poetry of Wordsworth, we feel as if transferred to the mountainous solitudes, broken only by the scream of the eagle and the dash of the cataract, where human life is indicated but by the shieling in the sheltered holm, and the shepherd boy, lying wrapt up in his plaid by the furze-bush, with his "little flock at feed beside him." By Scott we are placed amid the men and things of departed ages. The bannered castle looms in the distance, and around it are the tented plain – the baron and his vassals – all that pertains to "ladye-love and war, renown and knightly worth." We have the cathedral-pomp, and the dark superstition, and the might that stands in the place of right, – all the fire and air, with little of the earth and water of our elemental nature. The lays of Wilson reflect the patriarchal calm of life in its best, and purest, and happiest aspects – or, indeed, of something better than mere human life, as the image of the islet in the sunset mirror of the lake is finer and fairer than the reality. Coleridge's inspiration is emblemed by ruins in the silver and shadow of moonlight, – quaint, and queer, and fantastic, haunted by the whooping owl, and screamed over by the invisible nighthawk. Campbell reminds of the Portland vase, exquisite in taste and materials, but recalling always the conventionalities of art.

      When placed beside, and contrasted with her great cotemporaries, the excellences of Mrs Hemans are sufficiently distinct and characteristic. There can be no doubt of this, more especially in her later and best writings, in which she makes incidents elucidate feelings. In this magic circle – limited it may be – she has no rival. Hence, from the picturesqueness, the harmony, the delicacy and grace, which her compositions display, she is peculiarly the poet of her own sex. Her pictures are not more distinguished for accuracy of touch than for elegance of finish. Every thing is clear, and defined, and palpable; nothing is enveloped in accommodating haze; and she never leaves us, as is the trick of some late aspiring and mystical versifiers, to believe that she must be profound because she is unintelligible. She is ever alive to the dignity of her calling, and the purity of her sex. Aware of the difficulties of her art, she aspired towards excellence with untiring perseverance, and improved herself by the study of the best models, well knowing that few things easy of attainment can be worth much. Her taste thus directed her to appropriate and happy subjects; and hence it has been, as with all things of sterling value, that her writings have not been deteriorated by time. They were not, like the ice-palace of the Empress Catherine, thrown up to suit the whim of the season, or directed to subjects of mere occasional interest, to catch the gale of a passing popularity. Mrs Hemans built on surer foundations, and with less perishable materials. The consequence is, that her reputation has been steadily on the increase. Of no one modern writer can it be affirmed with less hesitation, that she has become an English classic; nor, until human nature becomes very different from what it now is, can we imagine the least probability that the music of her lays will cease to soothe the ear, or the beauty of her sentiment to charm the gentle heart.

      ON THE MISERIES OF IRELAND, AND THEIR REMEDIES

      In resuming this subject, we feel that we cannot be justly accused of going out of our own province, or of meddling with matters which concern only our neighbours. In the present state of this country, we not only recognise the people of Ireland as our fellow-subjects, but we practically feel, as we ought to do, that their miseries are reflected upon us. This might be illustrated in various ways, but there is one illustration which comes peculiarly home to all people of this country at this moment. Much has been said and written, of late years, on the sanitary condition of the great towns of this country, and on the importance of thorough cleansing and draining, as a preservative against the epidemic diseases which have so often lately afflicted, and in some instances nearly decimated, our population; and when we state that, in the neighbouring city of Glasgow, during last year only, the mortality was one in nineteen of the population, and that the number of deaths exceeded the number of births by more than sixteen thousand, – that the mortality from fever, in particular, is known very generally to fall upon those who, in a worldly point of view, are the most valuable lives in society, and that a new and still more appalling epidemic is already among us – we have surely said enough to show that there cannot be a more important or serious object of contemplation, or of inquiry, than the means of purification and sanitary improvement of such graves of the human race, as so many parts of that and others of our great towns are at this moment.

      It is equally certain that "atmospheric impurity" has been justly charged as the most general and effective of all the causes, which so depress the vital energies as to dispose the living human body to suffer, and sink under, such visitations of Providence.

      But, in order to understand how this prolific cause of evil acts on the human race, it is necessary not only to look to the draining, sweeping, and cleaning of streets, courts, and closes, but to enter the houses, and attend to the "conditions of existence" of their inmates, in the lowest and most unhealthy portions of all our great towns. When we do this, we find that, in all those houses which are the chief seats of epidemic disease, there are congregated together in small and dirty rooms such masses of destitute human beings, usually ill-clothed and inadequately protected from cold, that it is mere mockery to speak of improving the atmosphere of their rooms, especially during the night, by any appliances to the streets or courts from which they are entered, or even by any means of ventilation to which, at least in cold weather, the inmates will submit.

      It is even in vain that we issue directions for the cleansing of the rooms, or regulations, in the case of lodging-houses, for limiting the number of persons to be taken into them, or that we form model lodging-houses, in which a certain number of persons may be decently accommodated. All such measures have a good effect on a certain number of the people; but those among whom the epidemic diseases are always found making most progress have no means of availing themselves of these advantages: they can no more pay for clean or well-aired rooms than they could pay for any of the luxuries

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