LITMIR.BIZ

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you. Do not say 'No,' but come. I do not name any day, so that you may be free to fix your own."

      "Yours affectionately,

      "Ethel Wyndward."

      "P.S. – Leycester is with us."

      As she wrote the signature she heard a step behind her, which she knew was Leycester's.

      He stopped short as he saw her, and coming up to her, put his hand on her white shoulder.

      "Writing, mother?" he said.

      The countess folded her letter.

      "Yes. Where are you going?"

      He pointed to the Louis Quatorze clock that ticked solemnly on a bracket.

      "Ten o'clock, mother," he said, with a smile.

      "Oh, yes; I see," she assented.

      He stood for a moment looking down at her with all a young man's filial pride in a mother's beauty, and, bending down, touched her cheek with his lips, then passed out.

      The countess looked after him with softened eyes.

      "Who could help loving him?" she murmured.

      Humming an air from the last opera bouffe, he ran lightly up the staircase and passed along the corridor, but as he reached the further end and knocked at a door, the light air died upon his lips.

      A low voice murmured, "Come in;" and opening the door gently, he entered.

      The room was a small one, and luxuriously furnished in a rather strange style. On the first entrance, a stranger would have been struck by the soft and delicate tints which pervaded throughout. There was not a brilliant color in the apartment; the carpet and hangings, the furniture, the pictures themselves were all of a reposeful tint, which could not tire the eye or weary the sense. The carpet was a thick Persian rug, which deadened the sound of footsteps, costly hangings of a cool and restful gray covered the walls, save at intervals; the fire itself was screened by a semi-transparent screen, and the only light in the room came from a lamp which was suspended by a silver chain from the ceiling, and was covered by a thick shade.

      On a couch placed by the window reclined a young girl. As Leycester entered, she half rose and turned a pale, but beautiful face toward him with an expectant smile.

      Beautiful is a word that is easily written, and written so often that its significance has got dulled: it fails to convey any idea of the ethereal loveliness of Lilian Wyndward. Had Mr. Etheridge painted a face with Leycester's eyes, and given it the delicately-cut lips and spiritual expression of one of Raphael's angels, it would have been a fair representation of Lilian Wyndward.

      "It is you Leycester," she said. "I knew you would come," and she pointed to a small traveling clock that stood on a table near her.

      He went up to her and kissed her, and she put her arms round his neck and laid her face against his, her eyes looking into his with rapt devotion.

      "How hot you are, dear. Is it hot down there?"

      "Awfully," he said, seating himself beside her, and thrusting his hands into his pockets. "There is not a breath of air moving, and if there were the governor would take care to shut it out. This room is deliriously cool, Lil; it is a treat to come into it."

      "Is it?" she said, with a glad eagerness. "You really think it is. I like to hear you say that."

      "Yes, it's the prettiest room in the house. What is it smells so sweet?"

      "Lilac," she said, and she pointed to a bunch on the table.

      He started slightly, and, stretching out his hand, took a spray out of the epergne.

      "I thought it was lilac," he said, quietly. "I noticed it when I came in."

      She took the spray from him and fastened it in his coat, against which her hands looked white as the driven snow.

      "You shall take it to your own room, Ley," she said. "You shall take them all."

      "Not for worlds, Lil," he said. "This will do."

      "And what are they doing?" she asked.

      "The usual thing," he replied; "playing, singing, rubber at whist, and boring each other to death generally."

      She smiled.

      "And what have you been doing?"

      "Assisting in the latter amusement," he answered, lightly.

      "They told me you had gone out," she said.

      He nodded.

      "Yes, I took the chestnut for a spin."

      She laughed, a soft, hushed laugh.

      "And left them the first night! That was like you, Ley!"

      "What was the use of staying? It was wrong, I suppose. I am unfortunate! Yes, I went for a ride."

      "It was a lovely evening. I watched the sunset," and she looked at the window. "If I had known you were going, I would have looked for you. I like to see you riding that big chestnut. You went across the meadows?"

      "Yes," he said, "across the meadows."

      He was silent for a minute, then he said, suddenly, "Lil, I have seen a vision to-night."

      "A vision, Ley!" she repeated, looking up at him eagerly.

      He nodded.

      "A vision. The most beautiful girl I have ever seen, excepting you, Lil!"

      She made no protest, but smiled.

      "Ley! A girl! What was she like?"

      "I can't tell you," he said. "I came upon her in a moment. The chestnut saw her first, and was human enough to be struck motionless. I was struck too!"

      "And you can't tell me what she was like?"

      "No; if I were to describe her with usual phrases you would smile. You women always do. You can't help being a woman, Lil!"

      "Was she dark or fair?"

      "Dark," he replied. "I did not know it at the time; it was impossible to think whether she was dark or fair while one looked at her, but I remembered afterward. Lil, you remember that picture I sent you from Paris – the picture of the girl with the dark eyes and long, silky hair – not black, but brown in the sunlight, with long lashes shading the eyes, and the lips curved in a half-serious smile as she looks down at the dog fawning at her feet?"

      "I remember, Ley. Was she like that?"

      "Yes; only alive. Fancy the girl in the picture alive. Fancy yourself the dog she was smiling at! I was the dog!"

      "Ley!"

      "And she spoke as well as smiled. You can imagine the voice that girl in the picture would have. Soft and musical, but clear as a bell and full of a subtle kind of witchery, half serious, half mockery. It was the voice of the girl I met in the lane this evening."

      "Ley! Ley, you have come to make poetry to me to-night. I am very grateful."

      "Poetry! It is truth. But you are right; such a face, such a voice would make a poet of the hardest man that lives."

      "And you are not hard, Ley! But the girl! Who is she? What is her name?"

      "Her name" – he hesitated a moment, and his voice unconsciously grew wonderfully musical – "is Stella – Stella."

      "Stella!" she repeated. "It is a beautiful name."

      "Is it not? Stella!"

      "And she is – who?"

      "The niece of old Etheridge, the artist, at the cottage."

      Lilian's eyes opened wide.

      "Really, Ley, I must see her!"

      His face flushed, and he looked at her.

      She caught the eager look, and her own paled suddenly.

      "No," she said, gravely. "I will not see her. Ley – you will forget her by to-morrow."

      He smiled.

      "You will forget her by to-morrow. Ley, let me look at you!"

      He

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