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and with one’s neighbours, and a day on which we forget all the bad days, simply because this one is so exceptionally beautiful.

      A mite of a breeze swishes by, just to stir up the leaves overhead out of their laziness, and to make them grumble monotonously at being disturbed. The big brown bees greedily devour the faces of the fragrant roses, the morning is dressed up in pale crimson, the scent of flowers weighs down the babyish wings of the air, and a couple of pinkish, purplish clouds stand like motionless pillars of Heaven.

      It feels to the most unromantic like a hasty snatch of golden splendour gone astray from Eden, an hour in which “Society” forgets its paltry ambitions and heart-burnings, and feels as if there is yet some balm in Gilead, and a life beyond Tophet, in which human hearts will have peace and rest.

      Zai has slipped out through the long French casement that opens on the lawn. Gabrielle has contrived to get Lord Delaval into the music-room, where she feeds him with passionate French love-songs, in a low, rich contralto. Trixy, leaning back, fair and indolent, and a trifle indifferent, listens to Archibald Hamilton’s prosy discourse on the Land Bill. Baby has meandered down the flowery paths with young Hargreaves, the good-looking village Vet, on pretence of showing him an ill-conditioned Persian cat, but in reality to amuse herself with him faute de mieux.

      So Zai, once out of sight, flies swiftly through the shrubberies, and only pauses when the far end of the grounds is reached.

      It is just from this particular spot that a glimpse of Elm Lodge can be had.

      She leans languidly against an old oak, with the grass, which is yet virgin from the Sun-god’s kisses, making a dainty green carpet for her little feet.

      Poor little Zai! A daughter of Belgravia is a traitor to her creed, for she is honestly, desperately in love.

      If Carl Conway could see her at this moment, men are such slaves to beauty that he would be doubly enamoured of his little sweetheart. The background of dark green glossy foliage throws up almost too vividly her lovely white flesh tints and her slender statuesque figure. Her hands are folded loosely together, and a far-off expression lurks in her big, luminous grey eyes, half veiled by broad, drooping lids and long, curling lashes.

      Zai is dreaming – “only dreaming.”

      Her dreams are:

      “Dim and faint as the mists that break

      At sunrise from a mountain lake,”

      but they are evidently pleasant, for a soft smile passes over her lips, and her face seems to overflow with sunshine, while all manner of entrancing dimples spring into life, and make a “parfait amour” of her as our neighbours across the Channel say.

      Perhaps an acute physiognomist would find something wanting in the fair sweet, girlish face, a power, a firmness, character, in fact, but few of us are true physiognomists, even if acute ones, and very few eyes, especially masculine ones, would discover flaws in the entrancing beauty that has caught Carl Conway’s worldly heart.

      There is a wistful look in Zai’s face however, which does not deteriorate from her attractions. It has come with the thought that just there over the clump of swaying pines, is the house where Crystal Meredyth lives, and where Carl is staying.

      “Zai!”

      Zai has been a fixture against the oak tree for an hour, and so absorbed in her thoughts that the far-off expression lingers in her glance as she turns slowly round.

      “Yes, Gabrielle.”

      “Your mother wants you. Her ladyship’s keen instinct divined that in all probability you were mooning away your time out here.”

      “Mooning, Gabrielle, what a word.”

      “A very good word, and an expressive one. All Belgravia speaks slang now; it has become quite fashionable to imitate the coal-heavers and the horsey men, and I don’t dislike it myself. It is far better than the refined monotonous twaddle of those horrible convenances.”

      “Do you talk slang to Lord Delaval?” Zai asks with a smile.

      “Pas si bête! I leave that till I have landed my fish!”

      “I often wonder, Gabrielle, if you really care for that man, or if you are only trying to catch him.”

      “Both, dear. The first feeling naturally induces the last inclination. But we can’t stay chattering here; lunch is ready and the stepmother wants you.”

      “What for?” asks Zai, with unusual petulance.

      She does not want to leave this charmed spot, with the big trees arching overhead, the swallows foolishly whirling round and round up in the sky, the sunlight falling on hollow and glade and dell, and just over there the house where her Carl dwells.

      “How should I know? Lady Beranger is not likely to confide her desires to such a heretic as myself; perhaps she does not think it quite the thing for the flower of her flock to stand like a marble effigy of love and patience for the under-gardener to gape at.”

      “As if I care who stares at me!” Zai mutters with unwonted recklessness.

      “Of course you don’t, pas le moins du monde! Zaidie Beranger, a modern Galatea, that only her Pygmalion, Carl Conway, can rouse into feeling or life, must naturally be as impervious as the Sphinx to curiosity,” Gabrielle says mockingly, with an expressive shrug of her shoulders that, together with a slight accent, denote that she has only a part claim to English nationality.

      “Don’t chaff, Gabrielle, it is most unlady-like,” Zai says, imitating Lady Beranger’s slow solemn voice, and both burst out laughing.

      “But really I only came out for a whiff of fresh air; the house oppresses me. But there never is a bit of freedom at home, my mother never leaves me alone.”

      “Perhaps she has right on her side, just now. You are tanning your skin in this broiling sun, and looking ill from the heat.”

      “What can it signify how I look?” Zai cries contemptuously.

      “Only that Lord Delaval was deploring this morning how white and thin you were looking. He even hinted that you had gone off a little, although you have had only one season in London.”

      “Lord Delaval! Gabrielle. Pray, what right has he to indulge in personal remarks about me, and how much can his opinion affect me, do you think?”

      Gabrielle colours angrily.

      “As for that, Lord Delaval is not isolated in the place he holds in your estimation. What is anybody’s opinion to you, you silly love-sick child, except one individual, and he is what Lady Beranger calls, a ‘detrimental,’ and the object of her unmitigated dislike.”

      “If you have only come out to vex me, Gabrielle, I think you had much better have stayed indoors and entertained Lord Delaval with more of those songs. Mamma calls them positively indecent; she says they are simply a ‘declaration’ under cover of music, and that thoroughbred girls should be ashamed to sing them.

      “I heard you singing to Lord Delaval this morning, Gabrielle,

      ‘Ah! je t’adore mon âme:

      Ah! je te donne – tout! tout!

      Et toi? – veux tu etre infame

      Ah! veux tu me rendre – fou?’

      and, you must say, it sounds like a declaration!”

      A deep crimson wave sweeps over the stormy face of Gabrielle Beranger, making her look like a beautiful fiend. A frown gathers unmistakably on her forehead, and the large but well-formed hand, that holds her parasol, clutches the handle like a vice, with a passion that the owner does not care to conceal.

      “So Lady Beranger said that? How dare she hit at my mother’s birth as she is always doing. I am sure it does not show her to have any of the delicate feelings which aristocrats are supposed to monopolise! And after all, she only took my mother’s leavings.”

      “How ridiculously sensitive you are on the

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