LITMIR.BIZ

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left all ready to begin the first thing in the morning, and I say to myself, all this is mine, – I have no one to thank for it but myself, – oh, neighbour, the very thoughts lull me into such a happy state of mind that I fall asleep believing myself the most fortunate creature on earth to be so surrounded with comforts. But, I declare, here we are at the Temple! You must own it is a beautiful object?"

      Although not partaking of the profound admiration expressed by Rigolette at the first glimpse of the Temple, Rodolph was, nevertheless, much struck by the singular appearance of this enormous bazar with its many diverging passages and dependencies. Towards the middle of the Rue du Temple, not far from the fountain which stands in the corner of a large square, may be seen an immense parallelogram, built of wood, and surmounted with a slated roof. This building is the Temple, bounded on the left by the Rue du Petit Thouars, and on the right by the Rue Percée; it leads to a large circular building, – a colossal rotunda, surrounded with a gallery, forming a sort of arcade. A long opening, intersecting this parallelogram in its length and breadth, divides it into two equal parts, which are again divided and subdivided into an infinity of small lateral and transverse openings, crossing each other in all directions, and sheltered by the roof of the building from all severity of weather. In this bazar new merchandise is generally prohibited; but the smallest fragment of any sort of material, the merest morsel of iron, brass, lead, or pewter, will here find both a buyer and a seller.

      Here are to be found dealers in pieces of every coloured cloth, of all ages, qualities, shades, and capabilities, for the service of such as wish to repair or alter damaged or ill-fitting garments. Some of the shops present huge piles of old shoes, some trodden down of heel, others twisted, torn, worn, split, and in holes, presenting a mass of nameless, formless, colourless objects, among which are grimly visible some species of fossil soles about an inch thick, studded with thick nails, resembling the door of a prison and hard as a horse's hoof, the actual skeletons of shoes whose other component parts have long since been consumed by the devouring hand of Time. Yet all this mouldy, dried up accumulation of decaying rubbish will find a willing purchaser, an extensive body of merchants trading in this particular line.

      Then there are the vendors of gimps, fringes, bindings, cords, tassels, and edgings of silk, cotton, or thread, arising out of the demolition of curtains past all cure and defying all reparation. Other enterprising individuals devote themselves to the sale of females' hats and bonnets, these articles only reaching their emporium by the means of the dealers in old clothes, and after having performed the strangest journeys and undergone the most surprising transformations, the most singular changes of colour.

      In order that the article traded in may not take up too much room in a warehouse ordinarily the size of a large box, these bonnets are carefully folded in half, then flattened and laid upon each other as closely as they can be packed, with the exception of the brim. They are treated in every respect the same as herrings, requiring to be stowed in a cask. By these means it is almost incredible what a quantity of these usually fragile articles may be accommodated in a small space of about four feet square.

      Should a purchaser present himself, the various specimens are removed from the high pressure to which they have been exposed, the vendor, with a dégagé air, gives the crown a dexterous blow with his fist, which makes the centre rise to its accustomed situation, then presses the front out upon his knee, concluding by holding up, with an air of intense satisfaction at his own ingenuity, an object so wild, so whimsical, and withal so irresistibly striking, as to remind one of those traditional costumes ascribed for ages past to fishwomen, apple-women, or any whose avocation involves the necessity of carrying a basket on the head.

      Farther on, at the sign of the Goût du Jour, beneath the arcades of the Rotunda, elevated at the end of the large opening which intersects the Temple and divides it into two parts, are suspended myriads of vestments of all colours, forms, and fashions, even more various and extraordinary in their respective styles than the bonnets just described. There may be seen stylish coats of unbleached linen, adorned with three rows of brass buttons à la hussarde, and sprucely ornamented with a small fur collar of fox-skin; great-coats, originally bottle-green, but changed, by age and service, to the hue of the pistachio nut, edged with black braid, and set off with a bright flaming lining of blue and yellow plaid, giving quite a fresh and youthful appearance, and producing the most genteel and tasty effect; coats that, when new, bore the appellation, as regards their cut, of being à queue de Morue, of a dark drab colour, with velvet, shag, or plush collar, and further decorated with buttons, once silver-gilt, but now changed to a dull coppery hue. In the same emporium may be observed sundry pelisses or polonaises of maroon-coloured cloth, with cat-skin collar, trimmed with braiding, and rich in brandenburgs, tassels, and cords. Not far from these are displayed a great choice of dressing-gowns most artistically constructed out of old cloaks, whose triple collars and capes have been removed, the inside lined with remnants of printed cotton, the most in request being blue or dark green, made up here and there with pieces of various distinct shades, and embroidered with old braid, and lined with red cotton, on which is traced a flowing design in vivid orange, collar and cuffs similarly adorned; a cord for the waist, made out of an old bell-rope, serves as a finish to these elegant déshabillés so exultingly worn by Robert Macaire. We shall briefly pass over a mass of costumes more or less uncouth, in the midst of which may be found some real and authentic relics of royalty or greatness, dragged by the revolution of time from the palaces of the rich and mighty to the dingy shelves of the Rotunda of the Temple.

      These displays of old shoes, hats, and coats are the grotesque parts of the bazar, – the place where rags and faded finery seek to set up their claim to notice. But it must be allowed, or rather distinctly asserted, that the vast establishment we are describing is of immense utility to the poor or persons in mediocre circumstances. There they may purchase, at an amazing decrease of price, most excellent articles, nearly new, and whose wear has been little or none. One side of the Temple was devoted to articles of bedding, and contained piles of blankets, sheets, mattresses, and pillows. Farther on were carpets, curtains, every description of useful household utensil. Close at hand were stores of wearing apparel, shoes, stockings, caps, and bonnets, for all ages, as well as all classes and conditions.

      All these articles were scrupulously clean and devoid of anything that could offend or shock the most fastidious person. Those who have never visited this bazar will scarcely credit in how short a space of time, and with how little money, a cart may be filled with every requisite for the complete fitting out of two or three utterly destitute families.

      Rodolph was particularly struck with the manner, at once attentive, eager, and cheerful, of the various dealers, as, standing at the door of their shops, they solicited the patronage and custom of the passers-by. Their mode of address, at once familiar and respectful, seemed altogether unlike the tone of the present day. Scarcely had Rigolette and her companion entered that part of the place devoted to the sale of bedding, than they were surrounded by the most seducing offers and solicitations.

      "Walk in, sir, and look at my mattresses, if you please," said one. "They are quite new. I will just open a corner to show you how beautifully white and soft the wool is, – more like the wool of a lamb than a sheep."

      "My pretty lady, step in and see my beautiful, fine white sheets. They are better than new, for the first stiffness has been taken out of them. They are soft as a glove, and strong as iron."

      "Come, my new-married couple, treat yourselves to one of my handsome counterpanes. Only see how soft, light, and warm it is, – quite as good as eider-down, – every bit the same as new, – never been used twenty times. Now, then, my good lady, persuade your husband to treat you to one. Let me have the pleasure of serving you, and I will fit you up for housekeeping as cheaply as you can desire. Oh, you'll be pleased, I know, – you'll come again to see Mother Bouvard! You will find I keep everything. I bought a splendid lot of second-hand goods yesterday. Pray walk in and let me have the pleasure of showing them to you. Come, you may as well see if you don't buy. I shall charge you nothing for looking at them."

      "I tell you what, neighbour," said Rodolph to Rigolette, "this fat old lady shall have the preference. She takes us for husband and wife. I am so pleased with her for the idea that I decide upon laying out my money at her shop."

      "Well, then, let it be the fat old lady," said Rigolette.

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