LITMIR.BIZ

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from the dumps, and, maybe, not even patient enough to have waited for him. Sometimes she does worse than this, the wretch! She suffers from toothache or neuralgia. What of that? She should be patient, resigned, amiable, and cheerful; c'est son métier.

      Yes, on the threshold of the twentieth century we find man still considering woman as a pet animal or a nice little beast of burden; sometimes as both. I really should feel prouder of my sex if they would only be kind enough to assert that men are not beings inferior to monkeys and birds.

      For monkeys have but one rule of morality for the manners of both sexes, and birds share with their mates the duties of nest-building and feeding the little ones. The latter even go further. When the female bird does her little house duties in the nursery, the male entertains her with a song in order to keep her cheerful.

      Marriage will be a failure as long as men are of opinion that fidelity, patience, devotion, amiability, cheerfulness, and self-abnegation are virtues expected of women only; marriage will be a failure as long as it is a firm, the two partners of which do not bring about the same capital of qualities, as long as what is bad in the goose is not bad in the gander.

      Certainly I like to see in a man a more powerful will than in a woman; I like to see more sweetness in a woman than in a man. In other words, I like to see certain virtues or qualities more accentuated in a man, others more accentuated in a woman; but, so far as fidelity, kindness, order, patience, industry, discretion, courage, devotion, self-abnegation, wisdom, honesty, sincerity, amiability, and loyalty are concerned, I absolutely deny that they should be womanly virtues only. They are virtues that a man should expect to find in a woman as well as a woman in a man.

      Oh, you men, most illogical creatures in the world! You call woman a weak being, but, although you make laws to protect children, you make none to protect women. Nay, on that woman whom you call weak you impose infallibility. When you strong, bearded men get out of the path of duty you say: 'The flesh is weak'; but when it is a woman who does there is no indulgence, no mercy, no pity. No extenuating circumstances are admitted.

      What you most admire in women is chastity. If so, how dare you leave unpunished the man who takes it away from them? How is it that you receive him in your club, welcome him in your house, and not uncommonly congratulate him on his good fortune?

      I hear you constantly complain that women are too fond of dress, too careless of the money that you make by the sweat of your brow, too frivolous, too fond of pleasure, and that matrimony becomes, on that account, more and more impossible.

      Let me assure you that there are many young girls, brought up by thoughtful mothers to be cheerful, devoted, and careful wives; but, as a rule, you despise them. You are attracted by the best dressed ones, and you go and offer your heart to the bird with fine feathers. You take the rose, and disdain to look at the violet. How illogical of you to make complaints! You only get what you want, and, later on, what you deserve.

      The law, made by man, and the customs exact virtue incarnate in woman. She is to have neither weaknesses, senses, nor passions. Whatever her husband does, she must be patient and resigned.

      The laws and customs would be much wiser if, instead of demanding infallibility of women, they were to make women's duties and virtues easier by showing less indulgence for men, and by declaring that, in matrimony, the same conjugal virtues are expected alike of men as of women.

      CHAPTER III

      THE ROSE, THE LILY, AND THE VIOLET; OR, HOW DIFFERENT METHODS APPEAL TO DIFFERENT WOMEN

      The man butterfly is the most dangerous member of society. He is generally handsome, amiable, persuasive, and witty. He may be in succession cheerful, light-hearted, poetical, and sentimental.

      If he comes to the rose, he says to her in his sweetest voice: 'You are beautiful, and I love you tenderly, ardently. I feel I can devote my whole life to you. If you can love me, I can reward your love with a century of constancy and faithfulness.'

      'Oh!' says the rose, with an air of incredulity, 'I know what the faithfulness of the butterfly is.'

      'There are all sorts of butterflies,' he gently intimates; 'I know that some of them have committed perjury and deceived roses, but I am not one of them. Of the butterfly I have only the wings, to always bring me back to you. I am a one-rose butterfly; if the others are inconstant, unfaithful, liars, I am innocent of their faults. I swear, if you will not listen to me, I shall die, and in dying for you there will be happiness still.'

      The rose is touched, moved and charmed with this passionate language. 'How he loves me!' she thinks. 'After all, if butterflies are generally perfidious, it is not his fault; he is not one of that sort.'

      The rose yields; she gives up to him her whole soul, all her most exquisite perfume. After he is saturated, he takes his flight.

      'Where are you going?' asks the rose.

      'Where am I going?' he says, with a protecting sneer. 'Why, I am going to visit the other flowers, your rivals.'

      'But you swore you would be faithful to me!'

      'I know, my dear; a butterfly's oath, nothing more. You should have been wiser, and not allowed yourself to be taken in.'

      Then he goes in the neighbourhood of a beautiful, haughty, vain lily. Meantime an ugly bumble comes near the rose and tries to sting her. She calls the butterfly to her help, but he does not even deign to answer. For him the rose is the past and the lily the present. He is no more grateful than he is faithful.

WHEN HE MEETS THE LILY

      With the lily, whom he understands well, he knows he has to proceed in quite a different manner. He must use flattery.

      'Imagine, lovely lily,' he says to her, 'that this silly and vain rose thinks she is the queen of flowers. She is beautiful, no doubt, but what is her beauty compared to yours? What is her perfume? Almost insipid compared to your enchanting, intoxicating fragrance. What is her shape compared to your glorious figure? Why, she looks like a pink cabbage. Is not, after all, pure whiteness incomparable? My dear lady, you are above competition.'

      The vain lily listens with attention and pleasure. The wily butterfly sees he is making progress. He goes on flattering, then risks a few words of love.

      'Ah!' sighs the lily, 'if you were not a fickle butterfly, I might believe half of what you say!'

      'You do not know me!' he exclaims indignantly. 'I have only the shape of a butterfly; I have not the heart of one. How could I be unfaithful to you if you loved me? Are you not the most beautiful of flowers? How could it be possible for me to prefer any other to you? No, no; for the rest of my life there will be but the lily for me.'

      The vanity of the lily is flattered, she believes him, and gives herself up to the passionate embrace of the butterfly.

      'Oh, beloved one,' she exclaims in ecstasy, 'you will love me for ever; you will always be mine as I am yours!'

      'To tell you the truth, my dear lily,' says the butterfly coolly, 'you are very nice, but your perfume is rather strong, a little vulgar, and one gets tired of it quickly. I am not sure that I do not prefer the rose to you. Now, be good, and let me go quickly. I am a butterfly. I cannot help my nature; I was made like that. Good-bye!'

THE MODEST VIOLET

      Then he flies towards a timid violet, modestly hidden in the ivy near the wall. Her sweet odour reveals her presence. So he stops and says to her:

      'Sweet, exquisite violet, how I do love you! Other flowers may be beautiful, my darling, but that is all. You, besides, are good and modest; as for your sweet, delicious perfume, it is absolutely beyond competition. I might admire a rose or a lily for a moment, lose my head over them, but not my heart. You alone can inspire sincere and true love. If you will marry me – for you do not imagine that I could ask you to love me without at the same time asking you to be my wife – we will lead a quiet, retired life of eternal bliss, hidden in the ivy, far from the noise and the crowd.'

      'This would be beautiful,' says the violet, 'but I am afraid you are too brilliant for me, and I too modest and humble for you. I have been warned against you. People say you are fickle.'

      'Who could have slandered me so? Your modesty is the very thing

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