LITMIR.BIZ

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wait on you forever, if you'll give me Tom's old violin."

      Yes, nearly a whole year had passed since then – a lifetime of waiting and disappointment. Many an errand he had run for Mr. Leuba. Many a bit of a thing Mr. Leuba had given him: pieces of violin strings, odd worn-out screws, bits of resin, old epaulets, and a few fourpences; but the day had never come when he had given him Tom's violin.

      Now if Mr. Leuba would only draw the prize! As he lay on his back on the sidewalk, with the footless stump of a leg crossed over the other, he held the newspaper between his eyes and the green limbs of the elm overhead, and eagerly read for the last time the advertisement of the lottery. Then, as he finished reading it, his eyes were suddenly riveted upon a remarkable notice printed just beneath.

      This notice stated that Messrs. Ollendorf and Mason respectfully acquainted the ladies and gentlemen of Lexington that they had opened at the Kentucky Hotel a new and elegant collection of wax figures, judged by connoisseurs to be equal, if not superior, to any exhibited in America. Among which are the following characters: An excellent representation of General George Washington giving orders to the Marquis de la Fayette, his aid. In another scene the General is represented as a fallen victim to death, and the tears of America, represented by a beautiful female weeping over him – which makes it a most interesting scene. His Excellency Thomas Jefferson. General Buonaparte in marshal action. General Hamilton and Colonel Burr. In this interesting scene the Colonel is represented in the attitude of firing, while the General stands at his distance waiting the result of the first fire: both accurate likenesses. The death of General Braddock, who fell in Braddock's Defeat. An Indian is represented as scalping the General, while one of his men, in an attempt to rescue him out of the hands of the Indians, was overtaken by another Indian, who is ready to split him with his tomahawk. Mrs. Jerome Buonaparte, formerly Miss Patterson. The Sleeping Beauty. Eliza Wharton, or the American coquette, with her favorite gallant and her intimate friend Miss Julia Granby. The Museum will be open from ten o'clock in the morning 'til nine in the evening. Admittance fifty cents for grown persons; children half price. Profiles taken with accuracy at the Museum.

      The greatest attraction of the whole Museum will be a large magnificent painting of Christ in the Garden of Gethsemane.

      All this for a quarter! The newspaper suddenly dropped from his hands into the dirt of the street – he had no quarter! For a moment he sat as immovable as if the thought had turned him into stone; but the next moment he had sprung from the sidewalk and was speeding home to his mother. Never before had the stub of the little crutch been plied so nimbly among the stones of the rough sidewalk. Never before had he made a prettier picture, with the blue cap pushed far back from his forehead, his yellow hair blowing about his face, the old black satin waistcoat flopping like a pair of disjointed wings against his sides, the open newspaper streaming backward from his hand, and his face alive with hope.

IV

      Two hours later he issued from the house, and set his face in the direction of the museum – a face full of excitement still, but full also of pain, because he had no money, and saw no chance of getting any. It was a dull time of the year for his mother's work. Only the day before she had been paid a month's earnings, and already the money had been laid out for the frugal expenses of the household. It would be a long time before any more would come in, and in the mean time the exhibition of wax figures would have been moved to some other town. When he had told her that the parson had said that she must go to see them, she had smiled fondly at him from beside her loom, and quietly shaken her head with inward resignation; but when he told her the parson had said he must be sure to go too, the smile had faded into an expression of fixed sadness.

      On his way down town he passed the little music store of Mr. Leuba, which was one block this side of the Kentucky Hotel. He was all eagerness to reach the museum, but his ear caught the sounds of the violin, and he forgot everything else in his desire to go in and speak with Tom, for Tom was his lord and master.

      "Tom, are you going to see the wax figures?" he cried, with trembling haste, curling himself on top of the keg of nails in his accustomed corner of the little lumber-room. But Tom paid no attention to the question or the questioner, being absorbed in executing an intricate passage of "O Thou Fount of every Blessing!" For the moment David forgot his question himself, absorbed likewise in witnessing this envied performance.

      When Tom had finished, he laid the violin across his knees and wiped his brow with his shirt-sleeves. "Don't you know that you oughtn't to talk to me when I'm performing?" he said, loftily, still not deigning to look at his offending auditor. "Don't you know that it disturbs a fiddler to be spoken to when he's performing?"

      Tom was an overgrown, rawboned lad of some fifteen years, with stubby red hair, no eyebrows, large watery blue eyes, and a long neck with a big Adam's apple.

      "I didn't mean to interrupt you, Tom," said David, in a tone of the deepest penitence. "You know that I'd rather hear you play than anything."

      "Father got the thousand-dollar prize," said Tom coldly, accepting the apology for the sake of the compliment.

      "Oh, Tom! I'm so glad! Hurrah!" shouted David, waving his old blue cap around his head, his face transfigured with joy, his heart leaping with a sudden hope, and now at last he would get the violin.

      "What are you glad for?" said Tom, with dreadful severity. "He's my father; he's not your father;" and for the first time he bestowed a glance upon the little figure curled up on the nail keg, and bending eagerly towards him with clasped hands.

      "I know he's your father, Tom, but – "

      "Well, then, what are you glad for?" insisted Tom. "You're not going to get any of the money."

      "I know that, Tom," said David, coloring deeply, "but – "

      "Well, then, what are you glad for?"

      "I don't think I'm so very glad, Tom," replied David, sorrowfully.

      But Tom had taken up the bow and was rubbing the resin on it. He used a great deal of resin in his playing, and would often proudly call David's attention to how much of it would settle as a white dust under the bridge. David was too well used to Tom's rebuffs to mind them long, and as he now looked on at this resining process, the sunlight came back into his face.

      "Please let me try it once, Tom – just once." Experience had long ago taught him that this was asking too much of Tom; but with the new hope that the violin might now soon become his, his desire to handle it was ungovernable.

      "Now look here, David," replied Tom, with a great show of kindness in his manner, "I'd let you try it once, but you'd spoil the tone. It's taken me a long time to get a good tone into this fiddle, and you'd take it all out the very first whack. As soon as you learn to get a good tone out of it, I'll let you play on it. Don't you know you'd spoil it, if I was to let you try it now?" he added, suddenly wheeling with tremendous energy upon his timid petitioner.

      "I'm afraid I would, Tom," replied David, with a voice full of anguish.

      "But just listen to me," said Tom; and taking up the violin, he rendered the opening passage of "O Thou Fount of every Blessing!" Scarcely had he finished when a customer entered the shop, and he hurried to the front, leaving the violin and the bow on the chair that he had quitted.

      No sooner was he gone than the little figure slipped noiselessly from its perch, and hobbling quickly to the chair on which the violin lay, stood beside it in silent love. Touch it he durst not; but his sensitive, delicate hands passed tremblingly over it, and his eyes dwelt upon it with unspeakable longing. Then, with a sigh, he turned away, and hastened to the front of the shop. Tom had already dismissed his customer, and was standing in the door, looking down the street in the direction of the Kentucky Hotel, where a small crowd had collected around the entrance of the museum.

      As David stepped out upon the sidewalk, it was the sight of this crowd that recalled him to a new sorrow.

      "Tom," he cried, with longing, "are you going to see the wax figures?"

      "Of course I'm going," he replied, carelessly. "We're all going."

      "When, Tom?" asked David, with breathless interest.

      "Whenever

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