LITMIR.BIZ

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Florence, who had written a piece, which was to be printed, lent the manuscript to Magliabecchi. Sometime after it had been returned, he came to the librarian with a melancholy face, and told him that by some accident he had lost his manuscript; and seemed almost inconsolable, entreating Magliabecchi, at the same time, to endeavor to recollect as much of it as he possibly could, and write it down. Magliabecchi assured him he would do so, and on setting about it, wrote down the whole, without missing a word.

      By treasuring up everything he read, in this wonderful manner, or at least the subject, and all the principal parts of the books he ran over, his head became at last, as one of his acquaintance expressed it, "an universal index, both of titles and matter."

      By this time, Magliabecchi was grown so famous for the vast extent of his reading, and his amazing retention of what he had read, that it began to grow common amongst the learned to consult him when they were writing on any subject. Thus, for instance, if a priest was going to compose a panegyric upon any favorite saint, and came to communicate his design to Magliabecchi, he would immediately tell him who had said anything of that saint, and in what part of their works, and that, sometimes, to the number of above a hundred authors. He would tell them not only who had treated of their subject designedly, but of such, also, as had touched upon it incidentally, in writing on other subjects. All this he did with the greatest exactness, naming the author, the book, the words, and often the very number of the page in which the passage referred to was inserted. He did this so often, so readily, and so exactly, that he came at last to be looked upon almost as an oracle, for the ready and full answers that he gave to all questions proposed to him in respect to any subject or science whatever.

      It was his great eminence in this way, and his almost inconceivable knowledge of books, that induced the Grand Duke, Cosmo the third, to make him his librarian. What a happiness must it have been to one like Magliabecchi, who delighted in nothing so much as reading, to have the command and use of such a collection of books as that in the Duke's palace! He was also very conversant with the books in the Lorenzo library; and had the keeping of those of Leopoldo, and Francisco Maria, the two cardinals of Tuscany.

      Magliabecchi had a local memory, too, of the places where every book stood, in the libraries which he frequented; he seems, indeed, to have carried this even farther. One day the Grand Duke sent for him to ask whether he could get him a book that was particularly scarce. "No, sir," answered Magliabecchi, "for there is but one in the world, and that is in the Grand Signior's library at Constantinople; it is the seventh book on the second shelf, on the right hand, as you go in."

      Though Magliabecchi lived so sedentary a life, with such an intense and almost perpetual application to books, yet he arrived to a good old age. He died in his eighty-first year, on the 14th of July, 1714. By his will he left a very fine library, of his own collection, for the use of the public, with a fund to maintain it; and whatever should remain over, to the poor.

      In his manner of living, Magliabecchi affected the character of Diogenes; three hard eggs, and a draught or two of water, were his usual repast. When his friends went to see him, they generally found him lolling in a sort of fixed wooden cradle, in the middle of his study, with a multitude of books, some thrown in heaps, and others scattered about the floor, around him. His cradle, or bed, was generally attached to the nearest pile of books by a number of cobwebs: at the entrance of any one, he used to call out, "Don't hurt my spiders!"

      JAMES CRICHTON

      James Crichton, commonly called 'The Admirable,' son of Robert Crichton, of Eliock, who was Lord Advocate to King James VI., was born in Scotland, in the year 1561. The precise place of his birth is not mentioned, but he received the best part of his education at St. Andrews, at that time the most celebrated seminary in Scotland, where the illustrious Buchanan was one of his masters. At the early age of fourteen, he took his degree of Master of Arts, and was considered a prodigy, not only in abilities, but in actual attainments.

      It was the custom of the time for Scotchmen of birth to finish their education abroad, and serve in some foreign army, previously to entering that of their own country. When he was only sixteen or seventeen years old, Crichton's father sent him to the Continent. He had scarcely arrived in Paris, which was then a gay and splendid city, famous for jousting, fencing, and dancing, when he publicly challenged all scholars and philosophers to a disputation at the College of Navarre. He proposed that it should be carried on in any one of twelve specified languages, and have relation to any science or art, whether practical or theoretical. The challenge was accepted; and, as if to show in how little need he stood of preparation, or how lightly he held his adversaries, he spent the six weeks that elapsed between the challenge and the contest, in a continual round of tilting, hunting, and dancing.

      On the appointed day, however, and in the contest, he is said to have encountered all the gravest philosophers and divines, and to have acquitted himself to the astonishment of all who heard him. He received the public praises of the president and four of the most eminent professors. The very next day he appeared at a tilting match in the Louvre, and carried off the ring from all his accomplished and experienced competitors.

      Enthusiasm was now at its height, particularly among the ladies of the court, and from the versatility of his talents, his youth, the gracefulness of his manners, and the beauty of his person, he was named L'Admirable. After serving two years in the army of Henry III., who was engaged in a civil war with his Huguenot subjects, Crichton repaired to Italy, and repeated at Rome, in the presence of the Pope and cardinals, the literary challenge and triumph that had gained him so much honor at Paris.

      From Rome he went to Venice, at which gay city he arrived in a depressed state of spirits. None of his Scottish biographers are very willing to acknowledge the fact, but it appears quite certain, that, spite of his noble birth and connexions, he was miserably poor, and became for some time dependent on the bounty of a Venetian printer – the celebrated Aldus Manutius. After a residence of four months at Venice, where his learning, engaging manners, and various accomplishments, excited universal wonder, as is made evident by several Italian writers who were living at the time, and whose lives were published, Crichton went to the neighboring city of Padua, in the learned university of which he reaped fresh honors by Latin poetry, scholastic disputation, an exposition of the errors of Aristotle and his commentators, and as a playful wind-up of the day's labors, a declamation upon the happiness of ignorance.

      Another day was fixed for a public disputation in the palace of the bishop of Padua; but this being prevented from taking place, gave some incredulous or envious men the opportunity of asserting that Crichton was a literary impostor, whose acquirements were totally superficial. His reply was a public challenge. The contest, which included the Aristotelian and platonic philosophies, and the mathematics of the time, was prolonged during three days, before an innumerable concourse of people. His friend, Aldus Manutius, who was present at what he calls "this miraculous encounter," says he proved completely victorious, and that he was honored by such a rapture of applause as was never before heard.

      Crichton's journeying from university to university to stick up challenges on church doors, and college pillars, though it is said to have been in accordance with customs not then obsolete, certainly attracted some ridicule among the Italians; for Boccalini, after copying one of his placards, in which he announces his arrival, and his readiness to dispute extemporaneously on all subjects, says that a wit wrote under it, "and whosoever wishes to see him, let him go to the Falcon Inn, where he will be shown," – which is the formula used by showmen for the exhibition of a wild beast, or any other monster.

      We next hear of Crichton at Mantua, and as the hero of a combat more tragical than those carried on by the tongue or the pen. A certain Italian gentleman, "of a mighty, able, nimble, and vigorous body, but by nature fierce, cruel, warlike, and audacious, and superlatively expert and dexterous in the use of his weapon," was in the habit of going from one city to another, to challenge men to fight with cold steel, just as Crichton did to challenge them to scholastic combats. This itinerant gladiator, who had marked his way through Italy with blood, had just arrived in Mantua, and killed three young men, the best swordsmen of that city. By universal consent, the Italians were the ablest masters of fence in Europe; a reputation to which they seem still entitled. To encounter a victor among such masters, was a stretch of courage; but Crichton, who had studied the sword from his youth, and who had probably improved

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