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recesses of the midsummer sky the sun burns with a fierceness of heat that warps the shingles of the pointed roofs and flares with blinding brilliancy against some whitewashed wall. Perhaps in all the street no little cooling stretch of shade. The unpaved sidewalks and the roadway between are but indistinguishable parts of a common thoroughfare, along which every upspringing green thing is quickly trodden to death beneath the ubiquitous play and passing of many feet. Here and there, from some shielded nook or other coign of vantage, a single plumy branch of dog-fennel may be seen spreading its small firmament of white and golden stars close to the ground; or between its pale green stalks the faint lavender of the nightshade will take the eye as the sole emblem of the flowering world.

      A negro town! Looking out the doors and windows of the cabins, lounging in the door-ways, leaning over the low frame fences, gathering into quickly forming, quickly dissolving groups in the dusty streets, they swarm. They are here from milk-white through all deepening shades to glossy blackness; octoroons, quadroons, mulattoes – some with large liquid black eyes, refined features, delicate forms; working, gossiping, higgling over prices around a vegetable cart, discussing last night's church festival, to-day's funeral, or next week's railway excursion, sleeping, planning how to get work and how to escape it. From some unseen old figure in flamboyant turban, bending over the wash-tub in the rear of a cabin, comes a crooned song of indescribable pathos; behind a half-closed front shutter, a Moorish-hued amosoro in gay linen thrums his banjo in a measure of ecstatic gayety preluding the more passionate melodies of the coming night. Here a fight; there the sound of the fiddle and the rhythmic patting of hands. Tatters and silks flaunt themselves side by side. Dirt and cleanliness lie down together. Indolence goes hand in hand with thrift. Superstition dogs the slow footsteps of reason. Passion and self-control eye each other across the narrow way. If there is anywhere resolute virtue, round it is a weltered muck of low and sensual desire. One sees the surviving types of old negro life here crowded together with and contrasted with the new phases of "colored" life – sees the transitional stage of a race, part of whom were born slaves and are now freemen, part of whom have been born freemen but remain so much like slaves.

      It cannot fail to happen, as you walk along, that you will come upon some cabin set back in a small yard and half hidden, front and side, by an almost tropical jungle of vines and multiform foliage: patches of great sunflowers, never more leonine in tawny magnificence and sun-loving repose; festoons of white and purple morning-glories over the windows and up to the low eaves; around the porch and above the door-way, a trellis of gourd-vines swinging their long-necked, grotesque yellow fruit; about the entrance flaming hollyhocks and other brilliant bits of bloom, marigolds and petunias – evidences of the warm, native taste that still distinguishes the negro after some centuries of contact with the cold, chastened ideals of the Anglo-Saxon.

      In the door-way of such a cabin, sheltered from the afternoon sun by his dense jungle of vines, but with a few rays of light glinting through the fluttering leaves across his seamed black face and white woolly head, the muscles of his once powerful arms shrunken, the gnarled hands folded idly in his lap – his occupation gone – you will haply see some old-time slave of the class of Mrs. Stowe's Uncle Tom. For it is true that scattered here and there throughout the negro towns of Kentucky are representatives of the same class that furnished her with her hero; true, also, that they were never sold by their Kentucky masters to the plantations of the South, but remained unsold down to the last days of slavery.

      When the war scattered the negroes of Kentucky blindly, tumultuously, hither and thither, many of them gathered the members of their families about them and moved from the country into these "towns;" and here the few survivors live, ready to testify of their relations with their former masters and mistresses, and indirectly serving to point a great moral: that, however justly Mrs. Stowe may have chosen one of their number as best fitted to show the fairest aspects of domestic slavery in the United States, she departed from the common truth of history, as it respected their lot in life, when she condemned her Uncle Tom to his tragical fate. For it was not the character of Uncle Tom that she greatly idealized, as has been so often asserted; it was the category of events that were made to befall him.

      As citizens of the American Republic, these old negroes – now known as "colored gentlemen," surrounded by "colored ladies and gentlemen" – have not done a great deal. The bud of liberty was ingrafted too late on the ancient slave-stock to bear much fruit. But they are interesting, as contemporaries of a type of Kentucky negro whose virtues and whose sorrows, dramatically embodied in literature, have become a by-word throughout the civilized world. And now that the war-cloud is lifting from over the landscape of the past, so that it lies still clear to the eyes of those who were once the dwellers amid its scenes, it is perhaps a good time to scan it and note some of its great moral landmarks before it grows remoter and is finally forgotten.

II

      These three types – Mrs. Stowe's Uncle Tom, and the Shelbys, his master and mistress – were the outgrowth of natural and historic conditions peculiar to Kentucky. "Perhaps," wrote Mrs. Stowe in her novel, "the mildest form of the system of slavery is to be seen in the State of Kentucky. The general prevalence of agricultural pursuits of a quiet and gradual nature, not requiring those periodic seasons of hurry and pressure that are called for in the business of more southern districts, makes the task of the negro a more healthful and reasonable one; while the master, content with a more gradual style of acquisition, had not those temptations to hard-heartedness which always overcome frail human nature, when the prospect of sudden and rapid gain is weighed in the balance with no heavier counterpoise than the interests of the helpless and unprotected." These words contain many truths.

      For it must not be forgotten, first of all, that the condition of the slave in Kentucky was measurably determined by certain physical laws which lay beyond the control of the most inhuman master. Consider the nature of the country – elevated, rolling, without miasmatic districts or fatal swamps; the soil in the main slave-holding portions of the State easily tilled, abundantly yielding; the climate temperate and invigorating. Consider the system of agriculture – not that of vast plantations, but of small farms, part of which regularly consisted of woodland and meadow that required little attention. Consider the further limitations to this system imposed by the range of the great Kentucky staples – it being in the nature of corn, wheat, hemp, and tobacco, not to yield profits sufficient to justify the employment of an immense predial force, nor to require seasons of forced and exhausting labor. It is evident that under such conditions slavery was not stamped with those sadder features which it wore beneath a devastating sun, amid unhealthy or sterile regions of country, and through the herding together of hundreds of slaves who had the outward but not the inward discipline of an army. True, one recalls here the often quoted words of Jefferson on the raising of tobacco – words nearly as often misapplied as quoted; for he was considering the condition of slaves who were unmercifully worked on exhausted lands by a certain proletarian type of master, who did not feed and clothe them. Only under such circumstances could the culture of this plant be described as "productive of infinite wretchedness," and those engaged in it as "in a continual state of exertion beyond the powers of nature to support." It was by reason of these physical facts that slavery in Kentucky assumed the phase which is to be distinguished as domestic; and it was this mode that had prevailed at the North and made emancipation easy.

      Furthermore, in all history the condition of an enslaved race under the enslaving one has been partly determined by the degree of moral justification with which the latter has regarded the subject of human bondage; and the life of the Kentucky negro, say in the days of Uncle Tom, was further modified by the body of laws which had crystallized as the sentiment of the people, slave-holders themselves. But even these laws were only a partial exponent of what that sentiment was; for some of the severest were practically a dead letter, and the clemency of the negro's treatment by the prevailing type of master made amends for the hard provisions of others.

      It would be a difficult thing to write the history of slavery in Kentucky. It is impossible to write a single page of it here. But it may be said that the conscience of the great body of the people was always sensitive touching the rightfulness of the institution. At the very outset it seems to have been recognized simply for the reason that the early settlers were emigrants from slave-holding States and brought their negroes with them. The commonwealth began its legislation on the subject in the face of an opposing sentiment. By early statute restriction was placed on

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