LITMIR.BIZ

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applies to them the phrase, "Couvert de gloire et de farine," which Voltaire had used of Frederick the Great, who spent his first battle sheltering in a mill behind sacks of flour. Cetewayo, the Zulu chieftain, was subsequently captured, brought to London and lionized, Punch observing that "the great Farini [the impresario who introduced Zazel, the acrobat who was shot from a cannon] suggests that he should be exhibited at the Aquarium."

      Throughout the war and afterwards Punch was a harsh and ungenerous critic of the policy of Sir Bartle Frere, whom he regarded as a prancing proconsul and nothing more. Nor was Punch much happier in his treatment of the painful episode of the death of the Prince Imperial who, whether owing to his own rashness or the negligence or loss of nerve of his escort, fell to the assegais of the Zulus. Punch's inveterate anti-Imperialism is betrayed even in the memorial verses: —

      Talk not of plots and plans that, ripening slow,

      Are by this death struck down with blast and blight;

      We have no thought but for that mother's woe,

      The darkness of that childless widow's night.

      Unfortunately, the raising of the question of a memorial to the Prince in Westminster Abbey induced Punch to abandon his resolve of reticence, and prompted other "thoughts," which he expressed with more vigour than good taste. There is no proof that the suggestion emanated from Dean Stanley, as Punch implies, though the Dean certainly favoured a proposal for which a strong precedent could be found in the burial in Henry VII's chapel of the Duc de Montpensier (the younger brother of Louis Philippe) who died an exile in England in 1807. Public opinion was divided, but democratic sentiment prevailed, and in deference to a hostile vote in the Commons the scheme was withdrawn.

      Turnerelli's "Tribute"

      The waning splendours of the Beaconsfield régime were not revived by the launching of one of the last of his phrases, "Imperium et Libertas." Punch only saw in it "the catchword of a self-seeking swaggerer." Great men suffer much at the hands of injudicious admirers, and the "People's Tribute" to Lord Beaconsfield organized by an amiable enthusiast, heavily weighted by the unpropitious name of Tracy Turnerelli, must have been a sore trial to the Premier, while it supplied Punch with food for mirth for the best part of a year. The subscriptions of the million were invited to purchase a gold wreath, but after a little while Mr. Turnerelli had to appeal for further funds to clear off a deficit. Later on, when the Tribute had been finally refused by Lord Beaconsfield, Mr. Turnerelli offered to hand over the wreath to one of our great national museums, if a suitable case were provided. He also suggested that he might be reimbursed for his out-of-pocket expenses in getting up the Tribute. Punch recommended that he should pocket the affront and hand over the "Tribute" to Madame Tussaud's, where he had already appeared in wax. This is what actually happened, and in November, 1879, Punch sardonically records the fulfilment of his suggestion.

      The disquieting news from the Afghan frontier led to a serious attack on the Government early in 1880, an attack in which Punch vigorously joined, publishing a list of questions all animated by misgiving and by distrust of Lord Beaconsfield's phrases and Lord Lytton's policy and silence. The tension was relieved by Lord Roberts' famous march to Kandahar, and on his return to England in the autumn Punch represented him as snowed under by invitations to complimentary banquets, and invoked the shade of Wellington to congratulate him on his celerity. Meanwhile, however, Parliament had been dissolved in March, and the verdict of 1874 completely reversed at the General Election. Punch hailed Gladstone triumphing with his axe over Lord Dalkeith, and borne aloft on a shield by Harcourt, Hartington, and Bright, under the heading, "Hail to the Chief." As a pendant we have the cartoons in which Lord Beaconsfield is eclipsed by the sun of Liberalism or watches the sinking of the sun of Popularity, and the verses in which the parting Sphinx soliloquizes on his methods of leadership – appeals to sentiment and passion and the deft use and reiteration of phrases which intoxicate the masses.

      When the House reassembled, it was to find the Irish Question still further complicated by the activities of the Land League and the No Rent Campaign. There was also another burning question – that of the Parliamentary Oath – which the return of Mr. Bradlaugh made a matter of urgency. Punch, as the "sturdiest of Protestants, was perforce the staunch supporter of the right of private judgment which is the corner-stone of Protestantism." Also he frankly admitted that he had no desire to see Mr. Bradlaugh made a martyr. His point of view is developed with refreshing common sense in the following argument: —

      The House has swallowed such a succession of camels, Quakers and Separatists, Moravians and Jews, Latitudinarians and Platitudinarians, Unitarians and Humanitarians, Anythingarians and Nothingarians, and now it is straining over such a gnat as poor Mr. Bradlaugh, natural representative of the Northampton Shoemakers, who object to the immortality of the Sole, and spell the word indifferently with or without a "u" and an "e."

      Irish Troubles

      The time has surely passed when the House should seek shelter against objectionable beliefs or unbeliefs, behind such delusive defences as oaths and tests. "Let the Swearers swear, and the Sayers say," the Law has proclaimed, in all Courts. Why, then, not in the High Court of Parliament – the Court of Courts – the very conduit and fountain-head of Law?

      Unluckily the collective wisdom of the House was slow to accept this view, and the inevitable conclusion was only arrived at after a great expenditure of time and a great loss of temper. Bradlaugh was ejected and finally admitted; but the pacification of Ireland seemed farther off than ever. Gladstone was anxious to proceed with the further instalment of his policy of conciliation inaugurated by the Disestablishment of the Irish Church in his previous administration, but Punch summed up his difficulties pretty accurately in the cartoon of November 20, 1880, in which Law tells Liberty to wait until Ireland first learned to respect her. Punch regarded the Land League as sheer anarchy; it was the League and not the Government who practised Coercion. He summoned up the shade of Dan O'Connell to condemn outrages and the tyranny of "Captain Moonlight." But posthumous evocations are seldom of any avail; and O'Connell's was no longer a name to conjure with. In the year 1880, "Boycott" ceased to be a surname, and became an engine of political intimidation, while in the House obstructionist methods continued, culminating in the suspension of some thirty Irish M.P.s en masse early in 1881. Irish "scenes" were frequent and only excited Punch's disgust. At the same time he administered a severe rap over the knuckles to the "Honourable the Irish Society of London" for maladministering their funds, pauperizing prosperous towns and neglecting to subsidize deserving poverty or encourage Irish industries. The appeal to the Queen, the Prince and Princess of Wales and the Duke of Connaught to visit Ireland, signed, "Larry Doolan of the Irish Jaunting Car," is shorn of all its cogency by the Transpontine Donnybrook Fair language in which it is couched. Punch has been a frequent offender in this respect; and also in his representations of the Irish peasant. It did not really help the cause of Unionism to portray Fenians and Land Leaguers with baboon-like faces. Dan O'Connell, whom Punch again evoked from the shades, this time to play Virgil to Gladstone's Dante in the Irish "Inferno," though he was a potato-faced Irishman, would have resented this method of criticism. As a matter of fact, Punch was so seriously remonstrated with for his Irish cartoons that he published a long article in self-defence and justification of his methods, maintaining that he never hit the weaker side because it was the weaker side, but because that side at the time appeared to be in the wrong: —

      "Death, violent death, and painful wounds upon his neighbour he inflicts; and wastes, by devastation, pillage, and the flames, his substance." – Dante, Canto XI.

      Punch and Ireland

      The Ogreish character is the embodiment of the spirit of Lawlessness, of Anarchy, and of that Communism which, by its recent No Rent manifesto, has now drawn down upon itself the just condemnation of such men as the Archbishops of Dublin and Cashel. Houghing and mutilating dumb animals, maiming men and women, and shooting defenceless victims, are ugly crimes, and the embodiment of them in one single figure cannot be made too hideous or too repulsive. On the other hand, Punch has consistently and persistently kept before the public his ideal classic figure of Hibernia, graceful, gentle, tender, loving but "distressful,"

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