LITMIR.BIZ

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Indeed Frieda was so much at home in her cavern that she kept an old frying pan hung from one of the sharp points of the rock and some broken dishes stored away in a crevice which formed a kind of natural pantry.

      Jean and Jack made a fire, because no camper is really happy without one. Then they religiously got out their sketch books and set to work to make pictures of their three sturdy bronchos munching the buffalo grass in their neighborhood.

      Both girls worked patiently for about ten minutes and then Jean sighed once or twice. She had used her eraser oftener than her drawing pencil. Holding her drawing out, she gazed at it critically. Finally she tore it into small bits and strolled over to Jack, to gaze over her shoulder.

      "And what be those critturs you are picturing, Friend Ralston?" Jean demanded, in a familiar, Western tone. "If they are native to this here state of Wyoming, I ain't never seen 'em before. Be they mules or buffaloes?"

      Jack frowned and bit her pencil. "Don't be a goose, Jean," she answered, "and please don't interrupt." Jack surveyed her masterpiece critically. "The ponies do look a bit queer," she confessed. "One of them has three legs and the other five, but then I haven't worked very long. Do go away and see if you can do any better yourself. You know we solemnly vowed that we were going to sketch an hour each day."

      Jean departed to another ten minutes of labor. But the sun was shining gloriously; the day was one long, sunlit delight. She could hear the water trickling over the rocks in the gorge below, and Frieda moving about at her housekeeping. Jean picked up her fishing rod, selected a choice fly and slipped her sketch book into her knapsack.

      "Au revoir, Jack dear," she announced cheerfully. "Stay here and look after Frieda. I am going down to the pool to get some trout for lunch." Jean flung some pine knots on their fire, kissed her hand to Frieda and marched off, smiling wickedly at Jack, who was drawing as though her life depended on it. She wished to be an object lesson of industry to slothful Jean.

      When Jean had entirely disappeared down the side of the ravine, Jack stopped to gaze sadly at her morning's work. "I am afraid I am not a natural-born artist," she declared aloud. "It may be all right for geniuses to work from life, but I can't make any headway without a teacher. I wish Cousin Ruth had not put French and drawing into her list of what a young woman should know. They may be easy enough for girls to learn in her beloved old Vermont, but they are pretty hard work out here. I am afraid the ranch girls don't know any of the things they should." Jack's red lips parted. "But it's lots of fun to know the unnecessary things like fishing and riding. Gee whiz, I can't stand working any longer."

      Jack leaned over the ledge of rock. Her drawing fluttered down to her sister. "Here Frieda, decorate your cave with that work of art. It looks like a drawing made by the Indians in pre-historic days. You won't mind, will you, if I go away for a while? I won't be out of calling distance and I won't stay long. If you need me, just sing out."

      Frieda smiled. Her blue eyes looked like a reflection of the clear sky above them. She had so little idea of feeling any fear, that she did not even trouble to answer Jack's question. There were no more wild animals in the gorge. Besides, the ranch girls knew that few animals would attack them, except in self-defense.

      Frieda climbed down the rocky cliff to fill an old teakettle with water from a spring not far below and then hung it over the fire on a crooked stick. If the water boiled long before Jean and Jack returned, the pleasant, sizzly sound would keep her company. Frieda's house was in order, so she set out her luncheon dishes, arranging them around in a circle on the floor of her cave. In the center, in a broken teacup, she placed the bunch of violets she had worn in her trip across the plain. Still the girls had not returned; Frieda might have studied, but she decided that it would be more fun to enlarge the crevice in the rocks, which formed the storehouse for her kitchen and dining-room utensils.

      She struck the rock sharply with a large stone. A piece chipped off, then another. It was red sandstone and not very hard and Frieda was banging away with all her might, when she gave a quick exclamation of surprise. A great crack appeared along one side of the stone wall, and a big boulder crashed down at Frieda's feet. Before her, she beheld another cavern in the rock, almost as large as the one in which she played.

      The little girl jumped back. At any moment she expected to see a pair of wild eyes glaring at her from the rocky retreat, believing that she had accidentally broken into the cave of some animal. But nothing happened; there was no stir, no sound from the darkness inside.

      Frieda's heart beat rapidly. Her face was pale from excitement. She looked cautiously into the opening, thrust one small hand into it and drew out a round dish of hard, baked clay, engraved with queer, Indian characters. Frieda gave a shriek of delight, although she did not realize that she had accidentally discovered an important collection of Indian relics. But she was fascinated with the arrow heads and queer Indian dolls that she dug out a second later.

      In the midst of her search, Frieda heard a sound that made her heart stand still. At the head of the gorge, about a quarter of a mile away, there was a dense thicket of evergreens. From this direction came a cry of pain and terror. Frieda flew up to the ground above.

      "Jean, Jack!" she called. "What has happened? Is one of you hurt? Please come to me." Frieda gave the call, that was always the signal between the three ranch girls. "Oh-oo, Oh-ooo, Oh-oooo," ending in a shrill, drawn-out note, as she touched her lips with her fingers, three times in quick succession.

      Then she listened, but neither Jean nor Jack answered her. The ranch girls could hear sounds from afar off, as they had spent their lives in the open country. As Frieda ran forward a few steps, she caught the echo of light feet, flying along the ground. A girl came out of the woods, rushing toward her blindly. But Frieda could not tell who it was or guess what had happened. Was it Jean or Jack?

      CHAPTER III

      FRIEDA AND THE OTHER GIRL

      THE apparition drew near enough for Frieda to see that it was a stranger with straight black hair. She was barefoot and wore a short, ragged skirt, a bright red jacket, and a red scarf twisted around her throat. In her startled glance at the girl, Frieda beheld a pair of immense black eyes, set in a thin, pointed face, with cheeks flushed crimson, perhaps from the swiftness of her flight. Her breath came in short gasps. Frieda thought of a fawn she had once seen pursued by some hunters, with its great soft eyes transformed into staring pools of terror and its soft sides quivering as though its heart were breaking in its final effort to evade its pursuers.

      "Oh, what is it?" Frieda cried, with quick sympathy.

      The girl looked at her hopelessly and ran on. But Frieda now understood. An old Indian woman armed with a stick, trotted out of the screen of the trees. She was running more slowly but her face was terrifying. Her small black eyes were red with anger and she waved a long arm at the girl.

      Frieda wanted to help, but what could she do? "Jean! Jack!" she called again. She could see that the hunted girl had no chance of escaping. She was nearly dropping with exhaustion. There was no place for her to hide, for the plain stretched on, covered only with grass and low sage brush.

      Frieda flung herself valiantly in the path of the Indian woman. She was used to the Indians. Ever since she could remember she had been making trips to their villages, and a number of half-breed Indian boys had worked on their ranch. But the girl had never seen one of them so furiously angry as this old squaw. She was frightened and at the same time wanted to laugh. The woman was so fat and in such a temper, "that she shook when she ran, like a bowlful of jelly," Frieda thought to herself.

      The squaw did not lift her beady, black eyes until she was within a few feet of Frieda.

      "Ugh," she grunted. "Git out."

      She tried to push Frieda away with her stick, but Frieda stretched out both arms and danced up and down in front of the old woman, until she did not know which way to turn.

      Old Laska had not run all this distance and gotten out of breath to be stopped by a pale-face chit of a child. She struck Frieda with her staff. Frieda gave a sudden, sharp cry and looked quickly around. She saw that the Indian girl had fallen only a short distance beyond them and was vainly struggling to get on her feet again. Frieda shut her eyes; in another moment she knew that she would hear cruel blows being rained down

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