LITMIR.BIZ

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the descendants of those stern and frugal Teutonic heroes of the North, marching down like thunder-gods to conquer the nations?

      Pomp there was, it is true, and splendour, and civilisation, and an elegance of manners and of thought unknown before; but the heart of the Gothic nation was cankered at the core, and the warlike Moors, ever on the lookout to snatch from their grasp the fertile Peninsula showing out so fair across the Straits, noted it with joy.

      CHAPTER II

      Don Roderich – Gathering of the Chiefs – Trial of Witica

      HOW strange to think of Cordoba before the Moors, who so imbued it with the spirit of Moslem life! Those famous Caliphs of the rival houses of Mirvan and Ummaija, and the great Abdurraman, whose wealth and luxury read like a dream; Eastern luxury in banquets under painted domes; odalisques and white-robed eunuchs gliding beneath fretted arches, vaults of alabaster and porphyry; harems with walls shedding showers of jasmine and rose-leaves, the soft breathings of guzla and cither, dark heads crowned with orient pearls, and tissue-robed Sultanas reclining on golden thrones.

      “Kartuba the important,” the gem of the Carthaginians, – ancient when the Gentiles reigned in the time of Moses; possessed in turn by Greeks and Romans, the birthplace of Seneca, Lucan, Averroës, and El Gran Capitan Gonsalvo Aguilar de Cordoba; for ages the capital of Southern Spain, – is to be considered exclusively, before the advent of the Moors, as a Roman settlement, the grandly regular aspect of these masters of the world impressed upon its buildings. Siding with Pompey in the time of the Republic, it was destroyed by the vengeance of Cæsar. Rebuilt by Marcellus and repeopled by penniless patricians from Rome, it was for a time called “Patricia”; under all names a sober and dignified capital gathered round its ancient castle on the banks of the Guadalquivir.

      At all times Cordoba is beautiful; the verdant slopes of the Sierra Morena, rising precipitously from the very gates, look down serenely on the strife of rival peoples; lovely retreats, dotted with white quintas, farms, mills, vineyards, and olive-grounds; the rugged summits rising westwards to the limits of Lusitania; the lazy Guadalquivir flowing at their base, through grassy plains dark with orange and myrtle.

      Now what a desolation! A solitary shepherd pipes to his flock, as he passes at the Ave Maria, on the lonely road; a file of mules carrying bricks or corn succeed him; a ragged goatherd watches his kids grazing beside the river, and droves of swine burrow in the mould once trodden by the steps of heroes! Two boldly crenelated towers and a portion of the outer walls, rising from an ancient garden of exceeding sweetness, are all that remains of the palace and fortress of the Gothic kings. Thickets of roses and lilacs engulf you as you enter, broad palm leaves shroud decay, and quivering cane-brakes whisper softly of the past. A little to the left rises a lower tower, grey against the sky, another and another, the stones scarcely held together by entwining ropes of ivy – all that remains of the royal castle.

      In the prison beneath, on a level with the Guadalquivir, the noble Theodofredo, father of Roderich, languishes, deprived of sight by red-hot irons held before the eyes, a favourite mode of torture, borrowed, like all that is degraded, from the Byzantines. Now Witica, who commanded this savage act, has taken his place in the same prison, and is to be judged by Theodofredo’s son. Wiser would it be, and more merciful, if Roderich should forego this vengeance. But with power have come the savage instincts of his race. The indulgence of his life has already begun to tell on his once generous nature. Little by little, he has fallen from the high position of regenerator of Spain, and, led on by evil counsel and a natural weakness inherent in his nature, has adopted the same false and cruel principles of government which he was called to the throne to reform.

      Within a broad vaulted hall, the high roof supported by carved rafters, the walls hung with tapestry woven with silver thread – in which the stories of Gothic victories are rudely depicted – Roderich sits on a low silver throne. It is shaped like a shield, in remembrance of the early custom of the nomad chiefs, his ancestors, who, when invested with military command, were three times, standing upon a shield, carried round the camp, on the shoulders of stalwart Goths. A rich mantle of purple brocade covers a lightly wrought cuirass inlaid with gold. The Gothic crown, which has, in the altered manners of the time, come to be not of iron but of gold, set with resplendent jewels, rests upon his head, almost concealed by luxuriant masses of hair, falling on neck and shoulders, in beard and love-locks. His buskins are red, like the Eastern emperors’, and his feet, shod with pearled sandals, rest on an inlaid footstool. The sceptre lies beside him with his sword, and over his head is a raised canopy of cloth of gold, decorated with inscriptions in Runic characters and quaint devices, come down from early times.

      Around are the chiefs and nobles of the nation, gathered from all quarters of Spain – to judge him who lately was their king. All are men of war, habited in the superb but cumbrous armour of the time, before the delicate handling of the Moor turned metal into thin plates of steel, made swords as fine and piercing as needles, and armory a science.

      Nearest to Roderich stands Ataulfo, next in succession to the throne, a generous-hearted youth, full of the old virtues of his nation. With much of the ruddy countenance of the king, he shows his Northern origin in the chestnut locks which escape from his burnished cap, and a certain blond fairness in spite of exposure to a southern sun.

      Teodomir, a veteran general, comes next; as too rigid a disciplinarian for the degenerate times, he has somewhat fallen into neglect among the younger chiefs who have risen to power with the accession of the king. Teodomir is well past the prime of life, but retains the keen eye and stalwart limbs of youth, as at the head of an army he will show before many years are past. The historic warrior, Pelistes, is here too, already sunk into the vale of years, but, like Teodomir, strong and ready of hand and purpose, his grizzled hair shading a noble countenance. These two trusty chiefs, who present themselves in the antiquated armour of the Goths, were close friends of Roderich’s father, and were specially active in raising the hasty levies for the battle which placed his son on the throne; spite of which services, as time goes by, they find themselves somewhat disregarded by the young king, who listens to more flattering counsels and secretly laughs at the rustic virtues applauded in the days of Recaredo and Wamba.

      The royal lad Pelayo is also bidden, the son of that Favila, Dux of Cantabria, put to death by Witica, when he purposed to slaughter all of his blood. Pelayo stands somewhat back as becomes his youth, for who can guess that this beardless boy, with a smiling, artless face, and full blue Northern eyes will, by his fortitude, become the founder of a new race of Gothic kings, and by his endurance and valour raise up a native dynasty in Spain?

      A crowd of young courtiers, most careful of the adornment of their persons, fill up the space behind, apparelled in long embroidered mantles of many brilliant shades, held in by jewelled cinctures and buckles, elaborately worked caps upon their heads (the first idea of the later toque of the Renaissance) – fashions which have taken the place of the short tunic, leather girdle, and heavy head-piece of former times.

      Beside these stands one on whom all eyes are turned. Stern and composed of aspect, as if conscious of the possession of such power that he is cautious of displaying it. His name is Julian, and it is he who chiefly seconded the rising in favour of Roderich. Yet this man, Espatorios of Spain, Lord of Consuegra and Algeciras, commander of the Goths on the African seaboard, and governor of Ceuta, half royal himself, is a dangerous subject and a doubtful friend. Why he supported Roderich is the enigma of the day; he had but to stretch out his hand to seize the crown himself, and with a much more legitimate claim. The ambition of his wife Frandina is well known, and that she chafes at her inferior position, and shuns the Court of Toledo and the royal house since Egilona is the queen; yet, strange to say, Julian as yet, has never swerved in his allegiance to Roderich. If any dark purpose of treason is brooding in his soul, as yet it appears not. To this time he is faithful, and is now present at Cordoba to judge his own near kinsman Witica for divers misdeeds, but principally for his share in the death of Roderich’s father, Theodofredo.

      What that judgment will be is very plain to see. Rather to behold the wretched tyrant die than to judge him are they all assembled there, for the settled purpose in the mind of Roderich is revenge.

      If Julian is an enigma, much more so is his smooth-faced brother-in-law, Opas, Archbishop of Seville, brother of

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