LITMIR.BIZ

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Philip Sidney, and his mother was Mrs. Ballard's niece and namesake. Yesterday he came. He was altogether different from what I expected. He took a load off o' my mind and heart. I don't begrudge him anything."

      "You're sorry, then, that you tore this handsome picture."

      "Oh, I didn't – 'cause Mrs. Ballard set such store by it. I only turned it to the wall. 'Twas he tore it. He said it was too pretty or something. He does look different. The picture's kind o' dreamin' lookin' and he's so awake he – well, he sparkles."

      Mrs. Wright smiled at the haggard speaker.

      "I'm so glad you like him. Has he come to New York to study?"

      "Yes; he had to be a mining engineer when he wanted to paint. So now he's goin' to study with Mrs. Ballard's money."

      "Why – I remember," said Mrs. Wright, thoughtfully regarding the sketches. "Mrs. Ballard told me about him in the spring." She looked up again at her hostess. "You've been through a great deal, Eliza," she said, "and you've tried to go alone."

      "I had to go alone," returned Eliza fiercely; "but I can be honest if I am lonely and I won't sit down at your table without your knowin' that I'm a sinner. Don't talk religion to me either," she added, "'cause I ain't the kind it would do any good to."

      Mrs. Wright came back to her chair and her eyes were thoughtful.

      "I have a better idea still," she said. "For how long have you this apartment?"

      "One week more."

      "Oh, only a week. Then, supposing you come and live with me this winter."

      Eliza leaned back in her chair, speechless. The grey wall of the future slowly dissolved. The possibility of friendship – of a home – was actually unnerving in its contrast to all she had steeled herself to endure.

      "Come and help me, Eliza," went on the gentle voice. "Show me how to meet an island winter. I believe between us we can make a cosy sort of season of it."

      "Cosy!" echoed Eliza's dry lips.

      "Yes. There by the gnarled little apple trees, handicapped by winter winds, and the forlorn little chicken-house that stands near the orchard. Do you remember that?"

      "Yes," answered Eliza mechanically. "'T wa'n't always a chicken-house. Polly Ann Foster built it 'cause she quarrelled with her son and wouldn't live with him. I was a little girl and we were all scared of her. When she died they began using it for the hens."

      "Well, it's empty and forlorn now. Miss Foster can't keep chickens and go back to Portland every fall. That's our only near neighbor, you remember."

      "I remember. Why should you be such an angel to me?" burst forth Eliza.

      "Is that being an angel? Why, I'm so glad. You know I might be a little bit lonely at the island. Mr. Wright is pretty sleepy in the evening and the house rambles. We'll shut up part of it, Eliza, won't we?"

      "Oh, Mrs. Wright!" exclaimed the lonely woman, every trace of her fierceness gone. "What a godsend you're givin' me."

      "Then it's settled; and Violet will be so glad. She isn't quite pleased with our plan for the winter."

       CHAPTER VI

      BROTHER AND SISTER

      Kathleen Fabian sat at her desk, deeply engrossed in the theme she was writing, when her brother's name was brought to her.

      The expression of her face as she took the card did not indicate that the surprise was wholly joyous. She frowned and bit her lip, and an anxious look grew in her eyes as she went out into the hall to meet the visitor, who advanced with bounds, and grasped her in one arm, giving her cheek a brotherly peck.

      "What has happened, Edgar?" she asked as he led her back into her room.

      "I've come to see you, that's all," was the rejoinder.

      Edgar Fabian was an airy youth, carefully arrayed in the height of fashion. His fair hair was brushed until it reflected the light, and his jaunty assurance was wont to carry all before it.

      "Is anything wrong at home?" insisted his sister.

      "Certainly not."

      They were now inside the room and the young man closed the door.

      "Well, I haven't any money," said Kathleen bluntly, – "at least, not for you!"

      Edgar was but little taller than she, and, as she looked at him now, her serious slender face opposed to his boyish one, her peculiar slow speech, in which her teeth scarcely closed, sounding lazy beside his crispness, she seemed the elder of the two.

      "This leaping at conclusions is too feminine a weakness for you to indulge in, Kath," was the rejoinder as the visitor slid out of a silk-lined overcoat; but he rested his gaze upon his sister's dark hair rather than the eyes beneath. "I like your hospitality," he added. "I hope it isn't presumption for me to remove my coat. Try to control your joy when your brother comes up from New York to see you."

      "Of course I should always be glad to see you if – if you'd let me," was the reply.

      "What's to prevent?" inquired the visitor cheerfully.

      "My diary," was the laconic response.

      "Oh, you make me tired," said Edgar, taking out a cigarette-case. "May I?"

      "No," returned Kathleen, speaking with her characteristic deliberation.

      "You may have one, too"; he offered his case, still standing, since she did not sit. He smiled as he said it; the evenness of his teeth and the glee of his smile had melted much ice before now.

      "No, thanks," she answered coldly.

      He gave an exclamation.

      "Oh, your grave and reverend senior airs won't go down with me, you know." He sniffed suspiciously. "Some one has been having a whiff here this morning."

      "It wasn't I."

      "Well, it was somebody; and some one more critical than I is liable to drop in here and notice it. Just to save you trouble, I'll light up. Better take one. It's your golden opportunity."

      Again he offered the case, and now Kathleen took a cigarette mechanically. She still questioned her brother's debonair countenance.

      "Well," he said impatiently, after a moment of silence, "are we going to stand here until dinner-time like two tenpins?"

      "Are you going to stay until dinner-time?"

      "Why," with another effort at gayety, "if you go on like this and positively won't take no for an answer, perhaps I shall be obliged to. Say, Kath, what's the matter with you? You used to be a good fellow. College has ruined you. I didn't treat you like this when you came to see me."

      "Forgive me, Edgar," Kathleen's drawl became very nearly an exclamation. "I was thinking so hard."

      She dropped into a chair and he lighted his cigarette, and bending forward allowed her to draw the flame into her own.

      "Now, this is something like it," remarked the young man, sinking upon a leather-covered divan. He picked up a guitar that lay at its head, and strummed lightly upon it. "Think of your giving house-room to anything so light-minded as a guitar!" he added, his disapproving eyes roving about the entire apartment. "This room looks more like a hermit's cell every time I come."

      "No," rejoined Kathleen, with her soft laziness of speech, and blowing a ring of smoke upon the air, "it is only that you have time to forget between your visits."

      Edgar removed his cigarette and began to murmur "The Owl and the Pussy Cat," in a tenor voice calculated to pour oil on troubled waters, while he struck the accompanying chords with a sure touch.

      "They took some honey, and plenty of money,

      Wrapped up in a five-pound note!"

      he sang. "Think of it!" he groaned, pausing to save the life of his cigarette; "plenty of money! Who wouldn't be an owl or a pussy-cat!"

      Kathleen's eyes narrowed.

      "You speak of the rarity of my visits," he went

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