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the attack may be, whether simple or composite, the movements of the hand must be completed and the arm absolutely straight, before the lunge is made, though the different movements must follow each other without the least interval.

      “It is equally important to remember that the recovery must be as smart as the attack. The great danger of the attack is that it should be too intemperate, for a too intemperate attack leaves you exposed to danger, without strength or speed to escape.”

      “But,” some one asked, “is it really necessary when you are on guard, to arrange the left arm above the head in a graceful curve, and then swing it down to the leg as you lunge?”

      “The graceful curve is not an absolute necessity. Place the arm behind your back if you prefer to do so, for if you bring it to the front you drag forward the left shoulder, and thereby expose a larger target to your opponent’s point. The arm, you see, acts the part of a rope-walker’s balancing pole. It steadies the movements and balances the weight of the body. Since you have a spare arm you must place it somewhere, and if you consider you will see that it is least in the way where I have placed it. It serves a useful purpose in the general arrangement, – that is the only object of the position. I need not refine the point further.

      “In fencing, the movements of the body and limbs are of great importance. All the mechanical part of sword-play depends on the principles which I have just explained. I have now taken the mechanism to pieces and shown you how it is put together.

      VIII

      “One word more. What was the reason for choosing this attitude and these movements?

      “They were chosen because they are natural and instinctive. Instinct dictated the rule, which is based on experience, on practical necessity, on correct principle.

      “What is the object to be attained?

      “First, for defence, to allow the limbs their complete liberty of action, their natural elasticity and easy play; secondly for attack, to give the extension of the body its full force.

      “Now try to change the position; straighten your legs; you will at once notice the increased difficulty of executing the different movements, whether of attack, defence, or retreat. You lose your balance, and the lunge either precedes the action of the hand and the extension of the arm, or follows those movements too late.

      “The legs are springs which support the body and determine its most rapid movements. If you are out shooting and want to jump a ditch, you bend your legs in order to obtain the necessary spring. Or again, if you jump down from a height, you bend your legs at the moment your feet touch the ground; if you do not, your whole body is jarred.

      “I dwell on this point in order to convince you of its absolute necessity, and to make you understand clearly the why and wherefore of the position. But, I repeat, instinct was the first teacher, experience came later and has only confirmed the principle.

      “One last caution. When once you have learnt by practice how to harmonise your movements, and have realised how great a power at a given moment the faculty of making these movements with ease and rapidity may be, then, and not till then, venture to take your personal inclination into account. And if after carefully weighing the pros and cons you come to the conclusion that you can, owing to some personal peculiarity, improve upon the elementary rules of the lesson, do not hesitate to depart from them without scruple, but never without good reason. The best position is that which allows you complete freedom and perfect balance. But never forget that all exaggeration is bad, and that nothing can be worse than the exaggeration of an ungraceful and ungainly style. That is all I have to say this evening.”

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      Lafaugère, Traité sur les Armes.

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1

Lafaugère, Traité sur les Armes.

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