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she supposed were possession by the devil, and she came to the farm of the Peter's family in hopes of being there cured by the prayers of the saintly Margaretta.

      Another inmate of the house was Ursula Kündig, who entered it at the age of nineteen, and lived there as a veritable maid-of-all-work, though paid no wages. This damsel was of the sweetest, gentlest disposition. Her parish pastor gave testimony to her, "She was always so good that even scandal-mongers were unable to find occasion for slander in her conduct." Her countenance was full of intelligence, purity, and had in it a nobility above her birth and education. Her home had been unhappy; she had been engaged to be married to a young man, but finding that he did not care for her, and sought only her small property, she broke off the engagement, to her father's great annoyance. It was owing to a quarrel at home relative to this, that she went to Wildisbuch to entreat Margaretta Peter to be "her spiritual guide through life into eternity." Ursula had at first only paid occasional visits to Wildisbuch, but gradually these visits became long, and finally she took up her residence in the house. The soul of the unhappy girl was as wax in the hands of the saint, whom she venerated with intensest admiration as the Elect of the Lord; and she professed her unshaken conviction "that Christ revealed Himself in the flesh through her, and that through her many thousands of souls were saved." The house at Wildisbuch became thenceforth a great gathering place for all the spiritually-minded in the neighbourhood, who desired instruction, guidance, enlightenment, and Margaretta, the high priestess of mysticism to all such as could find no satisfaction for the deepest hunger of their souls in the Zwinglian services of their parish church.

      Man is composed of two parts; he has a spiritual nature which he shares with the angels, and an animal nature that he possesses in common with the beasts. There is in him, consequently, a double tendency, one to the indefinite, unconfined, spiritual; the other to the limited, sensible and material. The religious history of all times shows us this higher nature striving after emancipation from the law of the body, and never succeeding in accomplishing the escape, always falling back, like Dædalus, into destruction, when attempting to defy the laws of nature and soar too near to the ineffable light. The mysticism of the old heathen world, the mysticism of the Gnostic sects, the mysticism of mediæval heretics, almost invariably resolved itself into orgies of licentiousness. God has bound soul and body together, and an attempt to dissociate them in religion is fatally doomed to ruin.

      The incarnation of the Son of God was the indissoluble union of Spirit with form as the basis of true religion. Thenceforth, Spirit was no more to be dissociated from matter, authority from a visible Church, grace from a sacramental sign, morality from a fixed law. All the great revolts against Catholicism in the middle-ages, were more or less revolts against this principle and were reversions to pure spiritualism. The Reformation was taken advantage of for the mystic aspirations of men to run riot. Individual emotion became the supreme and sole criticism of right and wrong, of truth and falsehood, and sole authority to which submission must be tendered.

      In the autumn of 1817, Margaretta of Wildisbuch met a woman who was also remarkable in her way, and the head of another revivalist movement. This was Julianne von Krüdner; about whom a word must now be said.

      Julianne was born in 1766, at Riga, the daughter of a noble and wealthy family. Her father visited Paris and took the child with him, where she made the acquaintance of the rationalistic and speculative spirits of French society, before the Revolution. In a Voltairean atmosphere, the little Julianne grew up without religious faith or moral principle. At the age of fourteen she was married to a man much older than herself, the Baron von Krüdner, Russian Ambassador at Venice. There her notorious immoralities resulted in a separation, and Julianne was obliged to return to her father's house at Riga. This did not satisfy her love of pleasure and vanity, and she went to St. Petersburg and then to Paris, where she threw herself into every sort of dissipation. She wrote a novel, "Valérie," in which she frankly admitted that woman, when young, must give herself up to pleasure, then take up with art, and finally, when nothing else was left her, devote herself to religion. At the age of forty she had already entered on this final phase. She went to Berlin, was admitted to companionship with the Queen, Louise, and endeavoured to "convert" her. The sweet, holy queen required no conversion, and the Baroness von Krüdner was obliged to leave Berlin. She wandered thenceforth from place to place, was now in Paris, then in Geneva, and then in Germany. At Karlsruhe she met Jung-Stilling; and thenceforth threw herself heart and soul into the pietistic revival. Her mission now was – so she conceived – to preach the Gospel to the poor. In 1814 she obtained access to the Russian Court, where her prophecies and exhortations produced such an effect on the spirit of the Czar, Alexander I., that he entreated her to accompany him to Paris. She did so, and held spiritual conferences and prayer meetings in the French capital. Alexander soon tired of her, and she departed to Basel, where she won to her the Genevan Pastor Empeytaz and the Basel Professor Lachenal. Her meetings for revival, which were largely attended, caused general excitement, but led to many domestic quarrels, so that the city council gave her notice to leave the town. She then made a pilgrimage along the Rhine, but her proceedings were everywhere objected to by the police and town authorities, and she was sent back under police supervision first to Leipzig, and thence into Russia.

      Thence in 1824 she departed for the Crimea, where she had resolved to start a colony on the plan of the Moravian settlements, and there died before accomplishing her intention.

      It was in 1817, when she was conducting her apostolic progress along the Rhine, that she and Margaretta of Wildisbuch met. Apparently the latter made a deeper impression on the excitable baroness than had the holy Julianne on Margaretta. The two aruspices did not laugh when they met, for they were both in deadly earnest, and had not the smallest suspicion that they were deluding themselves first, and then others.

      The meeting with the Krüdner had a double effect. In the first place, the holy Julianne, when forced to leave the neighbourhood by the unregenerate police, commended her disciples to the blessed Margaret; and, in the second place, the latter had the shrewdness to perceive, that, if she was to play anything like the part of her fellow-apostle, she must acquire a little more education. Consequently Margaret took pains to write grammatically, and to spell correctly.

      The result of the commendation by Saint Julianne of her disciples to Margaret was that thenceforth a regular pilgrimage set in to Wildisbuch of devout persons in landaus and buggies, on horse and on foot.

      Some additional actors in the drama must now be introduced.

      Magdalena Peter, the fourth daughter of John Peter, was married to the cobbler, John Moser. The influence of Margaret speedily made itself felt in their house. At first Moser's old mother lived with the couple, along with Conrad, John Moser's younger brother. The first token of the conversion of Moser and his wife was that they kicked the old mother out of the house, because she was worldly and void of "saving grace." Conrad was a plodding, hard-working lad, very useful, and therefore not to be dispensed with. The chosen vessels finding he did not sympathise with them, and finding him too valuable to be done without, starved him till he yielded to their fancies, saw visions, and professed himself "saved." Barbara, also, married to the blacksmith Baumann, was next converted, and brought all her spiritual artillery to bear on the blacksmith, but in vain. He let her go her own way, but he would have nothing himself to say to the great spiritual revival in the house of the Peters. Barbara, not finding a kindred soul in her husband, had taken up with a man of like soaring piety, a tailor, named Hablützel.

      Another person who comes into this story is Jacob Ganz, a tailor, who had been mixed up with the movement at Basel under Julianne the Holy.

      Margaret's brother Caspar was a man of infamous character; he was separated from his wife, whom he had treated with brutality; had become the father of an illegitimate child, and now loafed about the country preaching the Gospel.

      Ganz, the tailor, had thrown aside his shears, and constituted himself a roving preacher. In one of his apostolic tours he had made the acquaintance of Saint Margaret, and had been deeply impressed by her. He had an elect disciple at Illnau, in the Kempthal, south of Winterthür. This was a shoemaker named Jacob Morf, a married man, aged thirty; small, with a head like a pumpkin. To this shoemaker Ganz spoke with enthusiasm of the spiritual elevation of the holy Margaret, and Morf was filled with a lively desire of seeing and hearing her.

      Margaretta seems after a while to

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