LITMIR.BIZ

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completed book. Retired to his new quarters, Gutenberg was taking courage, so as not to appear too much behindhand, but the reconstitution of his workshop cost him enormous time. And, besides, he missed the letter-maker Schoeffer, his own Gothic letters, engraved on steel with a punch, not having the same elegance. When his work appeared, it could not sustain comparison. The Bible of Schoeffer was more compact, the impression was more perfect, the ink better, the type less irregular. The original inventor, in his business with Fust, made an unhappy competition for himself. We give here a fragment of this celebrated book, a kind of mute witness of the science and mortifications of the first printer. It is now called the Mazarine Bible, from the fact that the copy in the Mazarin Library was the first to give evidence concerning it. The book was put on sale at the end of 1455 or beginning of 1456, for a manuscript note of a vicar of St. Stephen at Mayence records that he finished the binding and illuminating of the first volume on St. Bartholomew's Day, 1456, and the second on the 15th of August. St. Bartholomew's Day is the 13th of June, and not the 24th of August, as the catalogue of the Bibliothèque Nationale has it.

      All these remarks show that the printers did not proclaim themselves, and were making pseudo-manuscripts. They did not make known their names or address. The rubricators sided with them, for many of the copies are illuminated with as much care and beauty as if they were the finest manuscripts.

      There is no record extant of the number of copies printed, but it was done on both vellum and paper. Copies are by no means uncommon, most of the great libraries having one, and many are in private collections. One is shown among the typographical monuments in the King's Library of the British Museum, and there is a finely illuminated copy in the show-room of the Bibliothèque Nationale. From its very great importance as the first book that is known to have been printed, its value has a constant increase. Of the copies recently sold, one at the Perkins sale in 1873 on vellum sold for £3,400, another on paper at the same sale fetched £2,900, while one on paper in the Syston Park Library sold in December, 1884, for £3,900. It has been asserted that the copies on paper were the first issued by Gutenberg and his partners, and those on vellum subsequently printed by Fust and Schoeffer, after they had obtained possession of the inventor's stock.

      But so many copies absolutely similar in aspect, and of so regular a style, put in the market from day to day by Fust and Schoeffer, gave rise to protests from the caligraphists. Criticism always attends upon success, but having obtained the result, the two associates did not hesitate to proclaim themselves the printers of the Bible. On the publication of the Psalter, which followed the Bible at a year's interval, they gave their names and added a date, 1457, the first instance of a date being recorded in a book. This second work was of so skilful a typography, that it might have been shown as the work of an expert penman; the faults remarked in the letters of indulgence are no longer seen; type had attained perfection; in two years printing had reached its culminating point.

      In spite of his disappointments, Gutenberg did not rest idle. If he had seen his two enemies rob him of his claim of priority in the invention, he had to show that, reduced to his own exertions and to the restricted means furnished him by charitable people, he also could print well. Two years after the Bible a dated book, composed in Gothic letters, appeared at Mayence; this was the Catholicon of John Balbus, of Genoa. It had not yet occurred to these first printers to exercise their art otherwise than on religious works. It is admitted by general opinion that the Catholicon issued from the press of Gutenberg; on the other hand, M. Bernard believes that it ought to be attributed to a printer of Eltvil, who published in 1467 a vocabulary called the Vocabularium ex quo with the same types. The former theory may be sustained by the words of the colophon of the book, which is a sort of hymn to God and a recognition of the city of Mayence without any mention of the name of the printer. Now in the situation in which Gutenberg found himself, in the face of his rivals, had he not some claim to regard the great discovery as his own? But if M. Bernard is mistaken, and if our supposition has no foundation, what a beautiful act of humility, what a noble idea of his character, Gutenberg gives us in writing, "With the aid of the Most High, Who releases the tongues of infants and often reveals to babes that which is sealed to learned men, this admirable book the Catholicon was finished in the year of the incarnation of our Saviour MCCCCLX. in the mother-country of Mayence, famous city of Germany, which God, in His clemency, has deigned to render the most illustrious and the first of cities; and this book was perfected without the usual help of pen or style, but by the admirable linking of formes and types"!

      The history of these men, it is easy to understand, has to be regarded with caution, people of so little consequence then that the authentic documents relating to them have for ever disappeared. If we except that of the Pfennigthurm of Strasbourg, of which we have before spoken, and the deed of claim for money from Fust to Gutenberg dated 1455, we are forced to quote from authors living long afterwards, who submitted, without knowing better, to the miserable errors of oral tradition. It is nearly always the same with men who have occupied a large place in the history of art; posterity only knows of their genius at the time when no one knows anything of them. For Gutenberg the situation was still more terrible; a rival, Peter Schoeffer, survived him, and he did not for his own reputation care to preserve his rival's memory; and if, as is believed, Gutenberg left pupils and heirs, Henry Bechtermuncze, Ulrich Zell, and Weigand Spyes, his misfortune is crowned by Bechtermuncze being now reputed to be the printer of the Catholicon, of which we have just given the history. Even Albert Pfister, one of his workmen, dismissed at the end of his work, having obtained from his master some rejected types, was presumed later to have invented printing. We find this artisan established at Bamberg about 1460, composing Bibles in movable types, the first known being that published in 1461. But Albert Pfister showed that he was not at all an inventor by the mediocrity of his work, and more by the old types that he used. If he had known the secret of engraving the punches, he would have cast new letters and have given a better aspect to his work.

      In these statements all is supposition and contradiction. That which is certain – and the dates are there to prove it – is the enormous progress in the productions of Peter Schoeffer. In 1459 he published his third book, Durand's Rationale Divinorum Officiorum, in folio. As in the Psalter, Schoeffer employed initial letters printed in red, which the rival workshop could not do in the Catholicon, the rubrics of which are painted by hand, as in manuscripts. In time he put forth a second edition of the Psalter, always with Fust's name joined to his own. A great number of types were broken at the beginning, but he dreamed of doing yet better. In 1460 he gave the Constitutiones of Pope Clement V., with a gloss and commentaries by John André; here was the first example of a process much employed in manuscripts, but of which the typographical composition was very difficult. Again, in 1462 a new Latin Bible issued from their workshops in two folio volumes. It is the first dated edition. The first volume has two hundred and forty-two folios in double columns, the second two hundred and thirty-nine. It commences with an epistle of St. Jerome, and on the last leaf of the second volume is the colophon on the preceding page.

      This book, one of the first worthy of the name, and which is called by preference the Mayence Bible, appeared in one of the most troubled epochs that the episcopal city had had to go through. Subject to its archbishops, who were at the head of all the lay lords and fighting men, the city found itself in 1462 the prey of two prelates of equal title who refused to give way to one another: Thierry of Isembourg and Adolph of Nassau-Wiesbaden. Adolph surprised Mayence on the 27th October, 1462, pursuing his adversary, who scaled the walls with a rope to escape quicker, and the city was sacked and pillaged from its foundations. In the middle of this turmoil, what became of the obscure persons who were then the printers of the Bible? Doubtless their insignificance saved them from disaster, but as it was long before peace was re-established, and the entire edition of their last volume could not be kept back, we incline to believe that they were for a time going about the country as itinerant booksellers. Paris was to them a well-indicated point of travel – Paris, toward which all German commerce tended. The university where Peter Schoeffer was instructed in letters, and that truly passed for the first in Europe, appeared to them a market of the first order. If we may believe Walchius (Decas fabularum generis humani: Strasbourg, 1609, 4to, p. 181), John Fust himself went to that city, where he put books on sale from sixty crowns a copy, then fifty, then forty, according to the prevailing system in matters of discount. Fust was above all things a merchant; he led it to be believed that he had the marvellous

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