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most famous painters and sculptors of antiquity, in their endeavours to represent naturally the attitudes of the discoboli, have left posterity many masterpieces in their several arts. Quintilian exceedingly extols a statue of this kind, which had been finished with infinite care and application by the celebrated Myron41.

      Of the Pentathlum. – The Greeks gave this name to an exercise composed of five others: – wrestling, running, leaping, throwing the dart, and the discus. It is believed that this sort of combat was decided in one day, and sometimes the same morning; and that the prize, which was single, could not be given but to the victor in all those exercises.

      Of Races. – Of all the exercises which the athletæ cultivated with so much pains and industry, for their appearance in the public games, running was in the highest estimation, and held the foremost rank.

      The place where the athletæ exercised themselves in running, was generally called the Stadium by the Greeks; as was that wherein they disputed in earnest for the prize. Under that denomination was included not only the space in which the athletæ ran, but also that which contained the spectators of the gymnastic games.

      The middle of the Stadium was remarkable only by the circumstance of having the prizes allotted to the victors set up there. St. Chrysostom draws a fine comparison from this custom. “As the judges,” says he, “in the races and other games, expose in the midst of the Stadium, to the view of the champions, the crowns which they are to receive; in like manner the Lord, by the mouth of his prophets, has placed the prizes in the midst of the course, which he designs for those who have the courage to contend for them.”

      There were three kinds of races, the chariot, the horse, and the foot-race.

      1. Of the Foot-race. – The runners, of whatever number they were, ranged themselves in a line, after having drawn lots for their places. Whilst they waited the signal to start, they practised, by way of prelude, various motions to awaken their activity, and to keep their limbs pliable and in a right temper. They kept themselves breathing by small leaps, and making little excursions, which were a kind of trial of their speed and agility. Upon the signal’s being given, they flew towards the goal, with a rapidity scarcely to be followed by the eye, which was solely to decide the victory; for the Agnostic laws prohibited, upon the penalty of infamy, the attaining it by any foul method.

      2. Of the Horse-races. – The race of a single horse with a rider was less celebrated by the ancients; yet it had its favourers amongst the most considerable persons, even kings themselves, and was attended with uncommon glory to the victor.

      3. Of the Chariot-races. – This kind of race was the most renowned of all the exercises used in the games of the ancients, and that from whence most honour redounded to the victors. It is plain they were derived from the constant custom of princes, heroes and great men, of fighting in battle upon chariots. Homer has an infinity of examples of this kind. All those, who presented themselves in the Olympic games to dispute the prize in the chariot races, were persons considerable either for their riches, their birth, their employments, or great actions. Kings themselves aspired passionately to this glory, from the belief that the title of victor in these games was scarcely inferior to that of conqueror, and that the Olympic palm added new dignity to the splendours of a throne.

      The chariots were generally drawn by two or four horses. Sometimes mules supplied the place of horses. These chariots, upon a signal given, started together. Their places were regulated by lot, which was not an indifferent circumstance as to the victory; for being to turn round a boundary, the chariot on the left was nearer than those on the right, which in consequence had a greater compass to take. They ran twelve times round the Stadium. He that came in first the twelfth round was victor. The chief art consisted in taking the best ground at the turning of the boundary; for if the charioteer drove too near it, he was in danger of dashing the chariot to pieces; and if he kept too wide of it, his nearest antagonist might get foremost.

      To avoid such danger, Nestor gave the following directions to his son Antilochus, who was going to dispute the prize in the chariot races. “My son,” says he, “drive your horses as near as possible to the turning; for which reason, always inclining your body over your chariot, get the left of your competitors; and encouraging the horse on the right, give him the rein, whilst the near-horse, hard held, turns the boundary so close to it, that the nave of the wheel seems to graze upon it; but have a care of running against the stone, lest you wound your horses, and dash the chariot in pieces.”

      It was not required, that those who disputed the victory should enter the lists, and drive their chariots in person. Their being spectators of the games, or sending their horses thither, was sufficient.

      No one ever carried the ambition of making a great figure in the public games of Greece so far as Alcibiades, in which he distinguished himself in the most splendid manner, by the great number of horses and chariots, which he kept only for the races. It is not easy to comprehend, how the wealth of a private person should suffice to so enormous an expense: but Antisthenes, the scholar of Socrates, who relates what he saw, informs us, that many cities of the allies, in a kind of emulation with each other, supplied Alcibiades with all things necessary for the support of such magnificence. Equipages, horses, tents, sacrifices, the most exquisite provisions, the most delicate wines; in a word, all that was necessary to the support of his table or train.

      We must not omit, in speaking of the Olympic games, to notice that ladies were admitted to dispute the prize in them as well as the men, which many of them obtained. Cynisca, sister of Agesilaus, king of Sparta, first opened this new path of glory to her sex, and was proclaimed victrix in the race of chariots with four horses. This victory, which till then had no example, did not fail of being celebrated with all possible splendour. – A magnificent monument was erected in Sparta in honour of Cynisca; and the Lacedæmonians, though otherwise very little sensible to the charms of poetry, appointed a poet to transmit this new triumph to posterity, and to immortalize its memory by an inscription in verse.

      Of the honours and rewards granted to the victors. – These honours and rewards were of several kinds. The spectators’ acclamations in honour of the victors were only a prelude to the rewards designed them. These rewards were different wreaths of wild olive, pine, parsley, or laurel, according to the different places where the games were celebrated. Those crowns were always attended with branches of palm, that the victors carried in their right hands. As he might be victor more than once in the same games, and sometimes on the same day, he might also receive several crowns and palms.

      When the victor had received the crown and palm, a herald, preceded by a trumpeter, conducted him through the Stadium, and proclaimed aloud his name and country.

      When he returned to his own country, the people came out in a body to meet him, and conducted him into the city, adorned with all the marks of his victory, and riding upon a chariot drawn by four horses. He made his entry not through the gates, but through a breach purposely made in the walls. Lighted torches were carried before him, and a numerous train followed, to do honour to the procession.

      One of the most honourable privileges granted to the athletic victors, was the right of taking place at the public games. At Sparta it was a custom for the king to take them with him in military expeditions, to fight near his person, and to be his guard; which, with reason, was judged very honourable. Another privilege, in which the useful united with the honourable, was that of being maintained for the rest of their lives at the expense of their country. They were also exempted from all civil offices and employments.

      The praises of the victorious athlete were, amongst the Greeks, one of the principal subjects of their lyric poetry. We find, that all the odes of the four books of Pindar turn upon it, each of which takes its title from the games, in which the combatants signalised themselves, whose victories those poems celebrate.

      Sculpture united with poetry to perpetuate the fame of the champions. Statues were erected to the victors, in the very place where they had been crowned, and sometimes in that of their birth also, which was commonly done at the expense of their country. Amongst the statues which adorned Olympia, were those of several children of ten or twelve years old, who had obtained the prize at that age in the Olympic games. They did not only raise such monuments to the champions,

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