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but strung together by artificial means – pearls with a thread drawn through them – are manifest precursors of the Decamerone, or Ten Days. A modern Italian critic describes the now classical fiction as a collection of one hundred of those novels which Boccaccio is believed to have read out at the court of Queen Joanna of Naples, and which later in life were by him assorted together by a most simple and ingenious contrivance. But the great Florentine invented neither his stories nor his ‘plot,’ if we may so call it. He wrote in the middle of the fourteenth century (1344-8) when the West had borrowed many things from the East, rhymes8 and romance, lutes and drums, alchemy and knight-errantry. Many of the ‘Novelle’ are, as Orientalists well know, to this day sung and recited almost textually by the wandering tale-tellers, bards, and rhapsodists of Persia and Central Asia.

      The great kshatriya (soldier) king Vikramaditya,9 or Vikramarka, meaning the ‘Sun of Heroism,’ plays in India the part of King Arthur, and of Harun El Rashid further West. He is a semi-historical personage. The son of Gandharba-Sena the donkey and the daughter of the King of Dhara, he was promised by his father the strength of a thousand male elephants. When his sire died, his grandfather, the deity Indra, resolved that the babe should not be born, upon which his mother stabbed herself. But the tragic event duly happening during the ninth month, Vikram came into the world by himself, and was carried to Indra, who pitied and adopted him, and gave him a good education.

      The circumstances of his accession to the throne, as will presently appear, are differently told. Once, however, made King of Malaya, the modern Malwa, a province of Western Upper India, he so distinguished himself that the Hindu fabulists, with their usual brave kind of speaking, have made him ‘bring the whole earth under the shadow of one umbrella.’

      The last ruler of the race of Mayúra, which reigned 318 years, was Rája-pál. He reigned 25 years, but giving himself up to effeminacy, his country was invaded by Shakáditya, a king from the highlands of Kumaon. Vikramaditya, in the fourteenth year of his reign, pretended to espouse the cause of Rája-pál, attacked and destroyed Shakáditya, and ascended the throne of Delhi. His capital was Avanti, or Ujjayani, the modern Ujjain. It was 13 kos (26 miles) long by 18 miles wide, an area of 468 square miles, but a trifle in Indian history. He obtained the title of Shakári, ‘foe of the Shakas,’ the Sacæ or Scythians, by his victories over that redoubtable race. In the Kali Yug, or Iron Age, he stands highest amongst the Hindu kings as the patron of learning. Nine persons under his patronage, popularly known as the ‘Nine Gems of Science,’ hold in India the honourable position of the Seven Wise Men of Greece.

      These learned persons wrote works in the eighteen original dialects from which, say the Hindus, all the languages of the earth have been derived.10 Dhanwantari enlightened the world upon the subjects of medicine and incantations. Kshapanaka treated the primary elements. Amara-Singha compiled a Sanskrit dictionary and a philosophical treatise. Shankubetálabhatta composed comments and Ghatakarpara, a poetical work of no great merit. The books of Mihira are not mentioned. Varáha produced two works on astrology and one on arithmetic. And Bararúchí introduced certain improvements in grammar, commented upon the incantations, and wrote a poem in praise of King Mádhava.

      But the most celebrated of all the patronised ones was Kalidása. His two dramas, Sakuntala,11 and Vikram and Urvasi,12 have descended to our day; besides which he produced a poem on the seasons, a work on astronomy, a poetical history of the gods, and many other books.13

      Vikramaditya established the Sambat era, dating from A.C. 56. After a long, happy, and glorious reign, he lost his life in a war with Shalivahana, King of Pratisthana. That monarch also left behind him an era called the ‘Shaka,’ beginning with A.D. 78. It is employed, even now, by the Hindus in recording their births, marriages, and similar occasions.

      King Vikramaditya was succeeded by his infant son Vikrama-Sena, and father and son reigned over a period of 93 years. At last the latter was supplanted by a devotee named Samudra-pála, who entered into his body by miraculous means. The usurper reigned 24 years and 2 months, and the throne of Delhi continued in the hands of his sixteen successors, who reigned 641 years and three months. Vikrama-pála, the last, was slain in battle by Tilaka-chandra, King of Vaharannah.14

      It is not pretended that the words of these Hindu tales are preserved to the letter. The question about the metamorphosis of cats into tigers, for instance, proceeded from a Gem of Learning in a university much nearer home than Gaur. Similarly the learned and still living Mgr. Gaume (Traité du Saint-Esprit, p. 81) joins Camerarius in the belief that serpents bite women rather than men. And he quotes (p. 192) Cornelius à Lapide, who informs us that the leopard is the produce of a lioness with a hyæna or a pard.

      The merit of the old stories lies in their suggestiveness and their general applicability. I have ventured to remedy the conciseness of their language, and to clothe the skeleton with flesh and blood.

      INTRODUCTION

      The sage Bhavabhuti – Eastern teller of these tales – after making his initiatory and propitiatory congé to Ganesha, Lord of Incepts, informs the reader that this book is a string of fine pearls to be hung round the neck of human intelligence; a fragrant flower to be borne on the turban of mental wisdom; a jewel of pure gold, which becomes the brow of all supreme minds; and a handful of powdered rubies, whose tonic effects will appear palpably upon the mental digestion of every patient. Finally, that by aid of the lessons inculcated in the following pages, man will pass happily through this world into the state of absorption, where fables will be no longer required.

      He then teaches us how Vikramaditya the Brave became King of Ujjayani.

      Some nineteen centuries ago, the renowned city of Ujjayani witnessed the birth of a prince to whom was given the gigantic name Vikramaditya. Even the Sanskrit-speaking people, who are not usually pressed for time, shortened it to ‘Vikram,’ and a little further West it would infallibly have been docked down to ‘Vik.’

      Vikram was the second son of an old king Gandharba-Sena, concerning whom little favourable has reached posterity, except that he became an ass, married four queens, and had by them six sons, each of whom was more learned and powerful than the other. It so happened that in course of time the father died. Thereupon his eldest heir, who was known as Shank, succeeded to the carpet of Rajaship, and was instantly murdered by Vikram, his ‘scorpion,’ the hero of the following pages.15

      By this act of vigour and manly decision, which all younger-brother princes should devoutly imitate, Vikram having obtained the title of Bir, or the Brave, made himself Raja. He began to rule well, and the gods so favoured him that day by day his dominions increased. At length he became lord of all India, and having firmly established his government, he instituted an era – an uncommon feat for a mere monarch, especially when hereditary.

      The steps,16 says the historian, which he took to arrive at that pinnacle of grandeur, were these:

      The old King calling his two grandsons Bhartari-hari and Vikramaditya, gave them good counsel respecting their future learning. They were told to master everything, a certain way not to succeed in anything. They were diligently to learn grammar, the scriptures, and all the religious sciences. They were to become familiar with military tactics, international law, and music, the riding of horses and elephants – especially the latter – the driving of chariots, and the use of the broadsword, the bow, and the mogdars or Indian clubs. They were ordered to be skilful in all kinds of games, in leaping and running, in besieging forts, in forming and breaking bodies of troops; they were to endeavour to excel in every princely quality, to be cunning in ascertaining the power of an enemy, how to make war, to perform journeys, to sit in the presence of the nobles, to separate the different sides of a question, to form alliances, to distinguish between the innocent and the guilty, to assign proper punishments to the wicked, to exercise authority with perfect justice, and to be liberal. The boys were then sent

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<p>8</p>

I do not mean that rhymes were not known before the days of El Islam, but that the Arabs popularised assonance and consonance in Southern Europe.

<p>9</p>

‘Vikrama’ means ‘valour’ or ‘prowess.’

<p>10</p>

Mr. Ward of Serampore is unable to quote the names of more than nine out of the eighteen, namely: Sanskrit, Prakrit, Naga, Paisacha, Gandharba, Rakshasa, Ardhamágadi, Apa, and Guhyaka – most of them being the languages of different orders of fabulous beings. He tells us, however, that an account of these dialects may be found in the work called Pingala.

<p>11</p>

Translated by Sir Wm. Jones, 1789; and by Professor Williams, 1856.

<p>12</p>

Translated by Professor H. H. Wilson.

<p>13</p>

The time was propitious to savans. Whilst Vikramaditya lived, Mágha, another king, caused to be written a poem called after his name. For each verse he is said to have paid to learned men a gold piece, which amounted to a total of 5,280l.– a large sum in those days, which preceded those of Paradise Lost. About the same period, Karnáta, a third king, was famed for patronising the learned men who rose to honour at Vikram’s court. Dhavaka, a poet of nearly the same period, received from King Shriharsha the magnificent present of 10,000l. for a poem called the Ratna-Malá.

<p>14</p>

Lieut. Wilford supports the theory that there were eight Vikramadityas, the last of whom established the era. For further particulars, the curious reader will consult Lassen’s Anthologia, and Professor H. H. Wilson’s Essay on Vikram, (New) As. Res. ix. 117.

<p>15</p>

History tells us another tale. The god Indra and the King of Dhara gave the kingdom to Bhartari-hari, another son of Gandharba-Sena, by a handmaiden. For some time, the brothers lived together; but presently they quarrelled. Vikram being dismissed from court, wandered from place to place in abject poverty, and at one time hired himself as a servant to a merchant living in Guzerat. At length, Bhartari-hari, disgusted with the world on account of the infidelity of his wife, to whom he was ardently attached, became a religious devotee, and left the kingdom to its fate. In the course of his travels, Vikram came to Ujjayani, and finding it without a head, assumed the sovereignty. He reigned with great splendour, conquering by his arms Utkala, Vanga, Kuch-behar, Guzerat, Somnat, Delhi, and other places; until, in his turn, he was conquered and slain by Shalivaban.

<p>16</p>

The words are found, says Mr. Ward, in the Hindu History compiled by Mrityungaya.