LITMIR.BIZ

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strong enough for anything and of amazing vitality, as we have seen in the present war.

      Not only are they vigorous and strong in physique, however, but there is nothing lacking in their intelligence, or Russia would not have the charm and fascination she possesses. Probably no country in the world, unless it be still agricultural France, can compare with Russia in the character of its peasant industries or their importance as part of the national revenue and resources. Probably the people will be stimulated to greater industry in this direction by the removal of the vodka temptation, and both cease to feel the desire for it and get something in its place. Just as a man I once knew who was led to give up drink and gambling at the same time, when wondering how he could possibly live without them, had to change his house and remove to another with a garden. There in gardening work he found his compensation, and at the same time added to the resources of his household. Thus may it be in Russia.2

      The list of the Russian peasant industries is a long and interesting one, but I won’t take up time in enumerating them, as they can be found in the Russian Year Book, or probably in most encyclopaedias. I may perhaps mention a few which have especially interested and attracted me, and will no doubt be brought before our own people in the Russian shops and exhibitions which are almost certain to be opened before long, and it must be remembered that I am speaking of peasant productions only.

      There is the beautiful “drawn thread” work, lace-like in character, that all my friends say is unlike anything to be found in our own country, the making of which is promoted by the Princess Tenisheva and other Russian ladies, as well as embroidered and worked linen of all descriptions. Toys, and particularly large ornamental wooden spoons, of all kinds are made in great quantities by village folk, and painted boxes such as the Japanese make, but with Russian scenes upon them, in delightful shades of colour, and with rich and brilliant lacquer inside and out. Then there are hand-woven laces of different varieties, and, above all, the Orenburg shawls, exquisitely dainty and so fine that the largest of them will go through a wedding-ring, and yet warmer than Shetland wool. These also are hand-woven, and come from the province of Orenburg, just beyond the Urals.

      Ironwork, again, is a speciality in Siberia, where they are said to be the best iron-workers in the world, though a friend of mine to whom I mentioned this, when I was showing him some perfectly wonderful and artistic specimens which had been given to me when I first went to Siberia, said, “That’s because they have the best iron in the world.” The stone or gem-cutting industry is an important one. Furs, from sheep and wolf-skins up to bears, as well as those of foxes, sables, elk, and reindeer, and other animals, are perfectly dressed by the peasants for their own use, as well as for sale. I have some exquisite work in coloured silks upon hand-woven cloth which had never been out of the tents where they were made till given to me, and above all I cherish a silver box which had been made in a Kirghese uerta or tent, far away upon the steppes, and was given to me when I had had services there after my long drive in the tarantass. It would hold about a hundred cigarettes, and was given to me for that purpose, is oblong in shape, with a lid of sloping sides, and is made from silver roubles hammered out and ornamented with that beautiful damascening that is said to be a lost art except for the peasants of the steppes. It is such a beautiful bit of workmanship that any one looking at it would think it had come out of a Bond Street silversmith’s, until he turned it over and saw that the bottom is a plain piece of iron, rough and unornamented. Let no one think the Russian peasant unintelligent or unskilful or wanting in dexterity or resource. The wonder to me is that, with the few advantages and opportunities he has had, he is so capable, intelligent, and quick to learn as he is. And what is important for us to remember is that he loves to learn from an Englishman.

      Then, again, we are told that he is brutish in temperament and of low ideals, and never seems to rise above his squalid surroundings. I don’t agree that his surroundings are squalid. Simple they are, without a doubt, as the Canadian shack of three brothers I know is simple, and has nothing in it but beds and tables and chairs, their boxes and saddle-trees, etc., and all is bed and work, but it is not squalid. They have been brought up in a good and refined home, and yet find nothing incongruous in their present abode amongst the pine-woods.

      That’s what a Russian peasant’s home is also, simple and yet attractive. It is built of logs, the interstices well plastered up with moss and clay to keep out all cold air, cool in summer and warm in winter by reason of the thickness of these outer walls; and it usually has an inner entrance or small room, before the large and chief living-room. There will be two or more small square windows in the latter, an ikon in a corner with a lamp before it and a shelf for flowers below – every one on entering looks towards it, bowing reverently and making the sign of the Cross – a very large stove of bricks, whitewashed, upon the top of which rests a wide shelf, carried along the wall as far as is necessary for the whole family to be able to find sleeping-space upon it. There will also be a long wooden bench, a great table, a few wooden stools, and a great cupboard, and, nearly always, cheap coloured pictures of the Emperor and Empress, whose portraits are to be found in all shops, inns, post offices, and places of public resort.

      These are the simple surroundings described and made familiar to us by all writers of Russian stories of which peasants form a part, and all over the empire they are found just as Tolstoi, Dostoviesky, Turgenieff, and others bring them before us in their interesting tales. Take for example Tolstoi’s Where Love is there God is also, Master and Man, and other parables and tales. When Martin Avdeitch is looking out from his small abode through his one small window upon the passers-by as simply as man could do, and yet with shrewd and discerning eyes, he is ready for the old pilgrim who comes into his life just at the right moment, and shows him the way to God.

      Or take Nikita in Master and Man, in the same volume. In some ways he is extraordinarily simple, and does not appear to know how shamefully he is being exploited by his avaricious and grasping master. We are told in the story that he does know even though he goes on as if he didn’t, and does his duty by him as if he were the best of masters, just as he does by an unfaithful and unfeeling wife. It would be difficult to imagine a peasant one would more love to know and understand than Nikita, strong, capable, affectionate, and shrewd, as he comes running before us in the story, to harness the horse for his master, the only man on the place that day not drunk, talking to the little brown cob which noses him affectionately, and in the end making a tremendous struggle for his own and his master’s life, and winning through himself. Thus he goes on steadily as long as he lives, with no other thought but that of duty, until he lies down beneath the ikon, and, with the wax candle in his hand just as he had always wished, passes away at peace with every living creature and with God.

      There are no peasants like the Russians, or who think as they do. They are young, one feels, and “The thoughts of youth are long, long thoughts,” and that is just what those who know them best find out.

      A friend of mine told this story the other day at a meeting, at which we both had to speak, and I am sure it will bear repetition. A moujik, or peasant, was driving a German commercial traveller across the open country, and in the course of their conversation together his companion said to him: —

      “Your countrymen are nothing but a lot of idolaters. You worship those ikons of yours, and bow down to them as the heathen do,” and so on. The moujik was very indignant, and grumbled out his disapproval of all this.

      “Worship our ikons indeed! We don’t.” And as they went driving on he suddenly drew up, and, pointing to a tree, demanded of the astonished traveller: —

      “Do you mean to say that I would worship that tree?”

      “No, no. Of course not! Drive on.”

      With a very disapproving grunt he drove on, and when they reached their destination, where there was a painter at work upon an outside door, the moujik, pointing to the paint-pot beside it, again demanded of the traveller: —

      “Would you say I could worship that paint?”

      “No, certainly not! You could not be so silly.”

      “But yet you say I worship an ikon, which is only painted wood, and can’t see that I only use it to help me to worship God.”

      Let

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