A Year in the Fields - John Burroughs

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peaks of sky and sun, with their valley of cloud and snow between. Walk to the nearest spring run on such a morning, and you can see the Colorado valley and the great cañons of the West in miniature, carved in alabaster. In the midst of the plain of snow lie these chasms; the vertical walls, the bold headlands, the turrets and spires and obelisks, the rounded and towering capes, the carved and buttressed precipices, the branch valleys and cañons, and the winding and tortuous course of the main channel are all here, – all that the Yosemite or Yellowstone have to show, except the terraces and the cascades. Sometimes my cañon is bridged, and one's fancy runs nimbly across a vast arch of Parian marble, and that makes up for the falls and the terraces. Where the ground is marshy, I come upon a pretty and vivid illustration of what I have read and been told of the Florida formation. This white and brittle limestone is undermined by water. Here are the dimples and depressions, the sinks and the wells, the springs and the lakes. Some places a mouse might break through the surface and reveal the water far beneath, or the snow gives way of its own weight, and you have a minute Florida well, with the truncated cone-shape and all. The arched and subterranean pools and passages are there likewise.

      But there is a more beautiful and fundamental geology than this in the snow-storm: we are admitted into Nature's oldest laboratory, and see the working of the law by which the foundations of the material universe were laid, – the law or mystery of crystallization. The earth is built upon crystals; the granite rock is only a denser and more compact snow, or a kind of ice that was vapor once and may be vapor again. "Every stone is nothing else but a congealed lump of frozen earth," says Plutarch. By cold and pressure air can be liquefied, perhaps solidified. A little more time, a little more heat, and the hills are but April snow-banks. Nature has but two forms, the cell and the crystal, – the crystal first, the cell last. All organic nature is built up of the cell; all inorganic, of the crystal. Cell upon cell rises the vegetable, rises the animal; crystal wedded to and compacted with crystal stretches the earth beneath them. See in the falling snow the old cooling and precipitation, and the shooting, radiating forms that are the architects of planet and globe.

      We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death; yet snow is but the mask of the life-giving rain; it, too, is the friend of man, – the tender, sculpturesque, immaculate, warming, fertilizing snow.

      II

      WINTER NEIGHBORS

      The country is more of a wilderness, more of a wild solitude, in the winter than in the summer. The wild comes out. The urban, the cultivated, is hidden or negatived. You shall hardly know a good field from a poor, a meadow from a pasture, a park from a forest. Lines and boundaries are disregarded; gates and bar-ways are unclosed; man lets go his hold upon the earth; title-deeds are deep buried beneath the snow; the best-kept grounds relapse to a state of nature; under the pressure of the cold, all the wild creatures become outlaws, and roam abroad beyond their usual haunts. The partridge comes to the orchard for buds; the rabbit comes to the garden and lawn; the crows and jays come to the ash-heap and corn-crib, the snow buntings to the stack and to the barnyard; the sparrows pilfer from the domestic fowls; the pine grosbeak comes down from the north and shears your maples of their buds; the fox prowls about your premises at night; and the red squirrels find your grain in the barn or steal the butternuts from your attic. In fact, winter, like some great calamity, changes the status of most creatures and sets them adrift. Winter, like poverty, makes us acquainted with strange bedfellows.

      For my part, my nearest approach to a strange bedfellow is the little gray rabbit that has taken up her abode under my study floor. As she spends the day here and is out larking at night, she is not much of a bedfellow, after all. It is probable that I disturb her slumbers more than she does mine. I think she is some support to me under there, – a silent, wide-eyed witness and backer; a type of the gentle and harmless in savage nature. She has no sagacity to give me or lend me, but that soft, nimble foot of hers, and that touch as of cotton wherever she goes, are worthy of emulation. I think I can feel her goodwill through the floor, and I hope she can mine. When I have a happy thought, I imagine her ears twitch, especially when I think of the sweet apple I will place by her doorway at night. I wonder if that fox chanced to catch a glimpse of her the other night when he stealthily leaped over the fence near by and walked along between the study and the house? How clearly one could read that it was not a little dog that had passed there! There was something furtive in the track; it shied off away from the house and around it, as if eying it suspiciously; and then it had the caution and deliberation of the fox, – bold, bold, but not too bold; wariness was in every footprint. If it had been a little dog that had chanced to wander that way, when he crossed my path he would have followed it up to the barn and have gone smelling around for a bone; but this sharp, cautious track held straight across all others, keeping five or six rods from the house, up the hill, across the highway toward a neighboring farmstead, with its nose in the air, and its eye and ear alert, so to speak.

      A winter neighbor of mine, in whom I am interested, and who perhaps lends me his support after his kind, is a little red owl, whose retreat is in the heart of an old apple-tree just over the fence. Where he keeps himself in spring and summer, I do not know, but late every fall, and at intervals all winter, his hiding-place is discovered by the jays and nuthatches, and proclaimed from the treetops for the space of half an hour or so, with all the powers of voice they can command. Four times during one winter they called me out to behold this little ogre feigning sleep in his den, sometimes in one apple-tree, sometimes in another. Whenever I heard their cries, I knew my neighbor was being berated. The birds would take turns at looking in upon him, and uttering their alarm-notes. Every jay within hearing would come to the spot, and at once approach the hole in the trunk or limb, and with a kind of breathless eagerness and excitement take a peep at the owl, and then join the outcry. When I approached they would hastily take a final look, and then withdraw and regard my movements intently. After accustoming my eye to the faint light of the cavity for a few moments, I could usually make out the owl at the bottom feigning sleep. Feigning, I say, because this is what he really did, as I first discovered one day when I cut into his retreat with the axe. The loud blows and the falling chips did not disturb him at all. When I reached in a stick and pulled him over on his side, leaving one of his wings spread out, he made no attempt to recover himself, but lay among the chips and fragments of decayed wood, like a part of themselves. Indeed, it took a sharp eye to distinguish him. Not till I had pulled him forth by one wing, rather rudely, did he abandon his trick of simulated sleep or death. Then, like a detected pickpocket, he was suddenly transformed into another creature. His eyes flew wide open, his talons clutched my finger, his ears were depressed, and every motion and look said, "Hands off, at your peril." Finding this game did not work, he soon began to "play 'possum" again. I put a cover over my study wood-box and kept him captive for a week. Look in upon him at any time, night or day, and he was apparently wrapped in the profoundest slumber; but the live mice which I put into his box from time to time found his sleep was easily broken; there would be a sudden rustle in the box, a faint squeak, and then silence. After a week of captivity I gave him his freedom in the full sunshine: no trouble for him to see which way and where to go.

      Just at dusk in the winter nights, I often hear his soft bur-r-r-r, very pleasing and bell-like. What a furtive, woody sound it is in the winter stillness, so unlike the harsh scream of the hawk! But all the ways of the owl are ways of softness and duskiness. His wings are shod with silence, his plumage is edged with down.

      Another owl neighbor of mine, with whom I pass the time of day more frequently than with the last, lives farther away. I pass his castle every night on my way to the post-office, and in winter, if the hour is late enough, am pretty sure to see him standing in his doorway, surveying the passers-by and the landscape through narrow slits in his eyes. For four successive winters now have I observed him. As the twilight begins to deepen, he rises up out of his cavity in the apple-tree, scarcely faster than the moon rises from behind the hill, and sits in the opening, completely framed by its outlines of gray bark and dead wood, and by his protective coloring virtually invisible to every eye that does not know he is there. Probably my own is the only eye that has ever penetrated his secret, and mine never would have done so had I not chanced on one occasion to see him leave his retreat and make a raid upon a shrike that was impaling a shrew-mouse upon a thorn in a neighboring tree, and which I was watching. Failing to get the mouse, the owl

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