Alas! A Novel - Broughton Rhoda

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lulled, the pattering rain ceased. Between the ragged, black cloud-sheets star-points shine, and a shimmering moon shows her wet face reflected in the puddles. Talk, which had been impossible on their way to the meeting, is not only possible but easy now, and Brown is evidently greatly inclined for it. Burgoyne, on the other hand, had never felt more disinclined. It is not so much that he is out of humour with his tiresome friend, though he is that too, as that his whole mind is centred on making his memory give up the secret of that face that has come back to him out of some vague cavern of his past.

      Who is the woman whom he knows, and who knows him (for on reflection he is sure that that look of hers was one of half – of more than half – recognition), and yet whose place in his history, whose very name, he seeks so vainly? She does not belong to his Oxford days, as he has already ascertained. He has learnt from Brown that she does not belong to the Oxford of to-day, being apparently a stranger, and, with her husband, a visitor to the Warden of – College, in whose company they had arrived. He explores the succeeding years of his life. In vain; she has no place there; in vain he dives and plunges into the sea of his memory; he cannot fish up the pearl he seeks. He must hark back to earlier days – his school-time, the six months he spent in Devonshire with a coach before he came up to New. Ah! he has it – he has it at last! just as they have reached Brown's door, while he is fumbling with his latch-key for the keyhole, imprecating the moon for withdrawing her shining at the very instant he most needs her, Burgoyne has come up with the shy object of his chase. It is conjured back into his mind by the word Devonshire.

      "I have it," he says to himself; "her hair has turned white, that was why I did not recognise her; it used to be raven-black. But it is she – of course it is she! To think of my not knowing her again! Of course it is Mrs. Le Marchant."

      What a door into the distance that name has opened! – a door through which he passes into a Devonshire garden, and romps with rose-faced Devonshire children. The very names of those children are coming back to him. Tom and Charles, those were the schoolboys; Rose and Miriam, and – Elizabeth. He recalls – absurd trick of freakish memory – those children's pets. Tom and Charles had guinea-pigs; Miriam had a white rat; Rose – what had Rose? Rose must have had something; and Elizabeth had a kangaroo. Elizabeth's kangaroo was short-lived, poor beast, and died about hay-time; the guinea-pigs and the white rat have been dead too for ages now, of course. And are Tom and Charles, and Rose and Miriam, and bright Elizabeth dead also? Absurd! Why should they be? Nothing more unlikely! Why, it is only ten years ago, after all.

      He is roused from his meditations by Brown's voice, to find himself in Brown's study, where its owner is filling himself a pipe, and festally offering him whisky-and-water. But it is only an abstracted attention that Burgoyne lends, either to the whisky or the whisky's master; and his answers are sometimes inattentively beside the mark, to talk, which indeed is not without some likeness to the boasted exploits in Clement's Inn, and the affectionate inquiries after Jane Nightwork, of a more famous fool than he.

      It is a relief to the guest when, earlier than he had expected – a blessing he, no doubt, owes to Mrs. Brown – his host breaks up the séance, and he is free to retire to his own room. At once he is back in that Devonshire garden, he is there almost all night, between sleep and wake. It is strange that persons and circumstances banished from his memory for ten long years should rush back with such tyrannous insistence now.

      Such silly recollected trifles crowd back upon his mind. The day on which Tom nearly choked himself by swallowing a barley beard; the day on which the lop-eared rabbit littered – ah, rabbits, of course! those were what Rose had! – the day on which Tom pushed Miriam into the moat, and Elizabeth fell in, too, in trying to fish her out. Elizabeth, the eldest, the almost grown-up one, embarrassed by her newly lengthened petticoats, so harassing at cricket, in races, in climbing apple-trees. Elizabeth was sixteen; he remembers the fact, because her birthday had fallen two days before his own departure. He had given her a gold thimble set with turquoises upon the occasion; it was not a surprise, because he recalls measuring her finger for the size. He can see that small middle finger now. Elizabeth must now be twenty-six years of age. Where is she? What is she – maid, wife, or widow?

      And why has Mrs. Le Marchant's hair turned snow-white? Had it been merely gray he would not have complained, though he would have deplored the loss of the fine smooth inky sweep he remembers. She has a fair right to be gray; Mrs. Le Marchant must be about forty-six or forty-seven, bien sonné. But white, snow-white – the hue that one connects with a venerable extremity of age. Can it be bleached? He has heard of women bleaching their hair; but not Mrs. Le Marchant, not the Mrs. Le Marchant he remembers. She would have been as incapable of bleach as of dye. Then why is she snow-haired? Because Providence has so willed it is the obvious answer. But somehow Burgoyne cannot bring himself to believe that she has come fairly by that white head.

      With the morning light the might of the Devonshire memories grows weaker; and, as the day advances, the Oxford ones resume their sway. How can it be otherwise, when all day long he strays among the unaltered buildings in the sweet sedate college gardens, down the familiar "High," where, six years ago, he could not take two steps without being hailed by a jolly fresh voice, claiming his company for some new pleasure; but where now he walks ungreeted, where the smooth-faced boys he meets, and who strike him as so much more boyish than his own contemporaries had done, pass him by indifferently, unknown to the whole two thousand as he is. He feels a sort of irrational anger with them for not recognising him, though they have never seen him before.

      Yes, there is no place where a man is so quickly superannuated as in Oxford. He is saying this to himself all day, is saying it still as he strolls in the afternoon down Mesopotamia, to fill up the time before the hour for college chapel. Yes, there is no place where men so soon turn into ghosts. He has been knocking up against them all day at every street-corner; they have looked out at him from every gray window in the Quad at New – jovial, athletic young ghosts, so much painfuller to meet than rusty, century-worn old ones. They are rather less plentiful in Mesopotamia than elsewhere; perhaps, because in his day, as now, Mesopotamia on Sundays was given over to the mechanic and the perambulator. Oh, that Heaven would put it into the head of some Chancellor of the Exchequer to lay a swingeing tax upon that all-accursed vehicle! But not even mechanic and perambulator can hinder Mesopotamia from being fair on a fine February day, when the beautiful floods are out, the floods that the Thames Conservators and the Oxford authorities have combined to put down, as they have most other beautiful things within their reach. But they have not yet quite succeeded. To-day, for instance, the floods are out in might.

      Burgoyne is pacing along a brown walk, like a raised causeway, with a sheet of white water on either hand, rolling strong ripples to the bank. Gnarled willows stand islanded in the coldly argent water. A blackbird is flying out of the bushes, with a surprised look at finding himself turned into a sea-bird. No sun; an even sweep of dull silver to right and left. No sun; and yet as he looks, after days of rain, the "grand décorateur," as someone happily called him, rides out in royalty on a cleared sky-field, turning the whole drenched country into mother-of-pearl – a sheet of opal stretched across the drowned meadows; the distance opal too, a delicate, dainty, evanescent loveliness snatched from the ugly brown jaws of winter.

      Burgoyne is leaning over the wooden bridge beneath which, in its normal state, the water of the lasher rushes down impetuously; but it is now raised to such a height that it lies level, almost flush with the planking. He is staring across the iridescent water-plain to where, in the poetic atmosphere of sun and mist, dome, and schools and soaring spires stand etherealized.

      "Dear old place!" he says, under his breath, "everybody is dead; and I am dead; and Brown is deader than anyone. I am glad that you, at least, are still alive!"

      Are these more ghosts coming round the corner? A man and a woman ghost strolling along, and looking about them as strangers look. When they are within a pace or two of him the woman says something – something about the floods – to her companion, and at the sound Burgoyne starts.

      "She did not speak last night; if she had spoken I should have known her at once. She always had such a sweet voice."

      He raises his arms from the bridge-top, and, turning, meets them face to face, eye to eye, and in an instant he has seen that both recognise him. At the same instant he is aware of a simultaneous inclination on the part

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