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The Thread of Gold. Benson Arthur Christopher
Читать онлайн.Название The Thread of Gold
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isbn http://www.gutenberg.org/ebooks/30326
Автор произведения Benson Arthur Christopher
Жанр Зарубежная классика
Издательство Public Domain
Yet still I am no nearer the secret. God sends me, here the frozen peak, there the blue sea; here the tiger, there the cuckoo; here Virgil, there Jeremiah; here St Francis of Assisi, there Napoleon. And all the while, as he pushes his fair or hurtful toys upon the stage, not a whisper, not a smile, not a glance escapes him; he thrusts them on, he lays them by; but the interpretation he leaves with us, and there is never a word out of the silence to show us whether we have guessed aright.
VIII
Spring-time
Yesterday was a day of brisk airs. The wind was at work brushing great inky clouds out of the sky. They came sailing up, those great rounded masses of dark vapour, like huge galleons driving to the West, spilling their freight as they came. The air would be suddenly full of tall twisted rain-streaks, and then would come a bright burst of the sun.
But a secret change came in the night; some silent power filled the air with warmth and balm. And to-day, when I walked out of the town with an old and familiar friend, the spring had come. A maple had broken into bloom and leaf; a chestnut was unfolding his gummy buds; the cottage gardens were full of squills and hepatica; and the mezereons were all thick with damask buds. In green and sheltered underwoods there were bursts of daffodils; hedges were pricked with green points; and a delicate green tapestry was beginning to weave itself over the roadside ditches.
The air seemed full of a deep content. Birds fluted softly, and the high elms which stirred in the wandering breezes were all thick with their red buds. There was so much to look at and to point out that we talked but fitfully; and there was, too, a gentle languor abroad which made us content to be silent.
In one village which we passed, a music-loving squire had made a concert for his friends and neighbours, and doubtless, too, for our vagrant delight; we stood uninvited to listen to a tuneful stir of violins, which with a violoncello booming beneath, broke out very pleasantly from the windows of a village school-room.
When body and mind are fresh and vigorous, these outside impressions often lose, I think, their sharp savours. One is preoccupied with one's own happy schemes and merry visions; the bird sings shrill within its cage, and claps its golden wings. But on such soft and languorous days as these days of early spring, when the body is unstrung, and the bonds and ties that fasten the soul to its prison are loosened and unbound, the spirit, striving to be glad, draws in through the passages of sense these swift impressions of beauty, as a thirsty child drains a cup of spring-water on a sun-scorched day, lingering over the limpid freshness of the gliding element. The airy voices of the strings being stilled, with a sort of pity for those penned in the crowded room, interchanging the worn coinage of civility, we stood a while looking in at a gate, through which we could see the cool front of a Georgian manor-house, built of dusky bricks, with coigns and dressings of grey stone. The dark windows with their thick white casements, the round-topped dormers, the steps up to the door, and a prim circle of grass which seemed to lie like a carpet on the pale gravel, gave the feeling of a picture; the whole being framed in the sombre yews of shrubberies which bordered the drive. It was hard to feel that the quiet house was the scene of a real and active life; it seemed so full of a slumberous peace, and to be tenanted only by soft shadows of the past. And so we went slowly on by the huge white-boarded mill, its cracks streaming with congealed dust of wheat, where the water thundered through the sluices and the gear rattled within.
We crossed the bridge, and walked on by a field-track that skirted the edge of the wold. How thin and clean were the tints of the dry ploughlands and the long sweep of pasture! Presently we were at the foot of a green drift-road, an old Roman highway that ran straight up into the downs. On such a day as this, one follows a spirit in one's feet, as Shelley said; and we struck up into the wold, on the green road, with its thorn-thickets, until the chalk began to show white among the ruts; and we were soon at the top. A little to the left of us appeared, in the middle of the pasture, a tiny round-topped tumulus that I had often seen from a lower road, but never visited. It was fresher and cooler up here. On arriving at the place we found that it was not a tumulus at all, but a little outcrop of the pure chalk. It had steep, scarped sides with traces of caves scooped in them. The grassy top commanded a wide view of wold and plain.
Our talk wandered over many things, but here, I do not know why, we were speaking of the taking up of old friendships, and the comfort and delight of those serene and undisturbed relations which one sometimes establishes with a congenial person, which no lapse of time or lack of communication seems to interrupt – the best kind of friendship. There is here no blaming of conditions that may keep the two lives apart; no feverish attempt to keep up the relation, no resentment if mutual intercourse dies away. And then, perhaps, in the shifting of conditions, one's life is again brought near to the life of one's friend, and the old easy intercourse is quietly resumed. My companion said that such a relation seemed to him to lie as near to the solution of the question of the preservation of identity after death as any other phenomenon of life. "Supposing," he said, "that such a friendship as that of which we have spoken is resumed after a break of twenty years. One is in no respect the same person; one looks different, one's views of life have altered, and physiologists tell us that one's body has changed perhaps three times over, in the time, so that there is not a particle of our frame that is the same; and yet the emotion, the feeling of the friendship remains, and remains unaltered. If the stuff of our thoughts were to alter as the materials of our body alter, the continuity of such an emotion would be impossible. Of course it is difficult to see how, divested of the body, our perceptions can continue; but almost the only thing we are really conscious of is our own identity, our sharp separation from the mass of phenomena that are not ourselves. And, if an emotion can survive the transmutation of the entire frame, may it not also survive the dissolution of that frame?"
"Could it be thus?" I said. "A ray of light falls through a chink in a shutter; through the ray, as we watch it, floats an infinite array of tiny motes, and it is through the striking of the light upon them that we are aware of the light; but they are never the same. Yet the ray has a seeming identity, though even the very ripples of light that cause it are themselves ever changing, ever renewed. Could not the soul be such a ray, illuminating the atoms that pass through it, and itself a perpetual