LITMIR.BIZ

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nothing is visible but the green stalks of grass or a red boulder.

      At the summit of the ridge there is a breeze and a far prospect. The road still runs on up hill and down dale, through the distant mountains, and on to the great pastoral uplands of Rustenburg and the far north-west. On either side the same waving grass, now grey and now green as the wind breathes over it. Below is a glen with a gleam of water, and some yards of tender lawn on either bank. Farmhouses line the sides, each with its dam, its few acres of untidy crop land, and its bower of trees. Beyond rise line upon line of green ridges, with a glimpse of woods and dwellings set far apart, till in the far distance the bold spurs of the Magaliesberg stand out against the sky. A thin trail of smoke from some veld-fire hangs between us and the mountains, tempering the intense clearness of an African prospect. There is something extraordinarily delicate and remote about the vista; it might be a mirage, did not the map bear witness to its reality. It is not unlike a child’s conception of the landscape of Bunyan, a road running straight through a mystical green country, with the hilltops of the Delectable Mountains to cheer the pilgrim. And indeed the land is instinct with romance. The names of the gorges which break the mountain line – Olifants’ Poort, Crocodile Poort, Commando Nek – speak of war and adventure and the far tropics beyond these pastoral valleys. The little farms are all “Rests” and “Fountains,” the true nomenclature of a far-wandering, home-loving people. The slender rivulet below us is one of the topmost branches of the great Limpopo, rising in a marsh in the wood behind, forcing its way through the hills and the bush-veld to the north, and travelling thence through jungles and fever-swamps to the Portuguese sea-coast. The road is one of the old highways of exploration; it is not fifty years since a white man first saw the place. And yet it is as pastoral as Yarrow or Exmoor; it has the green simplicity of sheep-walks and the homeliness of a long-settled rustic land. In the afternoon peace there is no hint of the foreign or the garish; it is as remote as Holland itself from the unwholesome splendours of the East and South.

      No landscape is so masterful as the veld. Broken up into valleys, reclaimed in parts by man, showing fifty varieties of scene, it yet preserves one essential character. For, homely as it is, it is likewise untamable. There are no fierce encroachments about it. A deserted garden does not return to the veld for many years, if ever. It is not, like the jungle, the natural enemy of man, waiting for a chance to enter and obliterate his handiwork, and repelled only by sleepless watching. Rather it is the quiet spectator of human efforts, ready to meet them half-way, and yet from its vastness always the dominant feature in any landscape. Its normal air is sad, grey, and Quakerish, never flamboyant under the brightest sun, and yet both strenuous and restful. The few red monstrosities man has built on its edge serve only to set off this essential dignity. For one thing, it is not created according to the scale of man. It will give him a home, but he will never alter its aspect. Let him plough and reap it for a thousand years, and he may beautify and fructify but never change it. The face of England has altered materially in two centuries, because England is on a human scale, – a parterre land, without intrinsic wildness. But cultivation on the veld will always be superimposed: it will remain, like Egypt, ageless and immutable – one of the primeval types of the created world.

      But, though dominant, it is also adaptable. It can, for the moment, assume against its unchangeable background a chameleon-like variety. Sky and weather combine to make it imitative at times. Now, under a pale Italian sky, it is the Campagna – hot, airless, profoundly melancholy. Again, when the mist drives over it, and wet scarps of hill stand out among clouds, it is Dartmoor or Liddesdale; or on a radiant evening, when the mountains are one bank of hazy purple, it has borrowed from Skye and the far West Highlands. On a clear steely morning it has the air of its namesake, the Norwegian fjelds, – in one way the closest of its parallels. But each phase passes, the tantalising memory goes, and we are back again upon the aboriginal veld, so individual that we wonder whence arose the illusion.

      A modern is badly trained for appreciating certain kinds of scenery. Generations of poets and essayists have so stamped the “pathetic fallacy” upon his soul that wherever he goes, unless in the presence of a Niagara or a Mount Everest, he runs wild, looking for a human interest or a historical memory. This is well enough in the old settled lands, but on the veld it is curiously inept. The man who, in Emerson’s phrase, seeks “to impress his English whim upon the immutable past,” will find little reward for his gymnastics. Not that there is no history of a kind – of Bantu wars, and great tribal immigrations, of wandering gold-seekers and Portuguese adventurers, of the voortrekker and the heroic battles in the wilds. But the veld is so little subject to human life that had Thermopylæ been fought in yonder nek, or had Saint Francis wandered on this hillside, it would have mastered and obliterated the memories. It has its history; but it is the history of cosmic forces, of the cycle of seasons, of storms and suns and floods, the joys and sorrows of the natural world.

      “Lo, for there among the flowers and grasses

      Only the mightier movement sounds and passes;

      Only winds and rivers,

      Life and death.”

      Men dreamed of it and its wealth long ago in Portugal and Holland. They have quarrelled about it in London and Cape Town, fought for it, parcelled it out in maps, bought it and sold it. It has been subject for long to the lusts and hopes of man. It has been larded with epithets; town-bred folk have made theories about it; armies have rumbled across it; the flood of high politics has swept it. But the veld has no memory of it. Men go and come, kingdoms fall and rise, but it remains austere, secluded, impenetrable, “the still unravished bride of quietness.”

      As one lives with it the thought arises, May not some future civilisation grow up here in keeping with the grave country? The basis of every civilisation is wealth – wealth to provide the background of leisure, which in turn is the basis of culture in a commercial world. Our colonial settlements have hitherto been fortuitous. They have fought a hard fight for a livelihood, and in the process missed the finer formative influences of the land. When, then, civilisation came it was naturally a borrowed one – English with an accent. But here, as in the old Greek colonies, we begin de novo, and at a certain high plane of life. The Dutch, our forerunners, acquired the stamp of the soil, but they lived on the barest scale of existence, and were without the aptitude or the wealth to go farther. Our situation is different. We start rich, and with a prospect of growing richer. On one side are the mining centres – cosmopolitan, money-making, living at a strained pitch; on the other this silent country. The time will come when the rich man will leave the towns, and, as most of them are educated and all are able men, he will create for himself a leisured country life. His sons in turn will grow up with something autochthonous in their nature. For those who are truly South Africans at heart, and do not hurry to Europe to spend their wealth, there is a future, we may believe, of another kind than they contemplate. All great institutions are rooted and grounded in the soil. There is an art, a literature, a school of thought implicit here for the understanding heart, – no tarnished European importation, but the natural, spontaneous fruit of the land.

      As we descend into the glen the going underfoot grows softer, the flinty red clay changes to sand and soon to an irregular kind of turf. At last we are on the stream-bank, and the waving grasses have gone. Instead there is the true meadow growth, reeds and water-plants and a species of gorgeous scarlet buck-bean; little runnels from the farm-dams creep among the rushes, and soon our horses’ feet are squelching through a veritable bog. Here are the sights and sounds of a Hampshire water-meadow. Swallows skim over the pools; dragon-flies and bees brush past; one almost expects to see a great trout raise a sleepy head from yonder shining reach. But there are no trout, alas! none, I fear, nearer than Natal; only a small greenish barbel who is a giant at four to the pound. The angler will get small satisfaction here, though on the Mooi River, above Potchefstroom, I have heard stories of a golden-scaled monster who will rise to a sea-trout fly. As we jump the little mill-lades, a perfect host of frogs are leaping in the grass, and small bright-eyed lizards slip off the stones at our approach. But, though the glen is quick with life, there is no sound: a deep Sabbatical calm broods over all things. The cry of a Kaffir driver from the highroad we have left breaks with an almost startling violence on the quiet. The tall reeds hush the stream’s flow, the birds seem songless, even the hum of insects is curiously dim. There is nothing for the ear, but much for the eye and more for the nostril. Our

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