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manner. And the theory was that every person entering its walls was of royal blood until he had admitted the contrary.

      Within the hotel it was already night.

      Edward Henry self-consciously crossed the illuminated hall, which was dotted with fashionable figures. He knew not whither he was going, until by chance he saw a golden grille with the word "Reception" shining over it in letters of gold. Behind this grille, and still further protected by an impregnable mahogany counter, stood three young dandies in attitudes of graceful ease. He approached them. The fearful moment was upon him. He had never in his life been so genuinely frightened. Abject disgrace might be his portion within the next ten seconds.

      Addressing himself to the dandy in the middle, he managed to articulate:

      "What have you got in the way of rooms?"

      Could the Five Towns have seen him then, as he waited, it would hardly have recognised its "card," its character, its mirror of aplomb and inventive audacity, in this figure of provincial and plebeian diffidence.

      The dandy bowed.

      "Do you want a suite, sir?"

      "Certainly!" said Edward Henry. Rather too quickly, rather too defiantly; in fact, rather rudely! A habitué would not have so savagely hurled back in the dandy's teeth the insinuation that he wanted only one paltry room.

      However, the dandy smiled, accepting with meekness Edward Henry's sudden arrogance, and consulted a sort of pentateuch that was open in front of him.

      No person in the hall saw Edward Henry's hat fly up into the air and fall back on his head. But in the imagination of Edward Henry, that was what his hat did.

      He was saved. He would have a proud tale for Brindley. The thing was as simple as the alphabet. You just walked in and they either fell on your neck or kissed your feet.

      Wilkins's indeed!

      A very handsome footman, not only in white gloves but in white calves, was soon supplicating him to deign to enter a lift. And when he emerged from the lift another dandy-in a frock-coat of Paradise-was awaiting him with obeisances. Apparently it had not yet occurred to anybody that he was not the younger son of some aged king.

      He was prayed to walk into a gorgeous suite consisting of a corridor, a noble drawing-room (with portrait of His Majesty of Spain on the walls), a large bedroom with two satinwood beds, a small bedroom, and a bathroom, all gleaming with patent devices in porcelain and silver that fully equalled those at home.

      Asked if this suite would do, he said it would, trying as well as he could to imply that he had seen better. Then the dandy produced a note-book and a pencil, and impassively waited. The horrid fact that he was un-elect could no longer be concealed. "E. H. Machin, Bursley," he said shortly, and added: "Alderman Machin." After all, why should he be ashamed of being an alderman?

      To his astonishment the dandy smiled very cordially, though always with profound respect.

      "Ah, yes!" said the dandy. It was as though he had said: "We have long wished for the high patronage of this great reputation." Edward Henry could make naught of it.

      His opinion of Wilkins's went down.

      He followed the departing dandy up the corridor to the door of the suite in an entirely vain attempt to enquire the price of the suite per day. Not a syllable would pass his lips. The dandy bowed and vanished. Edward Henry stood lost at his own door, and his wandering eye caught sight of a pile of trunks near to another door in the main corridor. These trunks gave him a terrible shock. He shut out the rest of the hotel and retired into his private corridor to reflect. He perceived only too plainly that his luggage, now at the Majestic, never could come into Wilkins's. It was not fashionable enough. It lacked elegance. The lounge suit that he was wearing might serve, but his luggage was totally impossible. Never before had he imagined that the aspect of one's luggage could have the least importance in one's scheme of existence. He was learning, and he frankly admitted that he was in an incomparable mess.

III

      At the end of an extensive stroll through and round his new vast domain, he had come to no decision upon a course of action. Certain details of the strange adventure pleased him-as for instance the dandy's welcoming recognition of his name; that, though puzzling, was a source of comfort to him in his difficulties. He also liked the suite; nay more, he was much impressed by its gorgeousness, and such novel complications as the forked electric switches, all of which he turned on, and the double windows, one within the other, appealed to the domestic expert in him; indeed, he at once had the idea of doubling the window of the best bedroom at home; to do so would be a fierce blow to the Five Towns Electric Traction Company, which, as everybody knew, delighted to keep everybody awake at night and at dawn by means of its late and its early tram-cars. However, he could not wander up and down the glittering solitude of his extensive suite for ever. Something must be done. Then he had the notion of writing to Nellie; he had promised himself to write to her daily; moreover, it would pass the time and perhaps help him to some resolution.

      He sat down to a delicate Louis XVI desk on which lay a Bible, a Peerage, a telephone-book, a telephone, a lamp, and much distinguished stationery. Between the tasselled folds of plushy curtains that pleated themselves with the grandeur of painted curtains in a theatre, he glanced out at the lights of Devonshire Square, from which not a sound came. Then he lit the lamp and unscrewed his fountain pen.

      "My dear wife-"

      That was how he always began, whether in storm or sunshine. Nellie always began, "My darling husband"; but he was not a man to fling darlings about. Few husbands in the Five Towns are. He thought "darling," but he never wrote it, and he never said it, save quizzingly.

      After these three words the composition of the letter came to a pause. What was he going to tell Nellie? He assuredly was not going to tell her that he had engaged an unpriced suite at Wilkins's. He was not going to mention Wilkins's. Then he intelligently perceived that the note-paper and also the envelope mentioned Wilkins's in no ambiguous manner. He tore up the sheet and searched for plain paper. Now, on the desk there was the ordinary hotel stationery, mourning stationery, cards, letter-cards, and envelopes for every mood; but not a piece that was not embossed with the historic name in royal blue. The which appeared to Edward Henry to point to a defect of foresight on the part of Wilkins's. At the gigantic political club to which he belonged, and which he had occasionally visited in order to demonstrate to himself and others that he was a club-man, plain stationery was everywhere provided for the use of husbands with a taste for reticence. Why not at Wilkins's also?

      On the other hand, why should he not write to his wife on Wilkins's paper? Was he afraid of his wife? He was not. Would not the news ultimately reach Bursley that he had stayed at Wilkins's? It would. Nevertheless, he could not find the courage to write to Nellie on Wilkins's paper.

      He looked around. He was fearfully alone. He wanted the companionship, were it only momentary, of something human. He decided to have a look at a flunkey, and he rang a bell.

      Immediately, just as though wafted thither on a magic carpet, from the court of Austria, a gentleman in waiting arrived in the doorway of the drawing-room, planted himself gracefully on his black silk calves, and bowed.

      "I want some plain note-paper, please."

      "Very good, sir." Oh! Perfection of tone and of mien!

      Three minutes later the plain note-paper and envelopes were being presented to Edward Henry on a salver. As he took them, he looked enquiringly at the gentleman in waiting, who supported his gaze with an impenetrable, invulnerable servility. Edward Henry, beaten off with great loss, thought: "There's nothing doing here just now in the human companionship line," and assumed the mask of a hereditary prince.

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