LITMIR.BIZ

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house should be roomy enough for his thought, for his family and guests; honor the ceilings, and geniality the hearthstone. Ample apartments, a charming landscape and surroundings; these have their influence on the dispositions, the tastes, manners of the inmates, and are not to be left out of account. Yet, without nobility to grace them, what were the costly palace, its parlors and parks, luxuries and elegancies, within or without, – the handsome house owing its chief beauty to the occupants, the company, one's virtues and accomplishments draw inside of the mansion; persons being the figures that grace the edifice, else unfurnished, and but a showy pile of ostentation and folly, as desolate within as pretentious without.

      "Two things money cannot buy,

      Breeding and integrity."

      "It happens," says Plutarch, "that neither rich furniture, nor moveables, nor abundance of gold, nor descent from an illustrious family, nor greatness of authority, nor eloquence, and all the charms of speaking, can procure so great a serenity of life, as a mind free from guilt and kept untainted, not only from actions but from purposes that are wicked. By this means the soul will be not only unpolluted, but not disturbed; the fountain will run clear and unsullied, and the streams that flow from it will be just and honest deeds, full of satisfaction, a brisk energy of spirit which makes a man an enthusiast in his joy, and a tenacious memory sweeter than hope, which, as Pindar says, 'with a virgin warmth cherishes old men.' For as shrubs which are cut down with morning dew upon them, do for a long time after retain their fragrance, so the good actions of a wise man perfume his mind and leave a rich scent behind them. So that joy is, as it were, watered with those essences, and owes its flourishing to them."

GENEALOGIESMonday, 19.

      One values his chosen place of residence, whether he be a native or not, less for its natural history and advantages than for its civil and social privileges.

      "The hills were reared, the rivers scooped in vain,

      If learning's altars vanish from the plain."

      And all the more, if, while retaining the ancient manners, it cherish the family sentiment against the straggling habits which separate members so widely in our times that intercourse is had seldomer than of old; names of kindred hardly surviving save in the fresh recollections of childhood by the dwellers apart; far more of life than we know being planted fast in ancestral homes, the best of it associated with these, as if there were a geography of the affections that nothing could uproot.

      A people can hardly have attained to nationality till it knows its ancestor and is not ashamed of its antecedents. If such studies were once deemed beneath the dignity of an American, they are no longer. We are not the less national for honoring our forefathers. Blood is a history. Blood is a destiny. How persistent it is, let the institutions of England, Old and New, bear testimony, since on this prerogative – call it race, rank, family, nature, culture, nationality, what you will – both peoples stand and pride themselves, lion and eagle, an impregnable Saxondom, a common speech, blazoning their descent.

      "Ours is the tongue the bards sang in of old,

      And Druids their dark knowledge did unfold;

      Merlin in this his prophesies did vent,

      Which through the world of fame bear such extent.

      Thus spake the son of Mars, and Britain bold,

      Who first 'mongst Christian worthies is enrolled;

      And many thousand more, whom but to name

      Were but to syllable great Shakespeare's fame."

      A strong race, the blood flows boldly in its veins, truculent, if need be, aggressive, and holding its own, as pronounced in the women as in the men, here in New England as in Old, the dragon couchant and ready to spring in defence of privileges and titles; magnanimous none the less, and merciful, as in the times of St. George and Bonduca. One needs but read Tacitus on the Manners of the Ancient Germans, to find the parentage of traits which still constitute the Englishmen, Old and New, showing how persistent, under every variety of geographical and political conditions, is the genius of races.

      'Tis due to every name that some one or more inheriting it should search out its traits and titles, as these descend along the stream of generations and reappear in individuals. And we best study the fortunes of families, of races and peoples, here at their sources. Even heraldries have their significance. And it is accounted the rule that names are entitled to the better qualities of their emblazonries, each having something admirable and to be honored in its origin.2

      Thus the Cock is alike the herald of the dawn and sentinel of the night; the emblem of watchfulness and of wisdom; of vigilance and of perseverance, and Semper Vigilans, the appropriate motto of family arms bearing the name with its variations.

      So the poet

OF THE COCK

      "Father of Lights! what sunny seed,

      What glance of day, hast thou confined

      Unto this bird? To all the breed

      This busy ray thou hast assigned;

      Their magnetism works all night

      And dreams of paradise and light,

      It seems their candle howe'er done

      Was tin'd and lighted at the sun."

SCHOLARSHIPWednesday, 28.

      Apart they sit, the better know,

      Why towns and talk sway men below.

      Freedom from affairs, and leisure to entertain his thoughts, is the scholar's paradise. Hardly less the delight in comparing notes with another in conversation. It is the chiefest of satisfactions this last, where sympathy is possible and perfect. One does not see his thought distinctly till it is reflected in the image of another's. Personal perspective gives the distance necessary to bring out its significance. "There are some," says Thoreau, "whose ears help me so much that my things have a rare significance when I read to them. It is almost too good a hearing, so that, for the time, I regard my writing from too favorable a point of view." Yet the criticism of admiration is far more acceptable and the more likely to be just than that of censure. Much learning does not make an accomplished critic; taste, sensibility, sympathy, ideality, are indispensable. A man of talent may apprehend and judge fairly of works of his class. But genius alone comprehends and appreciates truly the works of genius.

      Nor are all moods equally favorable for criticism. "It may be owing to my mood at the time," says Goethe, "but it seems to me, that as well in treating of writings as of actions, unless one speak with a loving sympathy, a certain enthusiasm, the result is so defective as to have little value. Pleasure, delight, sympathy in things, is all that is real; and that reproduces reality in us; all else is empty and vain." One must seize the traits as they rise with the tender touch, else they elude and dissolve in the moment; pass into the obscurity out of which they emerged, and are lost forever. Much depends upon this, that one make the most of his time, and miss no propitious moods.

      Rarely does one win a success with either tongue or pen. Of the books printed, scarcely never the volume entire justifies its appearance in type. Much is void of deep and permanent significance, touches nothing in one's experience, and fails to command attention. Even subjects of gravest quality, unless treated suggestively, find no place in a permanent literature. It is not enough that the thing is literally defined, stated logically; it needs to be complemented ideally, – set forth in lucid imagery to tell the story to the end. Style carries weight oftentimes when seemingly light itself. Movement is necessary, while the logic is unapparent, – all the more profound and edifying as it appeals to and speaks from the deeper instincts, and so makes claims upon the reader's mind. That is good which stands strong in its own strength, detached from local relations. So a book of thoughts suggests thought, edifies, inspires. Whatever interests at successive readings has life in it, and deserves type and paper.

      My code of composition stands thus, and this is my advice to whom it may concern: —

      Burn every scrap that stands not the test

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