LITMIR.BIZ

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selfishness of our nature, we are certain never to attain.

      It must not be supposed, nevertheless, that Nuneham Courtney is one of the great show-places of England. It is merely a fair specimen of the better class of country-seats, and has a hundred rivals, and many superiors, in the features of beauty, and expansive, manifold, redundant comfort, which most impressed me. A moderate man might be content with such a home, – that is all.

      And now I take leave of Oxford without even an attempt to describe it, – there being no literary faculty, attainable or conceivable by me, which can avail to put it adequately, or even tolerably, upon paper. It must remain its own sole expression; and those whose sad fortune it may be never to behold it have no better resource than to dream about gray, weather-stained, ivy-grown edifices, wrought with quaint Gothic ornament, and standing around grassy quadrangles, where cloistered walks have echoed to the quiet footsteps of twenty generations, – lawns and gardens of luxurious repose, shadowed with canopies of foliage, and lit up with sunny glimpses through archways of great boughs, – spires, towers, and turrets, each with its history and legend, – dimly magnificent chapels, with painted windows of rare beauty and brilliantly diversified hues, creating an atmosphere of richest gloom, – vast college halls, high-windowed, oaken-paneled, and hung round with portraits of the men, in every age, whom the university has nurtured to be illustrious, – long vistas of alcoved libraries, where the wisdom and learned folly of all time is shelved, – kitchens (we throw in this feature by way of ballast, and because it would not be English Oxford without its beef and beer), with huge fireplaces, capable of roasting a hundred joints at once, – and cavernous cellars, where rows of piled-up hogsheads seethe and fume with that mighty malt-liquor which is the true milk of Alma Mater: make all these things vivid in your dream, and you will never know nor believe how inadequate is the result to represent even the merest outside of Oxford.

      We feel a genuine reluctance to conclude this article without making our grateful acknowledgments, by name, to a gentleman whose overflowing kindness was the main condition of all our sight-seeings and enjoyments. Delightful as will always be our recollection of Oxford and its neighborhood, we partly suspect that it owes much of its happy coloring to the genial medium through which the objects were presented to us, – to the kindly magic of a hospitality unsurpassed, within our experience, in the quality of making the guest contented with his host, with himself, and everything about him. He has inseparably mingled his image with our remembrance of the Spires of Oxford.

      VIII.

      SOME OF THE HAUNTS OF BURNS

      We left Carlisle at a little past eleven, and within the half hour were at Gretna Green. Thence we rushed onward into Scotland through a flat and dreary tract of country, consisting mainly of desert and bog, where probably the moss-troopers were accustomed to take refuge after their raids into England. Anon, however, the hills hove themselves up to view, occasionally attaining a height which might almost be called mountainous. In about two hours we reached Dumfries, and alighted at the station there.

      Chill as the Scottish summer is reputed to be, we found it an awfully hot day, not a whit less so than the day before; but we sturdily adventured through the burning sunshine up into the town, inquiring our way to the residence of Burns. The street leading from the station is called Shakespeare Street; and at its farther extremity we read "Burns Street" on a corner-house, – the avenue thus designated having been formerly known as "Mill-Hole Brae." It is a vile lane, paved with small, hard stones from side to side, and bordered by cottages or mean houses of whitewashed stone, joining one to another along the whole length of the street. With not a tree, of course, or a blade of grass between the paving-stones, the narrow lane was as hot as Tophet, and reeked with a genuine Scotch odor, being infested with unwashed children, and altogether in a state of chronic filth; although some women seemed to be hopelessly scrubbing the thresholds of their wretched dwellings. I never saw an outskirt of a town less fit for a poet's residence, or in which it would be more miserable for any man of cleanly predilections to spend his days.

      We asked for Burns's dwelling; and a woman pointed across the street to a two-story house, built of stone, and whitewashed, like its neighbors, but perhaps of a little more respectable aspect than most of them, though I hesitate in saying so. It was not a separate structure, but under the same continuous roof with the next. There was an inscription on the door, bearing no reference to Burns, but indicating that the house was now occupied by a ragged or industrial school. On knocking, we were instantly admitted by a servant-girl, who smiled intelligently when we told our errand, and showed us into a low and very plain parlor, not more than twelve or fifteen feet square. A young woman, who seemed to be a teacher in the school, soon appeared, and told us that this had been Burns's usual sitting-room, and that he had written many of his songs here.

      She then led us up a narrow staircase into a little bedchamber over the parlor. Connecting with it, there is a very small room, or windowed closet, which Burns used as a study; and the bedchamber itself was the one where he slept in his later lifetime, and in which he died at last. Altogether, it is an exceedingly unsuitable place for a pastoral and rural poet to live or die in, – even more unsatisfactory than Shakespeare's house, which has a certain homely picturesqueness that contrasts favorably with the suburban sordidness of the abode before us. The narrow lane, the paving-stones, and the contiguity of wretched hovels are depressing to remember; and the steam of them (such is our human weakness) might almost make the poet's memory less fragrant.

      As already observed, it was an intolerably hot day. After leaving the house, we found our way into the principal street of the town, which, it may be fair to say, is of very different aspect from the wretched outskirt above described. Entering a hotel (in which, as a Dumfries guide-book assured us, Prince Charles Edward had once spent a night), we rested and refreshed ourselves, and then set forth in quest of the mausoleum of Burns.

      Coming to St. Michael's Church, we saw a man digging a grave, and, scrambling out of the hole, he let us into the churchyard, which was crowded full of monuments. Their general shape and construction are peculiar to Scotland, being a perpendicular tablet of marble or other stone, within a framework of the same material, somewhat resembling the frame of a looking-glass; and, all over the churchyard, these sepulchral memorials rise to the height of ten, fifteen, or twenty feet, forming quite an imposing collection of monuments, but inscribed with names of small general significance. It was easy, indeed, to ascertain the rank of those who slept below; for in Scotland it is the custom to put the occupation of the buried personage (as "Skinner," "Shoemaker," "Flesher") on his tombstone. As another peculiarity, wives are buried under their maiden names, instead of those of their husbands, thus giving a disagreeable impression that the married pair have bidden each other an eternal farewell on the edge of the grave.

      There was a foot-path through this crowded churchyard, sufficiently well worn to guide us to the grave of Burns; but a woman followed behind us, who, it appeared kept the key of the mausoleum, and was privileged to show it to strangers. The monument is a sort of Grecian temple, with pilasters and a dome, covering a space of about twenty feet square. It was formerly open to all the inclemencies of the Scotch atmosphere, but is now protected and shut in by large squares of rough glass, each pane being of the size of one whole side of the structure. The woman unlocked the door, and admitted us into the interior. Inlaid into the floor of the mausoleum is the gravestone of Burns, – the very same that was laid over his grave by Jean Armour, before this monument was built. Displayed against the surrounding wall is a marble statue of Burns at the plough, with the Genius of Caledonia summoning the ploughman to turn poet. Methought it was not a very successful piece of work; for the plough was better sculptured than the man, and the man, though heavy and cloddish, was more effective than the goddess. Our guide informed us that an old man of ninety, who knew Burns, certifies this statue to be very like the original.

      The bones of the poet, and of Jean Armour, and of some of their children, lie in the vault over which we stood. Our guide (who was intelligent, in her own plain way, and very agreeable to talk withal) said that the vault was opened about three weeks ago, on occasion of the burial of the eldest son of Burns. The poet's bones were disturbed, and the dry skull, once so brimming over with powerful thought and bright and tender fantasies, was taken away, and kept for several days by a Dumfries doctor. It has since been deposited in a new leaden coffin, and restored to the vault. We learned

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