ТОП просматриваемых книг сайта:
Michelangelo da Caravaggio. Félix Witting
Читать онлайн.Название Michelangelo da Caravaggio
Год выпуска 2016
isbn 978-1-78310-027-9
Автор произведения Félix Witting
Жанр Иностранные языки
Серия Best of
Издательство Parkstone International Publishing
The Supper at Emmaus is significant for the distance the painter allows himself to go: in the representation of Jesus appearing to the two disciples, Caravaggio chooses to humorously represent an innkeeper wearing his hat accompanied by a waitress, both of whom are dressed in 17th-century attire. This technique, which gives the scene a certain shift in time, had already been used by the painter in his first painting of Mary Magdalene. For the painting that can be seen in the Cesari chapel (The Conversion of Saint Paul), Caravaggio, ignoring the celestial vision, prefers to anchor the scene in the material reality of a horse-riding accident which symbolises the shock experienced by the apostle. Caravaggio, who in the paintings of Saint Matthew in the chapel in San Luigi dei Francesi had already tried to revolutionise and renew the fundamental laws of painting, outdid this monument to his recently-discovered style in an even more magnificent way in the paintings he carried out for the Cerasi for their chapel in Santa Maria del Popolo in Rome. On the right-hand wall of the chapel to the left of the nave, directly next to the choir,[58] is The Conversion of Saint Paul, and on the left-hand wall The Crucifixion of Saint Peter. J. Burckhardt’s judgement of the works, in which his dislike of Caravaggio is clearly expressed, remains exaggerated and restricts access to the understanding of an important moment in the Baroque.[59] His reproach concerning the horse, from which the apostle has slid following his vision, which almost completely fills the picture on its own, seems unjustified given the mastery of the application of the paint in the forms and colours. On the contrary, it is the contrast between the struck-down animal and the divine messenger who is standing in the background which renders the impact even more significant. From a purely artistic point of view, this pushing of enormous corporeal masses into the foreground marks the point at which painting left its previous tendencies behind.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.